Tag Archives: svalbard

Review: The Tidal Sleep and Svalbard’s Split 7″

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It’s a double-dose of glittery yet aggressive post hardcore from Germany’s The Tidal Sleep and Bristol’s Svalbard on this extremely dense slab of wax. The two bands complement each other amazingly well making this a surprisingly cohesive release that betrays its split format.

THE TIDAL SLEEP

The Tidal Sleep’s Are You Ok? is a very interesting and progressive track that isn’t afraid to get weird and spacey in its middle eight. Bursting out the gates with a venomous punk rock fury, the band get wonderfully introspective for a lot of this track and it makes for a bizarrely pleasant and atmospheric experience that distracts from the fact the band were just screaming their lungs out a minute ago. As the song slowly builds itself back up for the final attack, it explodes with one final burst of energy and it’s absolutely magnificent. This is a fantastic offering from The Tidal Sleep that deserves to be heard.

8/10

SVALBARD

Open the Cages is another monster of a song from Svalbard, complete with shimmering guitar leads and an absolutely relentless and exhausting pace that shows no sign of the band slowing down. It also does that patented Svalbard build to a monstrous and uplifting crescendo that’s full of hope, despite the visceral nature of the music on display. Svalbard haven’t put a foot wrong for the entirety of their career so far and this release is just another example as to why they’re one of the most exciting bands in the UK right now. Svalbard have no right churning out songs as good as this for a 7” split and it’s satisfying to know they didn’t phone this one in and save themselves for a larger release.

9/10

Despite being a brief listening experience, this a brilliant split 7” that fans of post hardcore should not be sleeping on. Both bands put forward fantastic songs that are well worth your time and the production quality is magnificent throughout, making the entire release sound absolutely massive. Again, it’s wonderfully surprising that such a small release like this can contain such quality.

The Tidal Sleep and Svalbard’s split 7″ is out now and available to buy through Holy Roar Records.


Review: Cult Cinema’s Cosmic Horror I

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Cult Cinema have returned with a new focus and the first part in a high concept series of EPs that focus on the loneliness of outer space. Cosmic Horror I is the band’s first EP in over five years and also marks the debut of a brand new line-up that brings some interesting changes to the band’s sound.

While the band’s debut EP Iscariot certainly had some very interesting things going on, it was a little more straightforward in its song structures. That record was heavily entrenched in a darker and more brooding hardcore sound and while that certainly returns on Cosmic Horror I, there’s just a more consistent approach to delivering those ideas in a more effective and cohesive way.

Opener Glass Coffin lurches in with a moody yet glittery shower of guitar that hides the onslaught that’s about to ensue. By far the most hardcore-sounding track on the EP, Glass Coffin is a fast-paced assault that lends its sound more heavily to post hardcore and screamo. This means we get a more varied and textured showing from Cult Cinema that sees them experimenting with progressive song structures, guitar leads and blast beats to great effect. It’s very much akin to the sort of noise bands like Svalbard and Terrible Love are making and it’s a great and natural direction for Cult Cinema to follow.

Closing track Distress Signal takes Cult Cinema’s new found love of varied texture and applies it to a slower and more drawn-out song that brings in a lot of atmosphere to the band’s sound. Distress Signal does an amazing job of sounding like a harrowing and forlorn tale of abandonment complete with an absolutely terrifying and stricken vocal performance.

The only real problem with Cosmic Horror I is that it’s all over far too quickly. Both tracks are such a sumptuous and enticing appetiser that it feels too abrupt when it comes to a close after only two songs. It’s certainly got me excited to hear more from the new and reformed Cult Cinema, but in hindsight it might have been nice if the band just held on a little bit longer and put something together that had a little more to offer.

Regardless, this is a minor quibble with an otherwise fantastic return from one of the UK underground’s best acts. Cosmic Horror I is a bold step forward for Cult Cinema that showcases a sound with an increased scope that has me begging for more. I’m lucky that the band is heading into the studio to record the follow-up next month then, eh?

8/10

Cult Cinema’s Cosmic Horror I is out now and available to buy direct from the band’s Bandcamp page.


Live Review: Holy Roar X at The Dome/Boston Music Rooms 21/5/2016

Holy Roar’s tenth birthday party took place across 2 stages at The Dome and Boston Music Rooms on the 21st of May 2016. No fewer than 18 bands played live during the day and while we would have liked to have seen all of them, there’s only so much a man can take. Regardless, this was a hugely enjoyable and celebratory event for one of the most consistent and long-lasting UK heavy music labels. So here are some thoughts on the 15 bands we managed to catch throughout the day:

HELPLESS
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What a start to the day. Helpless might only have a single EP to their name but they’re a vicious, fiery band that plays some of the tightest dark hardcore I’ve seen in years. I was instantly enthralled by Helpless and I’m looking forward to seeing where they go from here.

UP RIVER
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Next up we had some explosive and emotional young post hardcore talent in the form of Up River. There’s something very Vales and Svalbard about their music which is no bad thing as we’re treated to a passionate performance full of youthful energy. Up River are definitely a band to keep an eye on.

EULOGY
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We’ve made our love for Eulogy very apparent on the website for quite some time now and seeing them live just solidifies exactly what we like about them. This was a brash, scrappy performance by the metallic hardcore quartet and another fantastic early set from HRX.

SVALBARD
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What’s left to say about Svalbard? They just get better every time I see them. The post hardcore band is firing on all cylinders and from the moment Serena screams, “We’re fucking Svalbard from Bristol!” they have the audience eating from the palm of their hand. Svalbard are unstoppable right now and this was another flawless performance from one of the UK’s best bands.

HAAST’S EAGLED
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I don’t know if this was due to seeing them directly after one of the best sets at HRX, but Haast’s Eagled felt like a bit of a downer for me. The band make long-form, sludgy desert rock that was certainly accomplished but essentially a polar opposite to the barrage of glittery guitar melodies and blast-beats that I’d just witnessed via Svalbard. Maybe in a different environment I’d enjoy Haast’s Eagled a little better, but today was not that time.

EMPLOYED TO SERVE
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This was our first special set of the day seeing Employed to Serve perform their debut album Greyer than You Remember in its entirety. Another Scumscene favourite, Employed to Serve basically prove to everyone in attendance why they’re the most exciting mathcore band in the country. Greyer than You Remember is an incredible record and Employed to Serve perform it with all the bile and fury you could possibly want. This was one of the best sets of the day.

MEEK IS MURDER
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My God was this a surprise. Meek is Murder are a band that has been on my radar for a while now but this is the first time I’ve seen them live and it was jaw-dropping. The band deal in some vicious, angular hardcore and their performance is about as no-nonsense as you could want. The band obliterates their set-list and put on an amazing performance to boot. If hardcore is your thing then you need to check out Meek is Murder right now.

THE LONG HAUL
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Holy shit! The Long Haul are back for a one-off reunion show and it’s like they’ve never been away. The Long Haul still look like a band of fresh-faced hardcore upstarts and they power through their set-list with an unnerving ease. This was all over far too soon and it instantly reminded you why the band are so dearly missed.

APOLOGIES, I HAVE NONE
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Like Haast’s Eagled set earlier, I felt like Apologies, I Have None were battling against being a band that couldn’t really match the energy of what had come before. The pop-punk act seem like a strange fit for Holy Roar and while their bouncy emo melodies are perfectly serviceable, they just didn’t push my buttons in the way I like.

GIANTS
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I don’t think Giants are for me. There’s nothing particularly wrong with their angst-ridden hardcore and there’s certainly a lot of crowd-killers in attendance that are loving this set, but the band didn’t feel like they were doing anything a thousand other hardcore bands have done better.

OHHMS
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Allow me to get hyperbolic for a second; OHHMS blew me away like no other band has done since… well, probably Rolo Tomassi to be honest. The band’s psychedelic, groovy doom is heavier than a sack of breeze blocks and the quartet put on a feral performance that sees every member of the band chewing the scenery. This was a hypnotic performance that I cannot recommend enough. Go and see OHHMS live.

VALES
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Another special set, Vales take to the stage to perform their debut EP Clarity for the last time. Vales are hinting a new direction for their next release which seems like an odd decision when you see how the audience hang onto every last word of the songs from Clarity. Vales clearly mean a lot to many and their explosive post hardcore is some of the best in the UK. Clarity might not be representative of the band members anymore, but you can’t deny it’s a record that exudes a youthful ambivalence to trends and gimmicks and their performance tonight bolsters that sentiment perfectly.

SLABDRAGGER
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My notes for Slabdragger’s set simply read, “The heaviest band” and I’m quite inclined to leave it at that, but I’m not going to because I want to tell you how incredible Slabdragger are live. Fucking incredible. The room explodes as the band unleash an onslaught of monolithic riffs. Nobody can compete with Slabdragger and this was probably my favourite set from HRX. Slabdragger; you beautiful bastards.

HANG THE BASTARD
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Speaking of bastards, it’s time for Hang the Bastard to play Hellfire Reign in its entirety and with original vocalist Chris Barling making his first appearance in four years. The sludgecore giants suffer some technical difficulties throughout their set but this doesn’t bother anyone in attendance because the room felt like it might explode with the amount of energy the band were creating. I thought Hang the Bastard’s performance tonight was a bit sloppy in places but I suppose that’s to be expected when you summon a mosh-pit as violent as this.

ROLO TOMASSI
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In the words of Holy Roar’s own Alex Fitzpatrick, “Only Rolo Tomassi could headline” and he’s not wrong. The band power through a set list that sees the band cherry-pick a few songs from each of their releases in chronological order and it never lets up. Rolo Tomassi are one of the most unique and important UK mathcore bands and even if their change in sound in more recent years has polarised you, their performance tonight can’t be denied. Rolo Tomassi are still one of the most enthralling live acts around and this is a fitting end to an incredible day of music. Happy birthday, Holy Roar. Here’s to 10 more years.


Year End: The 10 Best Albums of 2015

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10) Let’s Talk Daggers – A Beautiful Life

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“Regardless, Let’s Talk Daggers have made one of the most electric rock albums of the year. If you can appreciate guitar music that doesn’t sacrifice technicality for song-writing then Let’s Talk Daggers have delivered a record that does just that and even more. A Beautiful Life is an absolute tidal wave of riffs, tempo changes and yelping and despite the madness of its contents, Let’s Talk Daggers have brought it all together into one cohesive yet exhausting piece.”

Click here to read the full review.

9) Limb – Terminal

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“Terminal is the natural continuation from Limb’s self-titled debut and it’s an infinitely more enjoyable and masterfully crafted slab of hard rock. The band haven’t rested on their laurels and continue to get better on every record they release. The pressure is certainly on for the next release, lads!”

Click here to read the full review.

8) Torpor – From Nothing Comes Everything

torpor

London doom behemoth Torpor wiped the floor with the rest of the doom offerings this year. The long-form nature of Torpor’s songs is beautifully tempered by the bands wonderful song-writing which ebbs and flows in a wonderfully natural way that means that 11 minute monsters like From This Time never outstay their welcome. Every riff on From Nothing Comes Everything is a crushing beast of a thing that demands some serious head-banging. This record is a real masterclass of doom song-writing.

Full review coming soon.

7) Svalbard – One Day All This Will End

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“By the end of the closing moments of Lily, Svalbard have taken you on a post hardcore journey like no other. One Day All This Will End is one of the best punk releases birthed in the UK and Svalbard have mastered an amazingly eclectic sound that’s equal parts angry, beautiful and forlorn. One Day All This Will End is essential listening to fans of post hardcore and a welcoming introduction to anyone looking to explore the more progressive side of hardcore.”

Click here to read the full review.

6) Employed to Serve – Greyer Than You Remember

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“It’s impossible to justify any criticism towards this record. Employed to Serve have absolutely mastered their craft and if dense, bastard-heavy hardcore is your thing than Greyer than You Remember is filled wall-to-wall with some of the genre’s finest moments. The album barely gives you a moment to breath in favour of demanding you mosh harder and it’s almost euphoric in its density.”

Click here to read the full review.

5) xRepentancex – The Sickness of Eden

repentance

“xRepentancex have delivered a debut album that’s so furious it feels like it could tear apart at the seams. The Sickness of Eden is a hardcore record every fan of the genre should own and it’s almost beautiful in its sheer relentlessness. God knows how you follow an album this consistent. Good luck guys.”

Click here to read the full review.

4) Press to Meco – Good Intent

presstomeco

“Press to Meco have delivered an album that showcases exactly what the trio are capable of. It’s a glorious, exciting monster of a record that is stuffed with technical wizardry and choruses so big that they deserve to be blasted across festival audiences all summer long.”

Click here to read the full review.

3) Old Skin – Beneath the Trees

oldskin

Old Skin’s debut album was the most bittersweet release of the year because while it is one of the best metallic hardcore albums this country has ever produced, its release also marked the demise of the band. Given away as a pay-what-you-want download to mark the final chapter of Old Skin’s career, this is an apocalyptic hardcore onslaught that never lets up. Old Skin might be gone but they’ve left behind one of the most disgustingly heavy records this country has ever produced and it deserves to be heard by everyone.

Full review coming soon.

2) Oblivionized – Life is a Struggle, Give Up

oblivionized

“Life is a Struggle, Give Up is Oblivionized firing on all cylinders. This is an unforgiving attack of tech-metal, grind and deathcore that is sculpted with finite detail and it’s not afraid to hit you over the head with a monolithic riff for good measure. This might be an exhausting ordeal on your first listen, but give it the time it deserves and it will slowly unveil a metal record for the ages.”

Click here to read the full review.

1) Caïna – Setter of Unseen Snares

SOUS_Cover

“Setter of Unseen Snares is an album of unbridled fury, bleak atmosphere and eventually, shimmering post metal beauty. This is one of the most diverse and brilliantly executed black metal albums I’ve ever had the pleasure of listening to and it deserves to be heard by more than just fans of the genre.”

Click here to read the full review.

Notable Mentions
Monolithian – The Finest Day I Ever Lived, Was When Tomorrow Never Came. (click here to read the full review)


News: Mammoth New Pay-What-You-Want Sampler from Smithsfoodgroup Available Now

sfgdiy

Our friends at Smithsfoodgroup have curated an enormous 57 song sampler which you can stream and download below.

This pay-what-you-want sampler features music from Scumscene favourites Venom Prison, Svalbard, Old Skin, Ithaca, Employed to Serve, Artemis, Rolo Tomassi, Eulogy, OHHMS, Oblivionized, Yards and many, many more. This is an absolutely essential download for fans of heavy music that we cannot recommend enough. Hop to it:


Review: Svalbard’s One Day All This Will End

svalbard

Post hardcore stalwarts Svalbard have finally seen fit to write and record their debut album after three years of EPs, splits and singles and their tried and tested formula of glittery post punk mixed with hardcore is still as beautiful and engaging as ever. The only difference is now the band have the room to really let loose and One Day All This Will End takes the listener on one of the most emotional journeys heavy music has to offer.

Opener Perspective really does exactly what it says on the tin by giving the listener an introduction to what the band is all about. This is a wonderfully progressive journey that ebbs and flows between gorgeous melody and heart on sleeve aggression. Vocalist and guitarist duo Serena Cherry and Liam Phelan deliver an almost entirely screamed vocal performance throughout but compliment the lack of vocal melodies by showcasing their talents via their fantastic guitar work which straddles the fence between beautiful, sparkling guitar leads and devastating, stompy riffs.

Svalbard are a band with a sound that is surprisingly approachable and anyone looking to get into hardcore punk will have a fantastic jump-on point with this record. For every burst of vicious aggression there is a beautiful melody to wrap your ears around and that’s the real masterstroke of Svalbard’s sound.

Despite the heavy focus on soaring guitar melodies, some of Svalbard’s heaviest work is also featured on One Day All This Will End. Songs like Disparity and Expect Equal Respect are the closest things to no-nonsense punk that Svalbard have ever concocted and having them sandwiched in between these gorgeous moments of emo-esque respite makes their impact even greater. Enough can’t be said about the way this albums moves in such a wonderfully natural way.

By the end of the closing moments of Lily, Svalbard have taken you on a post hardcore journey like no other. One Day All This Will End is one of the best punk releases birthed in the UK and Svalbard have mastered an amazingly eclectic sound that’s equal parts angry, beautiful and forlorn. One Day All This Will End is essential listening to fans of post hardcore and a welcoming introduction to anyone looking to explore the more progressive side of hardcore.

9/10

Svalbard’s One Day All This Will End is out now and available to purchase through Holy Roar Records.


Live Review: Pariso’s Farewell Show Feat. Employed to Serve, Daggers & Svalbard 4/9/2015

Employed to Serve

employedtoserve

Employed to Serve have turned into a well-oiled, mosh machine since I last saw them. The band has now turned out one of the most intense metallic hardcore records and their live performance is just as visceral. What’s instantly striking about the band is despite their possessed display of on-stage antics, they’re a seriously tight and well-rehearsed act. The band does a magnificent job of stirring the crowd into an early frenzy and put on one of the best shows that UK hardcore has to offer. This is an excellent beginning to an excellent evening.

Daggers

daggers

Daggers were a bit of an odd choice for this bill and the crowd definitely reciprocated this feeling. The band plays an almost free-form type of doomy hardcore that often dips into sombre moments of respite before beating you over the head with a nasty, sludge-ridden riff. Sadly, the band’s quiet/loud dynamic moved back-and-forth too frequently to allow them to gain any momentum and this became a pretty underwhelming performance, especially considering how well Employed to Serve had ignited a lot of energy for tonight’s proceedings.

Svalbard

svalbard

My word, have Svalbard have become something special or what. The band plays a wonderfully euphoric yet punky form of post hardcore that’s big on fast-paced drumming and beautiful, glittery, guitar leads. There’s a gorgeous atmosphere about Svalbard’s music which is very rare in heavy music and despite the band clearly pouring their heart and soul into a very loud performance, the whole thing just feels very uplifting. Svalbard are an outstandingly unique band and tonight’s performance has me super-excited for their upcoming debut album.

Pariso

pariso

So this is it, the final Pariso show. Pariso always felt like the UK hardcore act that would last and while they’ve certainly had a bloody good innings, tonight’s performance makes it instantly apparent how much people are going to miss them. The room is absolutely packed and the moment the band start playing the crowd ignites. Pariso’s special blend of down-tuned metallic hardcore is still one of the most unique sounds to come out of UK hardcore and the band is firing on all cylinders. Vocalist Mazz incites some of the most furious mosh-pits I’ve seen at the Camden Unicorn and he does it with a wonderful humility and appreciation for the audience. An all-star cast of the band’s friends make it on stage with Sammy and Justine from Employed to Serve doing a fantastic job of keeping the moshers satisfied and there’s even a surprise appearance from Kerouac’s Thom Denson who looks absolutely dangerous on stage. Despite some mic problems which were bound to happen with the sheer number of people screaming into them, Pariso’s farewell is a visceral, sweaty celebration of one of UK hardcore’s most beloved acts and despite the sadness of seeing them go, they give their fans one of their defining performances.


Year End: The Top 5 Best Splits of 2014

2014splits

5) Teef/Minors

teefminors

A late release from Headless Guru Records, this split does not mess about. UK punk-thrashers TEEF have joined forces with American dark hardcore act Minors to deliver a 3 minute burst of pure aggression. TEEF are the sort of band that will have old school punks pogo-ing until their knees shatter and Minors conjure up memories of bands like Lavotchkin and End Reign which is nothing but a good thing. It might be short but it’s perfectly formed.

4) War Wolf/Crossburner

coversquare

What we said:

“War Wolf and Crossburner have delivered an EP that will satisfy hardcore fans the world over. This is a seriously strong collection of tunes that deserve your attention despite some small grievances with over-familiarity in War Wolf’s case and not enough time being spent driving home the strong melodies in Crossburner’s arsenal. If you’re a fan of the genre you’re still in for an absolute treat.”

Read the full review by clicking here.

3) Rolo Tomassi/Stockades

rolotomassistockades

What we said:

“Rolo Tomassi might be losing their more unpredictable and progressive elements, but songs like Adrasteia prove the band are still an engaging mathcore band even when they’re playing things a little more straight forward.

Stockades offer up a lovely little progressive screamo anthem and it beautifully flows through its various riffs and melodies with ease. It’s still early days for these boys but it would appear they’ve already nailed and extremely accomplished sound that I’ll be paying some serious attention to from here on.”

Read the full review by clicking here.

2) Oblivionized and Razoreater – This is S.O.A.N.

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What we said:

“Oblivionized and Razoreater are champions of the UK underground music scene and this recording showcases exactly what’s so great about going to a dirty club show and getting your mosh on. This release is also accompanied by a live video recording of both band’s sets which is essential viewing if you’ve ever cared about the long lost art of the concert film.”

Read the full review by clicking here.

1) Pariso/Svalbard

parisosvalbard

What we said:

“Regardless of the fact that the amalgamation comes off more as Pariso instead of Pariso and Svalbard, this collaborative album is an incredibly special release from two very unique bands. Pariso’s heavier yet more metal-laden beginning leads into a more positive and melodic second half courtesy of Svalbard that actually feels like the album takes you on a journey through the dark and into the light. This split actually tries to break down the boundaries of the split record concept by showcasing two bands that are very much on the same page regardless of their differences in sound. This could have been a Loutallica but thankfully it’s a wholesome and focussed release that any fan of heavy music should be listening to.”

Read the full review by clicking here.


Review: Pariso and Svalbard’s Self-Titled Split Album

parisosvalbard

Pariso and Svalbard return for a release that is truly unique among hardcore splits; this is a collaborative album with both bands contributing a set of songs as well as joining forces for 2 very unique tracks that showcase a beautiful cacophony of styles that draw from the best parts of both band’s sounds.

Pariso lead the proceedings on this split and the band have decided to play in a lower tuning than usual to make their sound even more difficult to pigeonhole. Pariso make a form of progressive hardcore that brings in elements of groove metal that result in crushing breakdowns like the one featured in Underground Notes. If you can imagine Hatebreed by way of Korn and Every Time I Die you’d be in the sort of area you’d need to be in to appreciate Pariso’s incredibly unique sound.

I’ve joked in the past that Pariso are the founders of nu-grind but thanks to the band’s lower tuning this is becoming less of a joke and actually the only genre I can think that suits them perfectly, especially in regards to these recordings. The opening of Delirium also abides to this rule by featuring a relentless grindcore-esque blast-beat that only gives up to deal another punishing groove.

What Pariso are becoming very good at is interspersing their noise with some brilliant leads that actually help deliver a lot of melody. This was brought into the fold during the writing of their previous album Consanguinity and it’s great to see it used prominently in songs like Helios, The Great Demise.

Now onto Svalbard who despite having a sound rooted in hardcore are somewhat different to Pariso. Svalbard’s sound draws from punk far more heavily than Pariso’s and the no-nonsense opening of Ripped Apart delivers an awesome punk beat that soon expands into a post hardcore sound that is far more melodic in nature.

Svalbard’s music is wonderfully textured and features some absolutely soaring leads that add a sense of euphoria and positivity that’s at juxtaposition with the band’s aggressive nature. The band reminds us of gone-but-not-forgotten post rockers Rinoa but with the hardcore punk leanings of a band like Vales. It’s quite a beautiful racket.

Like Pariso before them Svalbard are another underground UK band who have absolutely nailed a sound of their own and despite their longer songs the band also manage to sound like they’re giving it their all for the entirety of their music. Grayscale is mind-bogglingly intense but it still manages to fit some glittery leads into its near 5 minute hardcore punk attack and it’s an exhausting yet brilliant post hardcore anthem.

Finally it’s important we discuss the collaborative tracks on this split. While the two songs (Floating Anchors and Faceless) clearly draw on elements from both bands’ music, it’s Pariso who seem to be making the decisions in regards to the songs’ structure. Both tracks are shorter 2 minute bursts of extremely progressive metallic hardcore with the only discernible Svalbard elements being the melodic guitar leads and the inclusion of Serena on vocals as well as Mazz.

Regardless of the fact that the amalgamation comes off more as Pariso instead of Pariso and Svalbard, this collaborative album is an incredibly special release from two very unique bands. Pariso’s heavier yet more metal-laden beginning leads into a more positive and melodic second half courtesy of Svalbard that actually feels like the album takes you on a journey through the dark and into the light. This split actually tries to break down the boundaries of the split record concept by showcasing two bands that are very much on the same page regardless of their differences in sound. This could have been a Loutallica but thankfully it’s a wholesome and focussed release that any fan of heavy music should be listening to.

8/10

Pariso and Svalbard’s split self-titled album is out now on 12″ vinyl through Tangled Talk Records.


Touring: Employed to Serve, Svalbard, Pariso and More

parisosvalbard

If you like heavy music from the UK’s wealth of noisey talent then you are absolutely spoilt for choice right now. Below we have compiled a list of tours and shows that are worthy of your attention because they feature some of our favourite bands currently doing the rounds.

Pariso & Svalbard Split Tour
11/7 – Katie Fitzgerald’s, Stourbridge
12/7 – The Roxy 171, Glasgow
18/7 – Unicorn, London
19/7 – Edge of the Wedge, Portsmouth
2/8 – Summerfest at Frog&Fiddle 2 Pigs, Cheltenham
3/8 – Sick Sick Six Fest, Leicester

Employed to Serve & Svalbard European Tour
5/8 – DNA, Brussels
6/8 – AJZ Talshock, Chemnitz
7/8 – TBA
8/8 – Capsloc, Capelle Aan Den Ijssel
9/8 – Waldmeister, Solingen
10/8 – TBA

Other Great Shows
9/7 – Unicorn, Camden (ACxDC, Implore, Oblivionized, Razoreater & TEEF)
18/7 – Rigger, Newcastle (Empires of Light, Burden of the Noose & Black Heath Coven)
19/7 – Stuck on a Name Studios, Nottingham (Oblivionized/Razoreater split recording)
15-17/8 – Chimpyfest at T Chances, Tottenham Court Road (feat. The Atrocity Exhibit, Razoreater & Confine)
23/9 – Old Blue Last, Shoreditch (Hexis, Rainmaker, Let It Die, Employed to Serve & Oblivionized)