Tag Archives: grindcore

Review: The Brood’s The Truth Behind

London-based grind-metallers The Brood have dropped one hell of a debut with The Truth Behind. This 33 minute monster sounds like Carcass battling it out with Hatebreed and it absolutely delivers a level of savagery fitting of that analogy.

Now this isn’t a particularly smart album and it was never going to be when it has such song titles as Barbie Voorhees, Free Range Meat and Mindfuck. The Brood have a very specific goal with their music and that is to make the heaviest, fastest metal imaginable. While it’s not exactly as creative as similar sounding crossover acts like Corrupt Moral Altar, The Brood’s song-writing is certainly effective and if you like grindcore then you’re certainly in for a treat.

The Brood’s music isn’t exactly for the faint of heart. We’ve got low-pitched, grunty screams throughout, a near-constant abuse of double-bass drumming and blast-beats and it’s all drenched in a healthy dose of blistering guitar work, full of chunky riffs and tremolo picking. Thankfully, The Brood have the chops to meld their noise into a cohesive package that moves exactly as you’d expect it to and lets you get your mosh on in a thoroughly satisfying way.

While most of the faster songs on The Truth Behind clock in at around 2 minutes, The Brood do manage to show that even when they’re making the loudest racket possible, they’ve got enough ideas in them that they can write some longer-form songs like Lobotomized, GIL and Mud Doll Factory. These tracks showcase more of a metallic hardcore sound that is flourished with elements of grindcore and it makes for the most varied and exciting songs on the album. The Brood might be a heavy band, but they certainly know exactly where to focus their anger with satisfying results.

The Truth Behind isn’t going to win many awards for originality and The Brood do run the risk of finding themselves lost in a sea of similar grind bands, but thankfully their song-writing is robust enough to carry their debut album for its entirety and it makes for one nasty beast of a record. The Truth Behind has enough solid grindcore barnstormers on it to deserve your attention and it’s a great starting point for a band certainly that have the capability to step things up a notch on their next release.

8/10

The Brood’s The Truth Behind is out now and can be bought on CD directly from the band’s Bigcartel page.


Year End: The 10 Best Albums of 2016

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10) Raging Speedhorn

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Raging Speedhorn released a new album in 2016! Holy shit! And it sounds like a direct continuation of the sound on How the Great Have Fallen! And Frank is back in the band! Raging Speedhorn’s return with their 5th long-player Lost Ritual certainly quashed any worries that their previous album Before the Sea Was Built might have instilled and it’s absolutely fantastic to have them back on top form. The kings of sludgecore have finally returned.

9) Aliases – Derangeable

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“Derangeable is a welcome addition to Aliases very limited library and it’s pretty safe to say that if you were a fan of the band before, then this was certainly a record worth waiting for. However, if you’re well versed in tech metal then you’ll certainly notice the similarities to SikTh and while you’ll probably never ask yourself, “why am I not just listening to SikTh?” you’ll certainly wonder if there wasn’t more the band could have done to differentiate themselves a bit.”

Click here for the full review.

8) Rash Decision – Headstrung

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“Regardless, Rash Decision have managed to churn out 17 minutes of hardcore punk perfection on Headstrung and if the new material doesn’t quench your hardcore thirst then there’s another 19 minutes of songs for you to indulge in, thanks to Seaside Resort to Violence being on the B side. Rash Decision are an immensely enjoyable hardcore punk act that don’t have too many strings on their bow, but thankfully the ones that are there do the job perfectly.”

Click here for the full review.

7) Karybdis – Samsara

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“Karybdis have put together a smorgasbord of metal subgenres and masterfully fused them into a sound that is exclusive to the band. Samsara is a metal album that heavy music fans will be championing for years to come and it establishes Karybdis as one of the UK’s best metal acts.”

Click here for the full review.

6) Iron Witch – A Harrowed Dawn

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“Iron Witch have certainly spent a long time getting to this record and at only 6 tracks long it is a bit slight for a long-player, but those years of writing and touring have turned them into a well-oiled, doom-making machine and A Harrowed Dawn is the realisation of all their achievements so far. This is easily the best and biggest sounding Iron Witch release to date and an essential purchase for any doom fan.”

Click here for the full review.

5) Let It Die – The Liar & the Saint

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It feels like I’ve been waiting forever for Let it Die to put their efforts into a long-player and with The Liar & the Saint the band have finally delivered. In typical Let it Die fashion it’s as heavy as a tonne of bricks to the skull and faster than a cat belting it across the room after having its tail stepped on. The Liar & the Saint is a relentless assault of hardcore punk and grind that demands you’re moshing for its entirety. Let it Die certainly didn’t disappoint on their debut album, but was there really any doubt?

4) The Infernal Sea – The Great Mortality

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“The Infernal Sea’s The Great Mortality is an album that you simply must own if you like metal. The Inferal Sea have absolutely mastered their craft and turned in one of the most satisfying black metal releases you could possibly want. It’s heavy, it’s memorable and it’s pretty much essential if you enjoy metal.”

Click here for the full review.

3) Sunwølf – Eve

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“Eve is another monstrous achievement for Sunwølf. It’s an album of uplifting highs and crushing lows and despite the simplicity in the song-writing and how long the songs can be, everything is crafted with atmosphere in mind. Sunwølf songs will only linger if the atmosphere requires it to and thanks to the simplicity of the song-writing, the band also put focus on their melodies. You wouldn’t think an album like this would be so memorable but thanks to the focus on melody and atmosphere, it’s very easy to find yourself playing Eve repeatedly without even noticing it. Eve is a beautiful album that makes you appreciate good song-writing and if you’re a fan of post rock then it’s an essential purchase.”

Click here for the full review.

2) Wode – Wode

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“Wode’s debut self-titled album is a fantastic achievement. Every element of the band’s song-writing has been so carefully crafted and sculpted to maximise the impact of their music and it makes this album one of the most approachable black metal releases I’ve ever come across. If you’re a fan of heavy music in general then Wode’s self-titled album is something that has a much broader appeal than most underground black metal and it’s a release I’d thoroughly recommend.”

Click here for the full review.

1) Slabdragger – Rise of the Dawncrusher

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“The UK is spoilt for great sludge as Slabdragger are competing with other brilliant acts like Limb, Gurt, Monolithian and Opium Lord, but Rise of the Dawncrusher sets a new standard for UK sludge metal. Slabragger have written a follow-up so utterly devastating that it demands your attention. Slabdragger, man; what a band.”

Click here for the full review.


Review: Harrowed and Art of Burning Water’s Split 7″

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HARROWED

Harrowed’s take on dark, metallic hardcore is one of the best in the UK and their debut album Into Inferno is a vicious and dangerous sounding record that takes all the best bits from the genre and plays them really well. However, on the two tracks they offer on this split, the elements are all still there but Harrowed don’t sound as volatile. This is Harrowed doing what Harrowed do and that’s fine because Harrowed make great hardcore, but they’re missing the edge that made Into Inferno so utterly sumptuous.

This is mainly due to the production style which is a little rawer than the band’s debut. Into Inferno certainly wasn’t a bright, shiny album when it came to production, but the guitar sounded deadly. It had a real bite that’s sadly missing on these tracks and it just means that they’re missing a special something that would make them stand out better, especially now that dark hardcore is such an overpopulated genre.

Harrowed are still an exciting hardcore band and these tracks are by no means bad, they’re just not up to the band’s usual standard. Fingers crossed Harrowed have another belter of a long-player in the works because it’s about time we saw something more substantial from the band. It’s weird to think that Into Inferno is around 3 years old now.

7/10

ART OF BURNING WATER

Art of Burning Water are one of those bands that have been slogging their way through the toilet circuit for what feels like forever and never really been given their dues. Their music is very difficult to categorise as it draws in so many different influences from the heavy music spectrum, but it’s mainly a form hardcore punk that’s sprinkled with elements of black metal and grindcore. Vocals are always high-pitched and raspy giving their music that nasty, brooding vibe that black metal does so well and the loose, short bursts of almost free-form song-writing definitely lend themselves heavily to hardcore and grind.

Thankfully, despite all these elements coming into play, they manage to fuse in a way that makes Art of Burning Water’s music sound utterly ferocious. Let Me Let You Finish is the perfect example of all these musical styles coming together harmoniously and it’s a terrifying and scattershot explosion of disgusting metal that demands your attention. Please start paying attention to what Art of Burning Water are doing because a band like this shouldn’t be so criminally overlooked.

8/10

Harrowed and Art of Burning Water’s split 7″ is out now and available to buy from Secret Law Records.


Review: Razoreater’s Vacuum of Nihil

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It’s been a long time since we had a new offering from power violence/grindcore mob Razoreater, with only a trickle of new music via 2014’s live split with Oblivionized. Thankfully 2016 has seen fit to bless us with the most unashamedly relentless release Razoreater have ever produced and it’s called Vacuum of Nihil.

This EP does not mess about; this is 5 of Razoreater’s most visceral offerings and fans of Trap Them and Full of Hell will find a lot to love. Razoreater are still worshipping at the altar of the Boss HM-2 pedal and that crunchy, scuzzy tone is put to brilliant use. Every chord is paired with an equally punishing cymbal crash to give every groove the impact it deserves. This is extremely satisfying stuff.

New to Razoreater’s music is more liberal use of blast-beats and tremolo-picked guitar riffs that give Vacuum of Nihil more of a death metal sound. This means that despite the sheer, unabashed heaviness of this EP, Razoreater have put together one of their most diverse offerings. Tracks like Bloodeagled even manage to slow things down to a nice sludgy pace to allow the listener to really savour those mighty grooves.

We even close on another Razoreater first; a power electronics track. The closing moments of Filth Scheming, Shrill Screaming is a thoroughly oppressive burst of harsh noise that is cleverly pressed onto vinyl with an endless run-out groove. I didn’t even realise the track was looping on my initial spin of the record which is a masterstroke on Razoreater’s part.

Vacuum of Nihil is a loud, noisy, racket of a metal EP and it contains Razoreater’s finest work to date. This band has only managed to get more ferocious with every record and still manage to find new ways to assault your ears. Vacuum of Nihil might have been a long time coming but when Razoreater deliver a record as disgustingly vicious as this it makes you realise that it might have all been worth it. This is an essential UK metal release.

10/10

Razoreater’s Vacuum of Nihil is out now on limited edition vinyl through Skin & Bones Records and Wooaaargh.


Year End: The 10 Best Albums of 2015

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10) Let’s Talk Daggers – A Beautiful Life

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“Regardless, Let’s Talk Daggers have made one of the most electric rock albums of the year. If you can appreciate guitar music that doesn’t sacrifice technicality for song-writing then Let’s Talk Daggers have delivered a record that does just that and even more. A Beautiful Life is an absolute tidal wave of riffs, tempo changes and yelping and despite the madness of its contents, Let’s Talk Daggers have brought it all together into one cohesive yet exhausting piece.”

Click here to read the full review.

9) Limb – Terminal

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“Terminal is the natural continuation from Limb’s self-titled debut and it’s an infinitely more enjoyable and masterfully crafted slab of hard rock. The band haven’t rested on their laurels and continue to get better on every record they release. The pressure is certainly on for the next release, lads!”

Click here to read the full review.

8) Torpor – From Nothing Comes Everything

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London doom behemoth Torpor wiped the floor with the rest of the doom offerings this year. The long-form nature of Torpor’s songs is beautifully tempered by the bands wonderful song-writing which ebbs and flows in a wonderfully natural way that means that 11 minute monsters like From This Time never outstay their welcome. Every riff on From Nothing Comes Everything is a crushing beast of a thing that demands some serious head-banging. This record is a real masterclass of doom song-writing.

Full review coming soon.

7) Svalbard – One Day All This Will End

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“By the end of the closing moments of Lily, Svalbard have taken you on a post hardcore journey like no other. One Day All This Will End is one of the best punk releases birthed in the UK and Svalbard have mastered an amazingly eclectic sound that’s equal parts angry, beautiful and forlorn. One Day All This Will End is essential listening to fans of post hardcore and a welcoming introduction to anyone looking to explore the more progressive side of hardcore.”

Click here to read the full review.

6) Employed to Serve – Greyer Than You Remember

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“It’s impossible to justify any criticism towards this record. Employed to Serve have absolutely mastered their craft and if dense, bastard-heavy hardcore is your thing than Greyer than You Remember is filled wall-to-wall with some of the genre’s finest moments. The album barely gives you a moment to breath in favour of demanding you mosh harder and it’s almost euphoric in its density.”

Click here to read the full review.

5) xRepentancex – The Sickness of Eden

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“xRepentancex have delivered a debut album that’s so furious it feels like it could tear apart at the seams. The Sickness of Eden is a hardcore record every fan of the genre should own and it’s almost beautiful in its sheer relentlessness. God knows how you follow an album this consistent. Good luck guys.”

Click here to read the full review.

4) Press to Meco – Good Intent

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“Press to Meco have delivered an album that showcases exactly what the trio are capable of. It’s a glorious, exciting monster of a record that is stuffed with technical wizardry and choruses so big that they deserve to be blasted across festival audiences all summer long.”

Click here to read the full review.

3) Old Skin – Beneath the Trees

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Old Skin’s debut album was the most bittersweet release of the year because while it is one of the best metallic hardcore albums this country has ever produced, its release also marked the demise of the band. Given away as a pay-what-you-want download to mark the final chapter of Old Skin’s career, this is an apocalyptic hardcore onslaught that never lets up. Old Skin might be gone but they’ve left behind one of the most disgustingly heavy records this country has ever produced and it deserves to be heard by everyone.

Full review coming soon.

2) Oblivionized – Life is a Struggle, Give Up

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“Life is a Struggle, Give Up is Oblivionized firing on all cylinders. This is an unforgiving attack of tech-metal, grind and deathcore that is sculpted with finite detail and it’s not afraid to hit you over the head with a monolithic riff for good measure. This might be an exhausting ordeal on your first listen, but give it the time it deserves and it will slowly unveil a metal record for the ages.”

Click here to read the full review.

1) Caïna – Setter of Unseen Snares

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“Setter of Unseen Snares is an album of unbridled fury, bleak atmosphere and eventually, shimmering post metal beauty. This is one of the most diverse and brilliantly executed black metal albums I’ve ever had the pleasure of listening to and it deserves to be heard by more than just fans of the genre.”

Click here to read the full review.

Notable Mentions
Monolithian – The Finest Day I Ever Lived, Was When Tomorrow Never Came. (click here to read the full review)


Review: Oblivionized’s Life is a Struggle, Give Up

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It’s been a long time coming, but tech-grind lunatics Oblivionized have finally delivered an album. Starting out as a 5-man progressive death metal act, the band have found powerful new legs as a trio and Life is a Struggle, Give Up showcases exactly how far the band have come since their 2011 debut EP.

Kicking things off, Lower Your Expectations manages to sum up exactly what Oblivionized are about in less than 2 minutes. The song deals in mind-melting polyrhythms, relentless blast-beats, bile-ridden screams and down-tuned guitar wizardry. This is extremely testing stuff but guitarist Sammy Urwin always chooses the perfect opportunities to lay off the technicality for a moment of groovy, neanderthal-esque head-banging like in the final moments of Cry Yourself to Ash. It’s the perfect combination of utter recklessness and it’s the sort of madness you’d probably get if members of SikTh and Suicide Silence formed a super-group.

The album’s title track is another great example of Oblivionized making technical death metal more palatable. Half way through the track the song changes from an unforgiving attack of guitar tapping and blast-beats to a slower-paced beatdown that wouldn’t feel out of place on an Oceano record. It’s not often we praise a band for using single-chord breakdowns but Oblivionized use them masterfully. Songs like Whore Dogs are all the better for their stylistic shift from angular craziness to riff-heavy sections.

We can’t continue without mentioning the stunning performance of drummer Will Merlin who absolutely decimates his kit throughout this record. A performance this furious deserves a great mix and thankfully this has also been accommodated. Most tech-metal records aim for robot-like precision in their mixes but thankfully every glorious, bass-heavy tom hit and cymbal crash has been captured with the savageness it deserves.

It’s also worth mentioning that Oblivionized’s lack of bassist is actually an element that helps this record. The addition of another guitar could’ve made this album a considerably difficult listening experience as the band’s sound is already breezeblock-thick. Urwin’s guitar-work cuts through the screaming and drumming and adds all the melody the band could ever need. Oblivionized manage to work a little too well considering their limitations.

Life is a Struggle, Give Up is Oblivionized firing on all cylinders. This is an unforgiving attack of tech-metal, grind and deathcore that is sculpted with finite detail and it’s not afraid to hit you over the head with a monolithic riff for good measure. This might be an exhausting ordeal on your first listen, but give it the time it deserves and it will slowly unveil a metal record for the ages.

9/10

Oblivionized’s Life is a Struggle, Give Up is released on Secret Law Records later this month. Pre-order it by clicking here.


Year End: The Top 10 Best Albums of 2014

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10) Trudger – Dormiveglia

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What we said:

“Trudger’s Dormiveglia is a thick, multi-layered experience that gets better every time you listen to it. The band has grown tremendously since their debut EP and the song writing on Dormiveglia is absolutely top tier. This might be a challenging listen for heavy music fans and the band’s raucous fusion of sludge, doom, death and black metal might make for a bleak experience, but it’s one of the best bleak experiences you’re going to have for a while. Buy this record, light some candles and get moody.”

Read the full review by clicking here.

9) Goodtime Boys – Rain

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What we said:

“Goodtime Boys have really hit their stride on Rain and it’s an album every post hardcore fan should consider owning. The music is still aggressive but it now flourishes into gorgeous melodies drenched in haunting atmosphere. 2014 has been a stunning year for post hardcore records with Vales delivering an equally excellent album and it’s about time we recognise Goodtime Boys in a similar light. Rain is an astonishing debut album that deserves your attention.”

Read the full review by clicking here.

8) All the Best Tapes – All the Best Tapes

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What we said:

“All the Best Tapes have put together an extremely diverse and challenging record that cleverly drenches all the music’s elements in a huge helping of melody. Albums like this are proper once-in-a-lifetime experiences and nothing can prepare you for how utterly bonkers it all sounds while still sounding like a cohesive record. Well done All the Best Tapes and thanks for being so mind-bogglingly weird.”

Read the full review by clicking here.

7) Corrupt Moral Altar – Mechanical Tides

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What we said:

“Corrupt Moral Altar have delivered one of the most amazing debut albums any metal band could hope to make. Mechanical Tides is a raucous, nasty bastard of a record that manages to take influences from as many areas of the metal spectrum it can and it fuses them into the band’s already brilliant sound with ease. It’s not often we get to experience an album that’s so magnificently loud yet diverse at the same time and Corrupt Moral Altar have made us wish this experience occurred more often.”

Read the full review by clicking here.

6) Mongol Horde – Mongol Horde

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What we said:

“Regardless, this is an explosive debut by one of the weirdest bands in heavy music right now. Mongol Horde’s self-titled debut album is equal parts punk and groove and it’s presented as a series of surrealist stories told by Turner that give the band an identity of their own. Welcome back Frank; we’ve missed your unhinged side.”

Read the full review by clicking here.

5) Bad For Lazarus – Life’s a Carnival, Bang! Bang! Bang!

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What we said:

“Regardless, this is a minor complaint on a near flawless album. Bad for Lazarus’ debut album may have been a long time coming but the five years the band have spent writing, recording and touring has changed them into a well-oiled yet raucous, blues rock machine. Life’s a Carnival, Bang! Bang! Bang! is loaded with infectious songs and there isn’t a minute of it that’s not worthy of your attention. Buy this album and tell your friends; Bad For Lazarus are coming to town.”

Read the full review by clicking here.

4) Alpha Male Tea Party – Droids

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What we said:

“This is an easy recommendation to make; you need Alpha Male Tea Party’s Droids in your life. This a wonderfully unique and riff-laden record that is loaded with catchy melodies. Despite the progressive nature of the band’s music, they manage to make it incredibly palatable and Droids is a considerable more enjoyable experience for it.”

Read the full review by clicking here.

3) Sunwølf – Beholden to Nothing and No One

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What we said:

“Sunwølf’s Beholden to Nothing and No One is a gargantuan epic that traverses many genres but always feels focussed. A double album clocking in at an hour and 23 minutes might strike you as an impenetrable time investment but Beholden… never outstays its welcome. There’s a reason why this album is so long and it’s because it’s stuffed to the brim with interesting, thought-provoking music that’s always changing and always engaging. Sunwølf have written their masterpiece and it’s one of the most essential listening experiences of the year.”

Read the full review by clicking here.

2) Grand Collapse – Far From the Callous Crowd

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What we said:

“Grand Collapse have put together a début album that I simply cannot listen to without the words ‘FUTURE CLASSIC’ coming into view. Far From The Callous Crowd is a no-nonsense shot of adrenaline and there isn’t a single moment that doesn’t sound like a cacophony of punk’s best riffs. I want more and I need it now.”

Read the full review by clicking here.

1) Marmozets – The Weird and Wonderful Marmozets

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What we said:

“Marmozets have made an album that I would regard a classic had it been released in my youth. The fact that it’s being released now hopefully means that a whole new generation of kids will be introduced to post hardcore through what I regard an essential purchase for any fan of the genre. The Weird and Wonderful Marmozets is one of the best rock albums this year and if you’ve ever enjoyed a catchy rock number then you’ve just found your new favourite band.”

Read the full review by clicking here.


Review: Oblivionized and Razoreater’s This is S.O.A.N.

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A split UK underground metal release? Recorded live!? You better believe it. Oblivionized and Razoreater have teamed up for a double dose of chaos that was recorded during a gig at Stuck on a Name Studios in Nottingham. The advantages of recording this in an actual studio means that even though this has the energy and rawness that comes with a live recording, it’s mixed and mastered to a professional level meaning this is one of the best sounding underground live recordings released for quite some time.

OBLIVIONIZED

Things kick off with Oblivionized who are one of the most difficult bands to categorise. The band play a mixture of mathcore, grindcore and death metal that is full of technicality and balanced with some absolutely crushing riffs from guitarist Sammy Urwin.

The band are on top form in this recording. The frantic and utterly mental drum work from Will Merlin is on full display and despite his aggressive playing style, Merlin manages to hit every one of his drum patterns with pin-point precision. This man is an absolute beast behind the kit.

What makes Oblivionized so satisfying to listen to is how they balance their bonkers technicality with moments of pure riff worship. Urwin will often drop into a thunderous groove that demands everyone in the room bang their heads and it’s captured perfectly on this recording.

The down-tuned nature of the guitar work also suits the mix as it contrasts with the drumming and vocals making each element of the band’s sound stick out in the mix. This is extremely important in a live recording as it’s very easy for these elements to meld into one unlistenable mess when every musician is giving it their all.

Oblivionized are one of the most exciting live bands in the UK and their sound is fascinatingly unique and devastating at the same time. Despite having to re-start You’re Spineless due to guitar issues, the band don’t put a foot wrong in this entire recording and it’s a beautifully visceral listening experience.

9/10

RAZOREATER

Razoreater deal with a different sort of mayhem; the band make metallic hardcore in a similar vein to Converge, Nails and Weekend Nachos which means that these boys have a thrashier and more direct playing style.

Like Oblivionized, Razoreater have a live show that will grab you by the balls and then run across the street while still clutching them. Razoreater’s music rarely slows down and the pace is exhaustingly fast. You can expect blast-beats aplenty on this recording.

Sadly the mix doesn’t work as well for Razoreater’s recording. This is down to the buzzsaw guitar tone clashing with the crash-heavy drum work. Because of the similarity of the two sounds it means it can be hard to hear the melody in Razoreater’s riffs. It’s not completely lost but sometimes you really have to pay attention to hear what’s going on in the guitar department. This is quite apparent on Razoreater’s cover of Slipknot’s Eeyore.

Regardless of mix, Razoreater’s performance is still utterly electric and it’s frankly amazing how they manage to keep up this level of intensity for their entire set. This is an exhausting experience that will keep the craziest mosh ninjas incredibly satisfied.

8/10

Oblivionized and Razoreater are champions of the UK underground music scene and this recording showcases exactly what’s so great about going to a dirty club show and getting your mosh on. This release is also accompanied by a live video recording of both band’s sets which is essential viewing if you’ve ever cared about the long lost art of the concert film. If you pre-order the split on cassette from Witch Hunter Records you also get a bonus Let it Die set which was also recorded at Stuck on a Name and like the Razoreater performance, it’s an utterly devastating streak of hardcore.

Order Oblivionized and Razoreater’s This is S.O.A.N. on limited edition cassette from Witch Hunter Records.


Review: Corrupt Moral Altar’s Mechanical Tides

Corrupt Moral Altar - Mechanical Tides Front Cover HIRES

Corrupt Moral Altar have come a very long way in such a short amount of time. The groove-ridden grindcore sound of the band’s previous EPs has now sprouted shoots that extend into genres like black metal, noise and doom to create the band’s debut album Mechanical Tides.

The black metal influences are instantly apparent in the opening track Father Tongue which is full of bleak and moody atmospherics. The band also deliver blast-beats by the bucket load. Then the first instance of electronic noise seeps into the band’s sound for Blood Harmony and the slower pace will put doom fans in a horrible yet comfortable spot. Then we’re back to the classic Corrupt Mortal Altar combo of groove and grindcore for Die Glocke and Line Check but even then we’re getting touches of thrash and death metal in those riffs courtesy of John Cooke.

The ride doesn’t let up here. Vocalist Chris Reese takes a step away from screaming for the hauntingly stripped down Admit Defeat. This level of diversity puts Mechanical Tides on a completely different level than Corrupt Moral Altar’s previous material and it’s a beautifully accomplished cacophony of noise.

What’s all the more impressive is just how well it all works together. Corrupt Moral Altar have always had a knack for writing a smashing riff or twelve but this time they managed to being that proficiency into areas that it hadn’t previously visited. The frequent divergences into slower tempos and dark atmospherics are fantastic additions that make listening to Mechanical Tides feel like a journey into the unknown instead of a simple collection of songs.

Special mention also has to be brought to the guitar because the filthy, Entombed-esque guitar tone smears the whole record in a wonderfully disgusting veneer that is complimented by the raw aggression of Tom Dring’s drum work. Every nasty, distorted imperfection is captured perfectly and the crash-heavy drumming just makes the whole experience even more chaotic. I can’t imagine listening to Mechanical Tides through the bright and almost robotic production that gets applied to things like tech metal. This album is a much better experience for all it’s harsh, wretched volatility.

Corrupt Moral Altar have delivered one of the most amazing debut albums any metal band could hope to make. Mechanical Tides is a raucous, nasty bastard of a record that manages to take influences from as many areas of the metal spectrum it can and it fuses them into the band’s already brilliant sound with ease. It’s not often we get to experience an album that’s so magnificently loud yet diverse at the same time and Corrupt Moral Altar have made us wish this experience occurred more often.

9/10

Corrupt Moral Altar’s Mechanical Tides is out now via Season of Mist.


Touring: The Rodeo Idiot Engine and Oblivionized

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A double-dose of heaviness is currently wreaking havoc across the UK. The Rodeo Idiot Engine and Scumscene favourites Oblivionized are currently touring and you’d be a fool to miss them. Check out the remaining dates below:

July
31 – The Fenton, Leeds

August
1 – London, The Unicorn
2 – Nottingham, Stuck on a Name Studios
3 – Brighton, Sticky Mike’s Frog Bar

The show at The Unicorn promises to be a special one because while it’s free entry it has a stunning bill that includes Stallone, ITHACA, Somme and Meatpacker.