It’s been a long time coming but the debut long-player from Yards is finally here. Excitation Thresholds is a 33 minute metallic hardcore assault that noticeably benefits from the amount of time Yards have had to perfect their craft. Everything on this album is here for a reason and it never outstays its welcome.
Despite being a shouty, aggressive hardcore act, Yards have a lot of strings to their bow. During the first half of the album we see the band getting straight to the point and absolutely blasting our faces off with massive riffs, terrifying vocals and one of the thrashiest, loudest drumming performances put to record. The drums in particular are always front and centre in the mix and they really heighten the ferocity of the music on Excitation Thresholds.
But then Yards start to do something different. The tempo slows down a notch and favours a more mid-paced, stompy approach to heaviness that’s just as effective as when the band are going full steam. The album likes to jump between the two styles and it keeps the record fresh and exciting with every song. For example, the no-nonsense hardcore attack of War Tourist is followed by the mid-paced, chunky assault of Everything You Love Reduced to Rubble. This happens again with The Attic, which despite being 4 minutes long and crammed full of ideas, manages to go flat out for its entire run time. Then we get BL-755 which is an extremely bleak and oppressive track that deals more in atmosphere than savagery.
Yards manage to showcase some extremely diverse song-writing for a band that are this unashamedly aggressive. By the time we get to album closer The Shadow Stealer, we get to experience a song that encapsulates all the ideas that came before it in one mammoth 7 and a half minute beast. It’s fast, it’s dark, it’s atmospheric, it’s punishing. It’s everything Yards stand for and a career highlight for one of the most exciting bands in hardcore right now.
Yards’ Excitation Thresholds is an instant recommendation. If you want to hear a passionate, exciting hardcore band putting all their cards on the table and never putting a foot wrong then this is the album for you. Sure, it’s over pretty quickly, but any more time spent with music this visceral would be exhausting. It’s the perfect length for one of the most diverse and relentlessly savage debut albums in recent memory.
Yards’ Excitation Thresholds is out now and available to buy on vinyl from Truthseeker Music.
After over a decade, Barrabus have returned for the release of their debut album. Lead by the mighty UK underground overlord that is Paul Catten of Medulla Nocte, Lazarus Blackstar and Murder One fame, Barrabus are a noise-rock band that draw comparisons to USA Nails and Chickenhawk-era Hawk Eyes.
The first thing you’ll notice on the band’s self-titled debut album is Catten’s voice. It’s as instantly recognisable as ever. Catten has a wonderfully unique, piercing scream that loosely flops around between low-pitched grumbling and spoken word sections accompanied by a bizarre, Southern-American drawl. Catten does what he wants and does it with passion. Similarly to Mike Patton, here’s a vocalist who could easily sound like he’s taking the piss, but thanks to how wonderfully heart-on-sleeve his performance is, it always sounds genuine even if it’s a tad unconventional.
However, we should move on from Paul Catten’s vocals because these are just a single element in this almighty racket. Frequent Catten collaborator Mark Seddon (also of Medulla Nocte and Murder One) is playing guitar on this album and my word does that man have chops. Despite this album being quite a frantic, often messy slab of noise, Seddon keeps the album grounded with big riffs that are memorable enough to get their hooks deep into you. Porn! is a real highlight in this regard (I mean with a title like that, obviously) and its punky guitar work is surprisingly catchy considering how unapologetically heavy it is.
Album highlights include the slow-burning, somewhat doomy opener of My Nightmare as a Reality TV Contestant and the no-nonsense thrill ride of Behind Closed Doors. This track barrels along at a devastating speed before breaking down into sheer lunacy. Let’s not forget the similarly structured Kleptomania which gets equally weird after its opening barrage of riffs. Then we’ve got songs like In League with Vader which decides to add a touch of black metal to the mix with its opening tremolo-picked riff. There’s just so much going on here that it’s difficult not to be enamoured by the sheer amount of ideas Barrabus have managed to include in such a short space of time.
Barrabus’ debut album is a fantastically weird collection of songs that don’t outstay their welcome. It’s all over in 29 minutes and rarely gives you a moment to breath. This is a noisy, sludgy punk album that isn’t too interested in showing any restraint. This album has certainly been a long time coming considering Barrabus’ last release was a demo in 2006, but its arrival is much like Paul Catten himself; unexpected and unrelenting. Long may he reign.
Barrabus’ self-titled debut album is out now and available to buy through Undergroove Records.
Grieving are a very new band with a single EP under their belt. Their twangy, angular emo is reminiscent of bands like American Football and Joyce Manor. After a nervous start they quickly prove that they’re a very accomplished and tight act, and their drummer was supposedly pretty ill throughout so huge respect to that guy for absolutely nailing it. On the whole, the band looks like they’re having a blast and seem very humbled to be playing to this audience. Grieving are definitely a band you’re going to want to keep on your radar because if this performance is any indication, they will be going onto bigger and better things very quickly.
If you aren’t aware, So-Crates are a new band featuring members of Hold Your Horse Is and Reuben and that’s a bloody exciting combination on its own. The band deal in an unpredictably, mathy post-punk which is nothing short of exciting when performed live. Their music twists and turns on a dime with aggressive drum-work, angular guitar melodies, chunky bass grooves and some surprisingly dreamy guitar leads. While it’s still early days for So-Crates, you can see that past experiences have allowed these guys to burst out the gates with some truly accomplished music and make it all look easy.
Grunge-punk duo Cassels are something really special. Sounding like a mix of God Damn and Eugene Quell, the two lads on stage make the sort of music that song-writers twice their age would be proud of. The word is clearly out on Cassels because they fill The Old Blue Last, and on a Monday night no less. The duo has a massive sound considering their limitations and they put on a friendly and engaging performance that sees everyone in the room hanging onto every note. Cassels love that quiet/loud dynamic and it was strangely weird to hear a crowd at The Old Blue Last be so quiet when the music became more introspective. Cassels are genuinely fascinating to watch and are definitely a band you’ll want to see as soon as possible because they won’t be playing venues this small for very long.