Tag Archives: goodtime boys

Review: Terrible Love’s Change Nothing

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I think people are going to be very quick to establish Terrible Love as a “super-group” as the band is made up of members of Goodtime Boys, Bastions, Funeral for a Friend, Crocus and Grappler. That’s some incredible pedigree and basically a who’s-who of some of our favourite bands, but sadly they’ve all split up or gone on hiatus making Terrible Love a very natural progression that echoes the way a lot of bands start life. No established band is ever anyone’s first band and the experience that each member brings to the table makes Terrible Love’s debut EP Change Nothing an incredibly accomplished first drop.

What’s immediately noticeable is that Terrible Love actually sound like a band made up of its component parts. It’s strange but expectations that come from such well known and recognisable bands immediately put ideas as to what they should sound like in your head, but most projects of this calibre don’t realise themselves in the way you expect. Terrible Love are the exception to the rule. This is heart-on-sleeve, emotive yet aggressive post hardcore that is equal parts memorable, interesting, biting and beautifully constructed.

The title track perfectly encapsulates what the band are about and it’s difficult to not want to instantly bang your head to the wonderfully bouncy, twangy guitar riffs. The vocal delivery is an intriguing spoken word approach that’s yelled in a similar fashion to Goodtime Boys themselves. It’s by no means free-form and definitely matches the beats of the songs but it makes Terrible Love sound vitriolic and heartfelt which is perfect for this type of post hardcore.

Change Nothing is a strikingly well-structured EP that ebbs and flows between fast-paced, punk-rock bangers like Mt. Misery and more delicate, glittery numbers like They Need You. It moves in such a natural and satisfying way that it’s incredibly difficult to find fault with the song-writing, and when it all comes together on songs like Stone in Me then it’s absolutely electrifying.

Terrible Love’s Change Nothing is an incredible debut from a band that comes with a lot of expectation and they absolutely deliver. This is a remarkably accomplished start to a band’s career that I hope lasts for a very long time.

8/10

Terrible Love’s Change Nothing is out now and available on 12″ vinyl through Big Scary Monsters.

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Music Video: Terrible Love’s Mt. Misery

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Post hardcore mob Terrible Love have seen fit to drop another music video from their Change Nothing EP and this time around we’re treated to a stylish tour video of Mt. Misery from the band’s time on the road with Rolo Tomassi. The band features members of Bastions, Funeral for a Friend and Goodtime Boys and if that doesn’t excite you then you should start this video right now:

Mt. Misery comes off Terrible Love’s Change Nothing EP which is available on vinyl from Big Scary Monsters. Tune in on Friday at 12pm BST for more substantial Terrible Love coverage on UK Scumscene.


Year End: The Top 10 Best Albums of 2014

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10) Trudger – Dormiveglia

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What we said:

“Trudger’s Dormiveglia is a thick, multi-layered experience that gets better every time you listen to it. The band has grown tremendously since their debut EP and the song writing on Dormiveglia is absolutely top tier. This might be a challenging listen for heavy music fans and the band’s raucous fusion of sludge, doom, death and black metal might make for a bleak experience, but it’s one of the best bleak experiences you’re going to have for a while. Buy this record, light some candles and get moody.”

Read the full review by clicking here.

9) Goodtime Boys – Rain

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What we said:

“Goodtime Boys have really hit their stride on Rain and it’s an album every post hardcore fan should consider owning. The music is still aggressive but it now flourishes into gorgeous melodies drenched in haunting atmosphere. 2014 has been a stunning year for post hardcore records with Vales delivering an equally excellent album and it’s about time we recognise Goodtime Boys in a similar light. Rain is an astonishing debut album that deserves your attention.”

Read the full review by clicking here.

8) All the Best Tapes – All the Best Tapes

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What we said:

“All the Best Tapes have put together an extremely diverse and challenging record that cleverly drenches all the music’s elements in a huge helping of melody. Albums like this are proper once-in-a-lifetime experiences and nothing can prepare you for how utterly bonkers it all sounds while still sounding like a cohesive record. Well done All the Best Tapes and thanks for being so mind-bogglingly weird.”

Read the full review by clicking here.

7) Corrupt Moral Altar – Mechanical Tides

Corrupt Moral Altar - Mechanical Tides Front Cover HIRES

What we said:

“Corrupt Moral Altar have delivered one of the most amazing debut albums any metal band could hope to make. Mechanical Tides is a raucous, nasty bastard of a record that manages to take influences from as many areas of the metal spectrum it can and it fuses them into the band’s already brilliant sound with ease. It’s not often we get to experience an album that’s so magnificently loud yet diverse at the same time and Corrupt Moral Altar have made us wish this experience occurred more often.”

Read the full review by clicking here.

6) Mongol Horde – Mongol Horde

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What we said:

“Regardless, this is an explosive debut by one of the weirdest bands in heavy music right now. Mongol Horde’s self-titled debut album is equal parts punk and groove and it’s presented as a series of surrealist stories told by Turner that give the band an identity of their own. Welcome back Frank; we’ve missed your unhinged side.”

Read the full review by clicking here.

5) Bad For Lazarus – Life’s a Carnival, Bang! Bang! Bang!

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What we said:

“Regardless, this is a minor complaint on a near flawless album. Bad for Lazarus’ debut album may have been a long time coming but the five years the band have spent writing, recording and touring has changed them into a well-oiled yet raucous, blues rock machine. Life’s a Carnival, Bang! Bang! Bang! is loaded with infectious songs and there isn’t a minute of it that’s not worthy of your attention. Buy this album and tell your friends; Bad For Lazarus are coming to town.”

Read the full review by clicking here.

4) Alpha Male Tea Party – Droids

Alpha Male Tea Party - Droids - cover

What we said:

“This is an easy recommendation to make; you need Alpha Male Tea Party’s Droids in your life. This a wonderfully unique and riff-laden record that is loaded with catchy melodies. Despite the progressive nature of the band’s music, they manage to make it incredibly palatable and Droids is a considerable more enjoyable experience for it.”

Read the full review by clicking here.

3) Sunwølf – Beholden to Nothing and No One

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What we said:

“Sunwølf’s Beholden to Nothing and No One is a gargantuan epic that traverses many genres but always feels focussed. A double album clocking in at an hour and 23 minutes might strike you as an impenetrable time investment but Beholden… never outstays its welcome. There’s a reason why this album is so long and it’s because it’s stuffed to the brim with interesting, thought-provoking music that’s always changing and always engaging. Sunwølf have written their masterpiece and it’s one of the most essential listening experiences of the year.”

Read the full review by clicking here.

2) Grand Collapse – Far From the Callous Crowd

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What we said:

“Grand Collapse have put together a début album that I simply cannot listen to without the words ‘FUTURE CLASSIC’ coming into view. Far From The Callous Crowd is a no-nonsense shot of adrenaline and there isn’t a single moment that doesn’t sound like a cacophony of punk’s best riffs. I want more and I need it now.”

Read the full review by clicking here.

1) Marmozets – The Weird and Wonderful Marmozets

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What we said:

“Marmozets have made an album that I would regard a classic had it been released in my youth. The fact that it’s being released now hopefully means that a whole new generation of kids will be introduced to post hardcore through what I regard an essential purchase for any fan of the genre. The Weird and Wonderful Marmozets is one of the best rock albums this year and if you’ve ever enjoyed a catchy rock number then you’ve just found your new favourite band.”

Read the full review by clicking here.


Review: Rolo Tomassi/Stockades Split

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We’re bending the rules a bit by reviewing a split record featuring Australian screamo band Stockades, but this split also features Sheffield mathcore luminaries Rolo Tomassi and it was released via UK label Tangled Talk Records so shut up; it totally counts.

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Rolo Tomassi went through a slight stylistic shift on their last album Astraea which can only be down to the change of guitarist and bassist. When Joe Nicholson and Joseph Thorpe left the band, the band also lost their jazzier elements and the multiple changes in time signature weren’t nearly as prevalent on Astraea.

This hasn’t changed on Rolo Tomassi’s Adrasteia. New guitarist Chris Cayford and bassist Nathan Fairweather still favour a more metallic mathcore sound akin to that of The Dillinger Escape Plan and the addition of new drummer Tom Pitts also leads to a more frantic and double-bass-heavy performance.

The big change is that Adrasteia features a considerably larger amount of memorable riffs and melodies which was something that was lacking on Astraea. This is a precision attack on the aural sense and despite the technicality there is an obvious improvement in song-writing.

There’s also brilliant use of the quiet/loud dynamic. The song begins with a technically proficient mathcore opening before the song takes a breather in its middle eight to lure you into a gentle yet eerie keyboard-lead section. The song is then bookended by an almighty beast of a riff that is bound to ignite some serious mosh pits.

Rolo Tomassi might be losing their more unpredictable and progressive elements, but songs like Adrasteia prove the band are still an engaging mathcore band even when they’re playing things a little more straight forward. Adrasteia is also notable for being one of the heaviest songs the band has produced so far and that’s fine by me.

8/10

STOCKADES

Melbourne’s Stockades offer a very different listening experience. The band are just as much of a fan of the quiet/loud dynamic as Rolo Tomassi but their brighter, jangly guitar tone is more reminiscent of bands like Maths.

The more delicate opening of Unfix leads the listener into a false sense of security before the song speeds up for a blistering screamo section. It’s a glorious cacophony of abrasive noise that leads to an early crescendo before the song dials it back for another shift in tone.

After an almost relaxing section of glittery guitar worship, it’s back to another mammoth chord-driven section that is bizarrely euphoric in its loudness. It’s moments like these that remind us of bands like Self Defence Family and Goodtime Boys which is no bad thing by any stretch of the imagination.

Stockades offer up a lovely little progressive screamo anthem and it beautifully flows through its various riffs and melodies with ease. It’s still early days for these boys but it would appear they’ve already nailed and extremely accomplished sound that I’ll be paying some serious attention to from here on.

9/10

Rolo Tomassi and Stockades’ split is available to purchase on 7″ vinyl from Tangled Talk Records now.


Review: Goodtime Boys’ Rain

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Goodtime Boys have come a long way since 2010. When the band started out they were a far more aggressive and no-frills, hardcore punk band but fast forward four years and they’ve grown exponentially as songwriters.

While it’s clear the band’s music is still rooted in punk, Goodtime Boys have taken cues from post hardcore for their debut album Rain and the resulting sound is far more song-driven. This means the band’s music is ever so slightly less progressive. Also, hooks and melodies are often drawn out longer than on previous records.

The obvious improvement comes with the band’s song structures. The music on Rain has a far more natural flow that means melodies often build and build over the course of a song. Starting from a stripped back, vocal-lead introduction, more elements are introduced before things are really set off with some beautiful, glassy lead guitar like on Doubt.

Melody has also started to infect vocalist Alex Pennie. Pennie’s vocals are still predominantly screamed in his wonderful, heartfelt bark, but as opener Washout and Newspaper Sky prove, the man can add some eerie atmosphere to the band’s music through his voice alone.

In fact, the only time Goodtime Boys return to their balls-to-the-wall past is on Moral Decay which spends the first half of the song beating you round the head with thrashy drumming and a relentless punk riff that will ignite some serious pits. But even this track can’t escape the band’s fine-tuned musicianship because the second half manages to dial things back before an uplifting crescendo full of tremolo picking. This really is superb stuff.

The album also benefits from having Scumscene favourite Lewis Johns at the mixing desk (which would be obvious considering he’s actually a member of Goodtime Boys). The reason why we love Johns so much is because his production never compromises a live sound in favour of precision. Johns also manages to keep all the energy and grit that comes with an aggressive performance but makes every element of the sound super clear.

Goodtime Boys have really hit their stride on Rain and it’s an album every post hardcore fan should consider owning. The music is still aggressive but it now flourishes into gorgeous melodies drenched in haunting atmosphere. 2014 has been a stunning year for post hardcore records with Vales delivering an equally excellent album and it’s about time we recognise Goodtime Boys in a similar light. Rain is an astonishing debut album that deserves your attention.

9/10

Goodtime Boys’ Rain is out now and available to buy from Bridge Nine and direct from the band.


News: Rolo Tomassi Announced 3rd Album Title & Release Date

Rolo Tomassi are back. The mathcore loonies who have been recently joined by Chris Cayford and Nathan Fairweather (replacing Joseph Thorpe and Joe Nicholson) are to return with a third album called ‘Astraea’ on November 5th. It will be released through their own label Destination Moon.

Check out the complete track list:

01 Howl
02 Ex Luna Scientia
03 The Scales of Balance
04 Remancer
05 Empiresk
06 Prelude II (Echolalia)
07 Echopraxia
08 Gloam
09 Illunis
10 Illuminare

Rolo Tomassi will also be going on a headline tour in October with support coming from Oathbreaker and Goodtime Boys

Bristol Fleece (21)
Brighton Haunt (22)
Nottingham Rescue Rooms (23)
Birmingham Rainbow (24)
Leeds Cockpit (25)
Middlesbrough Sumo (26)
Manchester Deaf Institute (27)
Glasgow King Tuts Wah Wah Hut (28)
Norwich Arts Centre (30)
London XOYO (31)

Check out Old Mystics below, the first song featuring Rolo Tomassi’s current lineup:

[Source: Punktastic]