It’s been a long time coming but the debut long-player from Yards is finally here. Excitation Thresholds is a 33 minute metallic hardcore assault that noticeably benefits from the amount of time Yards have had to perfect their craft. Everything on this album is here for a reason and it never outstays its welcome.
Despite being a shouty, aggressive hardcore act, Yards have a lot of strings to their bow. During the first half of the album we see the band getting straight to the point and absolutely blasting our faces off with massive riffs, terrifying vocals and one of the thrashiest, loudest drumming performances put to record. The drums in particular are always front and centre in the mix and they really heighten the ferocity of the music on Excitation Thresholds.
But then Yards start to do something different. The tempo slows down a notch and favours a more mid-paced, stompy approach to heaviness that’s just as effective as when the band are going full steam. The album likes to jump between the two styles and it keeps the record fresh and exciting with every song. For example, the no-nonsense hardcore attack of War Tourist is followed by the mid-paced, chunky assault of Everything You Love Reduced to Rubble. This happens again with The Attic, which despite being 4 minutes long and crammed full of ideas, manages to go flat out for its entire run time. Then we get BL-755 which is an extremely bleak and oppressive track that deals more in atmosphere than savagery.
Yards manage to showcase some extremely diverse song-writing for a band that are this unashamedly aggressive. By the time we get to album closer The Shadow Stealer, we get to experience a song that encapsulates all the ideas that came before it in one mammoth 7 and a half minute beast. It’s fast, it’s dark, it’s atmospheric, it’s punishing. It’s everything Yards stand for and a career highlight for one of the most exciting bands in hardcore right now.
Yards’ Excitation Thresholds is an instant recommendation. If you want to hear a passionate, exciting hardcore band putting all their cards on the table and never putting a foot wrong then this is the album for you. Sure, it’s over pretty quickly, but any more time spent with music this visceral would be exhausting. It’s the perfect length for one of the most diverse and relentlessly savage debut albums in recent memory.
Yards’ Excitation Thresholds is out now and available to buy on vinyl from Truthseeker Music.
Cult Cinema have returned with a new focus and the first part in a high concept series of EPs that focus on the loneliness of outer space. Cosmic Horror I is the band’s first EP in over five years and also marks the debut of a brand new line-up that brings some interesting changes to the band’s sound.
While the band’s debut EP Iscariot certainly had some very interesting things going on, it was a little more straightforward in its song structures. That record was heavily entrenched in a darker and more brooding hardcore sound and while that certainly returns on Cosmic Horror I, there’s just a more consistent approach to delivering those ideas in a more effective and cohesive way.
Opener Glass Coffin lurches in with a moody yet glittery shower of guitar that hides the onslaught that’s about to ensue. By far the most hardcore-sounding track on the EP, Glass Coffin is a fast-paced assault that lends its sound more heavily to post hardcore and screamo. This means we get a more varied and textured showing from Cult Cinema that sees them experimenting with progressive song structures, guitar leads and blast beats to great effect. It’s very much akin to the sort of noise bands like Svalbard and Terrible Love are making and it’s a great and natural direction for Cult Cinema to follow.
Closing track Distress Signal takes Cult Cinema’s new found love of varied texture and applies it to a slower and more drawn-out song that brings in a lot of atmosphere to the band’s sound. Distress Signal does an amazing job of sounding like a harrowing and forlorn tale of abandonment complete with an absolutely terrifying and stricken vocal performance.
The only real problem with Cosmic Horror I is that it’s all over far too quickly. Both tracks are such a sumptuous and enticing appetiser that it feels too abrupt when it comes to a close after only two songs. It’s certainly got me excited to hear more from the new and reformed Cult Cinema, but in hindsight it might have been nice if the band just held on a little bit longer and put something together that had a little more to offer.
Regardless, this is a minor quibble with an otherwise fantastic return from one of the UK underground’s best acts. Cosmic Horror I is a bold step forward for Cult Cinema that showcases a sound with an increased scope that has me begging for more. I’m lucky that the band is heading into the studio to record the follow-up next month then, eh?
Cult Cinema’s Cosmic Horror I is out now and available to buy direct from the band’s Bandcamp page.