Tag Archives: punk

Year End 2017: Best Albums Part 1

No rankings this year; just a load of heavy records from UK bands and artists that I’ve enjoyed and think are worthy of your time. Please enjoy and have a very Merry Christmas and a Happy New Year. Lewis xxx

Enter Shikari – The Spark

While The Spark features Enter Shikari at their most laid back and inoffensive, it also showcases how wonderful their song-writing can be when their focus has shifted towards a more positive attitude. For fans of the band’s previous fusion of techno and hardcore, you’re probably not going to find much to hold your attention, but if you’ve stuck with the band throughout their evolution then you’ll be rewarded with a record stuffed full of stadium-sized anthems, tongue-in-cheek metaphors and a generally positive atmosphere that will lift your spirits. Enter Shikari continue to be one of the most exciting bands in UK rock.

Employed to Serve – The Warmth of a Dying Sun

How have Employed to Serve only been a band for five years and amassed such an enormous discography already? On their second long-player, the band show so much confidence that you’d be mistaken for thinking they’ve been together for over a decade. This is one of the greatest metallic hardcore sophomores to come out for quite some time and it’s structured in a way that allows it to ebb and flow between moments of unbridled, hardcore fury and long-form, lurching grooves. One of the most accomplished metallic hardcore albums to come from these shores and an absolutely essential listen for fans of heavy music.

Grand Collapse – Along the Dew

Grand Collapse continue to hold nothing back on their sophomore album Along the Dew. This is a flat out, thrashy, monster of a punk rock album with heart-on-sleeve, politically charged lyrics that never sound false or pretentious. The fact that Grand Collapse have made it to a 2nd album and aren’t one of the biggest punk bands in the country is quite frankly ridiculous. We should be rallying behind bands like this. Grand Collapse care and so should you.

Darko – Bonsai Mammoth

Sitting in a similar space to bands like Gnarwolves, Darko’s debut album Bonsai Mammoth is stuffed with no-nonsense, sing-a-long, punk rock anthems that demand your attention. There’s so much energy and confidence in here that you can’t help but be reminded of so many classic punk rock debuts that this deserves a space next to. Debuts like this are wonderfully refreshing because you’re reminded of how much unfound talent is lurking around the UK’s indie circuits.

Monolithian – The Waning Moon

“The Waning Moon is a hugely successful burst of down-tempo aggression that sees Monolithian drawing on even more varied influences to great effect. It’s been hugely engrossing watching this band go from strength to strength on every release and if The Waning Moon is anything to go by then Monolithian’s next long-player will be an essential doom purchase.”

Click here to read the full review.

OHHMS – The Fool

OHHMS’ debut album The Fool is a real turning point for the band because it finally sounds as big and engaging as their live show. While their previous 2 EPs weren’t exactly bad, they didn’t really capture what it’s like to see them live, which is an experience unto itself. The Fool is a wonderful sludge metal release that keeps you on your toes. Songs twist and turn with wild abandon and despite being mainly a low tempo stomper, there’s enough moments of visceral punk rock and psychedelia in here to highlight how bizarre and unique OHHMS really are. An essential listen.

Helpless – Debt

“Helpless’ Debt is an extremely dense and unrelenting record that makes no apologies for being ridiculously heavy. Helpless use some extremely creative guitar work to create a dark and isolated atmosphere to make an absolute racket in. It may not be the most nuanced long-player you’ll hear, but it certainly delivers one of the most powerful and devastating heavy music experiences of 2017. Lord knows Helpless have a serious task ahead of them if they want to best this record with their next release.”

Click here to read the full review.

Yards – Excitation Thresholds

“Yards’ Excitation Thresholds is an instant recommendation. If you want to hear a passionate, exciting hardcore band putting all their cards on the table and never putting a foot wrong then this is the album for you. Sure, it’s over pretty quickly, but any more time spent with music this visceral would be exhausting. It’s the perfect length for one of the most diverse and relentlessly savage debut albums in recent memory.”

Click here to read the full review.


Year End 2017: Best Splits and EPs

No rankings this year; just a load of heavy records from UK bands and artists that I’ve enjoyed and think are worthy of your time. Please enjoy and have a very Merry Christmas and a Happy New Year. Lewis xxx


The Tidal Sleep / Svalbard Split 7″

“Despite being a brief listening experience, this a brilliant split 7” that fans of post hardcore should not be sleeping on. Both bands put forward fantastic songs that are well worth your time and the production quality is magnificent throughout, making the entire release sound absolutely massive. Again, it’s wonderfully surprising that such a small release like this can contain such quality.”

Click here to read the full review.

Caïna / Cara Neir Split

2 tracks of nasty, brooding black metal from Texas outfit Cara Neir and Andy Curtis-Brignell’s Caïna. Cara Neir showcase a raspy and atmospheric style that has a strange, folky quality to it. Cara Neir have a really unique sound thanks to this and while the track is obviously heavier than a tonne of bricks, the lilting nature of the guitar melodies adds a sombre tone to the proceedings. This release also marks the final music from Caïna and showcases a more traditionally metal sound which is bizarrely refreshing after the band’s more experimental albums Setter of Unseen Snares and Christ Clad in White Phosphorous. It’s a bittersweet release that reminds you how brilliant Caïna were and that UK heavy music is now missing one of its most fascinating artists.

Dean Lane Hardcore Funday 3 Way Split featuring JFA, Rash Decision and The Broken Bones Gentlemen’s Club

Easily the most entertaining punk split of the year, JFA offer up a selection of live skate punk anthems with all the dirt and filth you’d expect from a bootleg release. Thrash punks Rash Decision serve up 3 new tracks that rock harder than a boulder falling off a cliff, but also manage to put a big, daft grin on your face because their lyrics are just so entertainingly stupid. For example, XErnestXBorgnineX is a track about that infamous Ernest Borgnine interview where he reveals the secret to his long life. The release is rounded off with an absolute belter of a tune from The Broken Bones Gentlemen’s Club; a big, shouty, hardcore punk beast with some of the most satisfying chunky riffs you could want.


A Cunning Man – Practical Applications of Theurgy

“Practical Applications of Theurgy is an extremely unique and almost overbearing symphonic metal release from one of the most gifted Scottish musicians I can think of. This is an extremely accomplished first offering from A Cunning Man and while it sometimes veers dangerously close to being a little too dense for its own good, the song-writing shines brighter and makes for a record that’s more than the sum of its parts. A Cunning Man have an awful lot to offer over these 3 tracks and I’m very excited to see where the project goes in the future.”

Click here to read the full review.

Cult Cinema – Cosmic Horror II

“Cosmic Horror II may be a smaller part in a larger release, but as it stands it marks another bold step forward for Cult Cinema who continue to showcase their violent yet beautiful song writing. Cosmic Horror II is the sound of a band who understand that heavy music is a hell of a lot more powerful when you create contrast and juxtaposition and once again the results are fantastic. By the time this trilogy comes to a close we should have a real highlight of modern post hardcore to enjoy and that in itself is very exciting.”

Click here to read the full review.

Stinky Wizzleteat – Quit Drugs!

“Stinky Wizzleteat’s Quit Drugs! is quite easily the best thing the band have produced to date. This is a really accomplished showcase of progressive, unpredictable sludge metal that manages to rein in the band’s eccentricities just enough to make a cohesive and absolutely punishing record. It would be great to see if the band have an equally effective long-player in them, but only time will tell. Welcome back, guys.”

Click here to read the full review.

Review: Yards’ Excitation Thresholds

It’s been a long time coming but the debut long-player from Yards is finally here. Excitation Thresholds is a 33 minute metallic hardcore assault that noticeably benefits from the amount of time Yards have had to perfect their craft. Everything on this album is here for a reason and it never outstays its welcome.

Despite being a shouty, aggressive hardcore act, Yards have a lot of strings to their bow. During the first half of the album we see the band getting straight to the point and absolutely blasting our faces off with massive riffs, terrifying vocals and one of the thrashiest, loudest drumming performances put to record. The drums in particular are always front and centre in the mix and they really heighten the ferocity of the music on Excitation Thresholds.

But then Yards start to do something different. The tempo slows down a notch and favours a more mid-paced, stompy approach to heaviness that’s just as effective as when the band are going full steam. The album likes to jump between the two styles and it keeps the record fresh and exciting with every song. For example, the no-nonsense hardcore attack of War Tourist is followed by the mid-paced, chunky assault of Everything You Love Reduced to Rubble. This happens again with The Attic, which despite being 4 minutes long and crammed full of ideas, manages to go flat out for its entire run time. Then we get BL-755 which is an extremely bleak and oppressive track that deals more in atmosphere than savagery.

Yards manage to showcase some extremely diverse song-writing for a band that are this unashamedly aggressive. By the time we get to album closer The Shadow Stealer, we get to experience a song that encapsulates all the ideas that came before it in one mammoth 7 and a half minute beast. It’s fast, it’s dark, it’s atmospheric, it’s punishing. It’s everything Yards stand for and a career highlight for one of the most exciting bands in hardcore right now.

Yards’ Excitation Thresholds is an instant recommendation. If you want to hear a passionate, exciting hardcore band putting all their cards on the table and never putting a foot wrong then this is the album for you. Sure, it’s over pretty quickly, but any more time spent with music this visceral would be exhausting. It’s the perfect length for one of the most diverse and relentlessly savage debut albums in recent memory.


Yards’ Excitation Thresholds is out now and available to buy on vinyl from Truthseeker Music.

Review: Psython’s HATRED

Sheffield thrash-punkers Psython return for their second long-player HATRED, which is apparently an acronym for Hopelessly Aware That Rage Engenders Despair. The band have now expanded into a five piece and clearly haven’t lost their sense of humour since …Outputs because HATRED contains a song called Chai Latte.

Since we last visited Psython, we were certainly impressed by their no-nonsense, blistering approach to making daft, catchy, thrash bangers and that’s certainly still the case on HATRED. There’s actually a bigger focus on just being a band that doesn’t fuck around and gets the job done and HATRED is a more enjoyable record as a result.

Album highlights include opener Jörmungandr which despite being 5 and a half minutes long, never takes its foot of the gas. Battery Life, Teeth, the aforementioned Chai Latte and Hashtrap are some of the best songs the band has produced and it’s because they’re loaded with great riffs and solos and get the job done. If you like your music fast and aggressive then Psython certainly have you covered and then some.

Unfortunately in the few moments where the album falls down, it’s due to the same reasons as their debut. HATE is more of a mid-paced track and while it’s a perfectly serviceable, stompy little number, the bridge feels like it meanders and kills the momentum as a result. The same problem appears on Ten Pounds and One Indeed. It would have been more effective if Psython got to their solos quicker during their middle eights and just spent more time being fun.

Then there’s album closer Old Man which takes the crown of the only bad song on HATRED. Old Man is the slowest track on the album and it feels overlong and lacking enough ideas to warrant being 9 and a half minutes long. A shame because despite some unfocussed moments during a few of the album’s bridges, HATRED is a great thrash album that deserves your attention.

Psython’s HATRED is definitely a great follow-up to the band’s debut. It’s fast, catchy, aggressive and fun and certainly a great addition to any thrash fan’s record collection. Despite a weak closing track and a few moments where the songs lose momentum, Psython’s song-writing has definitely improved and when the band are going balls to the wall they’re just untouchable.


Psython’s HATRED is out now and can be bought on limited edition CD direct from the band.

Review: Barrabus’ Barrabus

After over a decade, Barrabus have returned for the release of their debut album. Lead by the mighty UK underground overlord that is Paul Catten of Medulla Nocte, Lazarus Blackstar and Murder One fame, Barrabus are a noise-rock band that draw comparisons to USA Nails and Chickenhawk-era Hawk Eyes.

The first thing you’ll notice on the band’s self-titled debut album is Catten’s voice. It’s as instantly recognisable as ever. Catten has a wonderfully unique, piercing scream that loosely flops around between low-pitched grumbling and spoken word sections accompanied by a bizarre, Southern-American drawl. Catten does what he wants and does it with passion. Similarly to Mike Patton, here’s a vocalist who could easily sound like he’s taking the piss, but thanks to how wonderfully heart-on-sleeve his performance is, it always sounds genuine even if it’s a tad unconventional.

However, we should move on from Paul Catten’s vocals because these are just a single element in this almighty racket. Frequent Catten collaborator Mark Seddon (also of Medulla Nocte and Murder One) is playing guitar on this album and my word does that man have chops. Despite this album being quite a frantic, often messy slab of noise, Seddon keeps the album grounded with big riffs that are memorable enough to get their hooks deep into you. Porn! is a real highlight in this regard (I mean with a title like that, obviously) and its punky guitar work is surprisingly catchy considering how unapologetically heavy it is.

Album highlights include the slow-burning, somewhat doomy opener of My Nightmare as a Reality TV Contestant and the no-nonsense thrill ride of Behind Closed Doors. This track barrels along at a devastating speed before breaking down into sheer lunacy. Let’s not forget the similarly structured Kleptomania which gets equally weird after its opening barrage of riffs. Then we’ve got songs like In League with Vader which decides to add a touch of black metal to the mix with its opening tremolo-picked riff. There’s just so much going on here that it’s difficult not to be enamoured by the sheer amount of ideas Barrabus have managed to include in such a short space of time.

Barrabus’ debut album is a fantastically weird collection of songs that don’t outstay their welcome. It’s all over in 29 minutes and rarely gives you a moment to breath. This is a noisy, sludgy punk album that isn’t too interested in showing any restraint. This album has certainly been a long time coming considering Barrabus’ last release was a demo in 2006, but its arrival is much like Paul Catten himself; unexpected and unrelenting. Long may he reign.


Barrabus’ self-titled debut album is out now and available to buy through Undergroove Records.

Year End: The 10 Best Albums of 2016


10) Raging Speedhorn


Raging Speedhorn released a new album in 2016! Holy shit! And it sounds like a direct continuation of the sound on How the Great Have Fallen! And Frank is back in the band! Raging Speedhorn’s return with their 5th long-player Lost Ritual certainly quashed any worries that their previous album Before the Sea Was Built might have instilled and it’s absolutely fantastic to have them back on top form. The kings of sludgecore have finally returned.

9) Aliases – Derangeable

Digipack Layout

“Derangeable is a welcome addition to Aliases very limited library and it’s pretty safe to say that if you were a fan of the band before, then this was certainly a record worth waiting for. However, if you’re well versed in tech metal then you’ll certainly notice the similarities to SikTh and while you’ll probably never ask yourself, “why am I not just listening to SikTh?” you’ll certainly wonder if there wasn’t more the band could have done to differentiate themselves a bit.”

Click here for the full review.

8) Rash Decision – Headstrung

record cover

“Regardless, Rash Decision have managed to churn out 17 minutes of hardcore punk perfection on Headstrung and if the new material doesn’t quench your hardcore thirst then there’s another 19 minutes of songs for you to indulge in, thanks to Seaside Resort to Violence being on the B side. Rash Decision are an immensely enjoyable hardcore punk act that don’t have too many strings on their bow, but thankfully the ones that are there do the job perfectly.”

Click here for the full review.

7) Karybdis – Samsara


“Karybdis have put together a smorgasbord of metal subgenres and masterfully fused them into a sound that is exclusive to the band. Samsara is a metal album that heavy music fans will be championing for years to come and it establishes Karybdis as one of the UK’s best metal acts.”

Click here for the full review.

6) Iron Witch – A Harrowed Dawn


“Iron Witch have certainly spent a long time getting to this record and at only 6 tracks long it is a bit slight for a long-player, but those years of writing and touring have turned them into a well-oiled, doom-making machine and A Harrowed Dawn is the realisation of all their achievements so far. This is easily the best and biggest sounding Iron Witch release to date and an essential purchase for any doom fan.”

Click here for the full review.

5) Let It Die – The Liar & the Saint

Let It Die - The Liar & The Saint - cover.png

It feels like I’ve been waiting forever for Let it Die to put their efforts into a long-player and with The Liar & the Saint the band have finally delivered. In typical Let it Die fashion it’s as heavy as a tonne of bricks to the skull and faster than a cat belting it across the room after having its tail stepped on. The Liar & the Saint is a relentless assault of hardcore punk and grind that demands you’re moshing for its entirety. Let it Die certainly didn’t disappoint on their debut album, but was there really any doubt?

4) The Infernal Sea – The Great Mortality

00 - Cover

“The Infernal Sea’s The Great Mortality is an album that you simply must own if you like metal. The Inferal Sea have absolutely mastered their craft and turned in one of the most satisfying black metal releases you could possibly want. It’s heavy, it’s memorable and it’s pretty much essential if you enjoy metal.”

Click here for the full review.

3) Sunwølf – Eve


“Eve is another monstrous achievement for Sunwølf. It’s an album of uplifting highs and crushing lows and despite the simplicity in the song-writing and how long the songs can be, everything is crafted with atmosphere in mind. Sunwølf songs will only linger if the atmosphere requires it to and thanks to the simplicity of the song-writing, the band also put focus on their melodies. You wouldn’t think an album like this would be so memorable but thanks to the focus on melody and atmosphere, it’s very easy to find yourself playing Eve repeatedly without even noticing it. Eve is a beautiful album that makes you appreciate good song-writing and if you’re a fan of post rock then it’s an essential purchase.”

Click here for the full review.

2) Wode – Wode


“Wode’s debut self-titled album is a fantastic achievement. Every element of the band’s song-writing has been so carefully crafted and sculpted to maximise the impact of their music and it makes this album one of the most approachable black metal releases I’ve ever come across. If you’re a fan of heavy music in general then Wode’s self-titled album is something that has a much broader appeal than most underground black metal and it’s a release I’d thoroughly recommend.”

Click here for the full review.

1) Slabdragger – Rise of the Dawncrusher


“The UK is spoilt for great sludge as Slabdragger are competing with other brilliant acts like Limb, Gurt, Monolithian and Opium Lord, but Rise of the Dawncrusher sets a new standard for UK sludge metal. Slabragger have written a follow-up so utterly devastating that it demands your attention. Slabdragger, man; what a band.”

Click here for the full review.

Year End: The 10 Best EPs of 2016


10) Cold Summer – Fight to Survive


“Regardless, Cold Summer have finally hit their groove on Fight to Survive. This is an extremely bold and fearless record that sees all the pieces of the Cold Summer jigsaw puzzle fit together comfortably. If fist-pumping, anthemic post hardcore music is what you crave in life, then Fight to Survive is an EP you can rely on.”

Click here to read the full review.

9) Conjurer – I


Despite making a name for themselves in the UK underground’s live circuit for what feels like ages, Conjurer finally released their debut EP this year and it’s fantastically difficult to categorise which is always a fun job as a music critic. This EP is a seriously challenging slab of metal that draws on so many different elements from genres as wide and diverse as death metal, classic rock, black metal and doom metal. Conjurer manage to sound like Mastodon, Between the Buried and Me and Deicide running at each other full pelt across a room with the resulting impact birthing whatever Conjurer are.

8) Wren – Host


Wren continue to impress us with their huge, atmospheric take on doom metal. Host may be only 4 tracks long, but there’s an awful lot of music to indulge in. This is a creepy and forlorn take on doom that intersperses the music with elements of post rock to create a truly desperate and bleak tone that permeates the entire record. If you’ve been looking for a doom release that could probably make you emotionally well up, then Wren will certainly deliver that. Host is a really unique record from a band who are doing something very interesting with this genre.

7) Terrible Love – Change Nothing


“Terrible Love’s Change Nothing is an incredible debut from a band that comes with a lot of expectation and they absolutely deliver. This is a remarkably accomplished start to a band’s career that I hope lasts for a very long time.”

Click here to read the full review.

6) Nembutal – Pay to Die


When bands put out releases like this I always get tempted to just write, “FUCK” and leave it at that. Nembutal’s follow-up to their 2014 demo is about as no-nonsense as hardcore punk records come. The goal of every song on Pay to Die is to play as loud and fast as possible and it just so happens that Nembutal are bloody excellent at doing both. Nembutal’s music has about as much depth as a roadside puddle, but if you enjoy your hardcore punk being played with as much energy as the human body can muster then you absolutely have to listen to Pay to Die.

5) Allfather – Bless the Earth With Fire


“Allfather have evolved significantly since their debut EP and with Bless the Earth with Fire we see the band writing more diverse and interesting songs that complement the shift towards sludge metal. It also rocks like a mother fucker.”

Click here to read the full review.

4) So-Crates – v1


“Overall, v1 is an accomplished and intense debut from an extremely exciting new band. If you’re a fan of post hardcore and math rock then you’ll find a lot to love here and despite some niggles regarding the production, the song-writing really does shine bright and offer a record that is greater than the sum of its parts.”

Click here to read the full review.

3) Underdark – Mourning Cloak


Nottingham’s Underdark exploded out the gates with a black metal release that’s scarily accomplished for a first drop. Mourning Cloak is a wonderfully textured and beautifully structured EP that betrays how heavy it is. The ebb and flow of every song on this record is so gloriously natural and well placed that there’s a dream-like quality to the music that’s at juxtaposition with all the screaming and double-bass drumming on offer. Underdark are a very special band that instantly have my attention and have me begging for more.

2) Watchcries – Watchcries


Another EP that took me by complete surprise, Watchcries’ debut self-titled EP is never short on ideas. This 3 track offering of metallic hardcore fuses itself with elements of death and black metal and instantly grabs you by the collar and gets right in your face. Watchcries have no interest in nuance; this is a band who are itching to make the most visceral and aggressive metal they can and if this debut is anything to go by then their next record might actually kill you.

1) Razoreater – Vacuum of Nihil


“Vacuum of Nihil is a loud, noisy, racket of a metal EP and it contains Razoreater’s finest work to date. This band has only managed to get more ferocious with every record and still manage to find new ways to assault your ears. Vacuum of Nihil might have been a long time coming but when Razoreater deliver a record as disgustingly vicious as this it makes you realise that it might have all been worth it. This is an essential UK metal release.”

Click here to read the full review.

Year End: The 5 Best Splits of 2016


5) Temple Steps/Wreck


A massive, lurching doom behemoth from Lincoln’s Temple Steps and Germany’s Wreck, this split highlights two young talents who are making a captivating low-tempo racket. While Temple Steps prefer the long form, almost funeral doom approach to song structures, Wreck have a real sludgy guitar tone and some really creative riffs that make their tracks a little more interesting. The production is a little rough round the edges, but it’ll be fascinating to watch both bands grow on their next releases.

4) God Mother/Artemis


Sweden’s God Mother teamed up with Basingstoke’s Artemis for their final release (another great band taken by the onslaught of 2016) and it’s a bittersweet effort as Artemis put forward 2 of their best songs. Both bands fit into the same metallic hardcore mold with extremely progressive song structures that focus on speed and aggression. Fans of hardcore are serviced well by this 7”.

3) Szyslak/Misgivings


This double-dose of pop punk from the two fresh faces of Brighton’s Szyslak and Portsmouth’s Misgivings offers up 4 tracks of no-nonsense, hooky punk-rock for fans of Gnarwolves. It’s great to hear more pop punk cropping up with a little more bite than the usual sugary, hyper-polished efforts by a lot of the big name bands like Blink-182 and Green Day so if you enjoy massive sing-a-long choruses but like your punk with a bit of dirt then you can do no wrong with this split.

2) Harrowed/Art of Burning Water


“Harrowed are still an exciting hardcore band and these tracks are by no means bad, they’re just not up to the band’s usual standard. Fingers crossed Harrowed have another belter of a long-player in the works because it’s about time we saw something more substantial from the band. It’s weird to think that Into Inferno is around 3 years old now.”

“Thankfully, despite all these elements coming into play, they manage to fuse in a way that makes Art of Burning Water’s music sound utterly ferocious. Let Me Let You Finish is the perfect example of all these musical styles coming together harmoniously and it’s a terrifying and scattershot explosion of disgusting metal that demands your attention. Please start paying attention to what Art of Burning Water are doing because a band like this shouldn’t be so criminally overlooked.”

Click here to read the full review.

1) Gurt/Trippy Wicked – Guppy


Seeing as how Gurt and Trippy Wicked now share a drummer, it made perfect sense for the sludge metallers to team up for a split and the result is nothing short of excellent. Gurt are on form once again with their special blend of sludge and hardcore that makes for a suitably unpredictable yet surprisingly memorable couple of songs, but it’s Trippy Wicked that really shine. Their first new material in 3 years, this is easily the best the band has sounded. There’s real depth to their bluesy sound now and the production finally makes them sound as massive as they do live. Let’s not forget the wonderfully daft cover of T. Rex’s Children of the Revolution which sees members from both bands team up to create a truly “revolting” version of the rock classic.

Review: Harrowed and Art of Burning Water’s Split 7″



Harrowed’s take on dark, metallic hardcore is one of the best in the UK and their debut album Into Inferno is a vicious and dangerous sounding record that takes all the best bits from the genre and plays them really well. However, on the two tracks they offer on this split, the elements are all still there but Harrowed don’t sound as volatile. This is Harrowed doing what Harrowed do and that’s fine because Harrowed make great hardcore, but they’re missing the edge that made Into Inferno so utterly sumptuous.

This is mainly due to the production style which is a little rawer than the band’s debut. Into Inferno certainly wasn’t a bright, shiny album when it came to production, but the guitar sounded deadly. It had a real bite that’s sadly missing on these tracks and it just means that they’re missing a special something that would make them stand out better, especially now that dark hardcore is such an overpopulated genre.

Harrowed are still an exciting hardcore band and these tracks are by no means bad, they’re just not up to the band’s usual standard. Fingers crossed Harrowed have another belter of a long-player in the works because it’s about time we saw something more substantial from the band. It’s weird to think that Into Inferno is around 3 years old now.



Art of Burning Water are one of those bands that have been slogging their way through the toilet circuit for what feels like forever and never really been given their dues. Their music is very difficult to categorise as it draws in so many different influences from the heavy music spectrum, but it’s mainly a form hardcore punk that’s sprinkled with elements of black metal and grindcore. Vocals are always high-pitched and raspy giving their music that nasty, brooding vibe that black metal does so well and the loose, short bursts of almost free-form song-writing definitely lend themselves heavily to hardcore and grind.

Thankfully, despite all these elements coming into play, they manage to fuse in a way that makes Art of Burning Water’s music sound utterly ferocious. Let Me Let You Finish is the perfect example of all these musical styles coming together harmoniously and it’s a terrifying and scattershot explosion of disgusting metal that demands your attention. Please start paying attention to what Art of Burning Water are doing because a band like this shouldn’t be so criminally overlooked.


Harrowed and Art of Burning Water’s split 7″ is out now and available to buy from Secret Law Records.

Live Review: Cassels, So-Crates and Grieving Live at The Old Blue Last 15/8/16


Grieving are a very new band with a single EP under their belt. Their twangy, angular emo is reminiscent of bands like American Football and Joyce Manor. After a nervous start they quickly prove that they’re a very accomplished and tight act, and their drummer was supposedly pretty ill throughout so huge respect to that guy for absolutely nailing it. On the whole, the band looks like they’re having a blast and seem very humbled to be playing to this audience. Grieving are definitely a band you’re going to want to keep on your radar because if this performance is any indication, they will be going onto bigger and better things very quickly.


If you aren’t aware, So-Crates are a new band featuring members of Hold Your Horse Is and Reuben and that’s a bloody exciting combination on its own. The band deal in an unpredictably, mathy post-punk which is nothing short of exciting when performed live. Their music twists and turns on a dime with aggressive drum-work, angular guitar melodies, chunky bass grooves and some surprisingly dreamy guitar leads. While it’s still early days for So-Crates, you can see that past experiences have allowed these guys to burst out the gates with some truly accomplished music and make it all look easy.


Grunge-punk duo Cassels are something really special. Sounding like a mix of God Damn and Eugene Quell, the two lads on stage make the sort of music that song-writers twice their age would be proud of. The word is clearly out on Cassels because they fill The Old Blue Last, and on a Monday night no less. The duo has a massive sound considering their limitations and they put on a friendly and engaging performance that sees everyone in the room hanging onto every note. Cassels love that quiet/loud dynamic and it was strangely weird to hear a crowd at The Old Blue Last be so quiet when the music became more introspective. Cassels are genuinely fascinating to watch and are definitely a band you’ll want to see as soon as possible because they won’t be playing venues this small for very long.