Tag Archives: hardcore

Review: Cult Cinema’s Cosmic Horror I

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Cult Cinema have returned with a new focus and the first part in a high concept series of EPs that focus on the loneliness of outer space. Cosmic Horror I is the band’s first EP in over five years and also marks the debut of a brand new line-up that brings some interesting changes to the band’s sound.

While the band’s debut EP Iscariot certainly had some very interesting things going on, it was a little more straightforward in its song structures. That record was heavily entrenched in a darker and more brooding hardcore sound and while that certainly returns on Cosmic Horror I, there’s just a more consistent approach to delivering those ideas in a more effective and cohesive way.

Opener Glass Coffin lurches in with a moody yet glittery shower of guitar that hides the onslaught that’s about to ensue. By far the most hardcore-sounding track on the EP, Glass Coffin is a fast-paced assault that lends its sound more heavily to post hardcore and screamo. This means we get a more varied and textured showing from Cult Cinema that sees them experimenting with progressive song structures, guitar leads and blast beats to great effect. It’s very much akin to the sort of noise bands like Svalbard and Terrible Love are making and it’s a great and natural direction for Cult Cinema to follow.

Closing track Distress Signal takes Cult Cinema’s new found love of varied texture and applies it to a slower and more drawn-out song that brings in a lot of atmosphere to the band’s sound. Distress Signal does an amazing job of sounding like a harrowing and forlorn tale of abandonment complete with an absolutely terrifying and stricken vocal performance.

The only real problem with Cosmic Horror I is that it’s all over far too quickly. Both tracks are such a sumptuous and enticing appetiser that it feels too abrupt when it comes to a close after only two songs. It’s certainly got me excited to hear more from the new and reformed Cult Cinema, but in hindsight it might have been nice if the band just held on a little bit longer and put something together that had a little more to offer.

Regardless, this is a minor quibble with an otherwise fantastic return from one of the UK underground’s best acts. Cosmic Horror I is a bold step forward for Cult Cinema that showcases a sound with an increased scope that has me begging for more. I’m lucky that the band is heading into the studio to record the follow-up next month then, eh?

8/10

Cult Cinema’s Cosmic Horror I is out now and available to buy direct from the band’s Bandcamp page.


Year End: The 10 Best Albums of 2016

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10) Raging Speedhorn

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Raging Speedhorn released a new album in 2016! Holy shit! And it sounds like a direct continuation of the sound on How the Great Have Fallen! And Frank is back in the band! Raging Speedhorn’s return with their 5th long-player Lost Ritual certainly quashed any worries that their previous album Before the Sea Was Built might have instilled and it’s absolutely fantastic to have them back on top form. The kings of sludgecore have finally returned.

9) Aliases – Derangeable

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“Derangeable is a welcome addition to Aliases very limited library and it’s pretty safe to say that if you were a fan of the band before, then this was certainly a record worth waiting for. However, if you’re well versed in tech metal then you’ll certainly notice the similarities to SikTh and while you’ll probably never ask yourself, “why am I not just listening to SikTh?” you’ll certainly wonder if there wasn’t more the band could have done to differentiate themselves a bit.”

Click here for the full review.

8) Rash Decision – Headstrung

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“Regardless, Rash Decision have managed to churn out 17 minutes of hardcore punk perfection on Headstrung and if the new material doesn’t quench your hardcore thirst then there’s another 19 minutes of songs for you to indulge in, thanks to Seaside Resort to Violence being on the B side. Rash Decision are an immensely enjoyable hardcore punk act that don’t have too many strings on their bow, but thankfully the ones that are there do the job perfectly.”

Click here for the full review.

7) Karybdis – Samsara

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“Karybdis have put together a smorgasbord of metal subgenres and masterfully fused them into a sound that is exclusive to the band. Samsara is a metal album that heavy music fans will be championing for years to come and it establishes Karybdis as one of the UK’s best metal acts.”

Click here for the full review.

6) Iron Witch – A Harrowed Dawn

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“Iron Witch have certainly spent a long time getting to this record and at only 6 tracks long it is a bit slight for a long-player, but those years of writing and touring have turned them into a well-oiled, doom-making machine and A Harrowed Dawn is the realisation of all their achievements so far. This is easily the best and biggest sounding Iron Witch release to date and an essential purchase for any doom fan.”

Click here for the full review.

5) Let It Die – The Liar & the Saint

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It feels like I’ve been waiting forever for Let it Die to put their efforts into a long-player and with The Liar & the Saint the band have finally delivered. In typical Let it Die fashion it’s as heavy as a tonne of bricks to the skull and faster than a cat belting it across the room after having its tail stepped on. The Liar & the Saint is a relentless assault of hardcore punk and grind that demands you’re moshing for its entirety. Let it Die certainly didn’t disappoint on their debut album, but was there really any doubt?

4) The Infernal Sea – The Great Mortality

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“The Infernal Sea’s The Great Mortality is an album that you simply must own if you like metal. The Inferal Sea have absolutely mastered their craft and turned in one of the most satisfying black metal releases you could possibly want. It’s heavy, it’s memorable and it’s pretty much essential if you enjoy metal.”

Click here for the full review.

3) Sunwølf – Eve

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“Eve is another monstrous achievement for Sunwølf. It’s an album of uplifting highs and crushing lows and despite the simplicity in the song-writing and how long the songs can be, everything is crafted with atmosphere in mind. Sunwølf songs will only linger if the atmosphere requires it to and thanks to the simplicity of the song-writing, the band also put focus on their melodies. You wouldn’t think an album like this would be so memorable but thanks to the focus on melody and atmosphere, it’s very easy to find yourself playing Eve repeatedly without even noticing it. Eve is a beautiful album that makes you appreciate good song-writing and if you’re a fan of post rock then it’s an essential purchase.”

Click here for the full review.

2) Wode – Wode

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“Wode’s debut self-titled album is a fantastic achievement. Every element of the band’s song-writing has been so carefully crafted and sculpted to maximise the impact of their music and it makes this album one of the most approachable black metal releases I’ve ever come across. If you’re a fan of heavy music in general then Wode’s self-titled album is something that has a much broader appeal than most underground black metal and it’s a release I’d thoroughly recommend.”

Click here for the full review.

1) Slabdragger – Rise of the Dawncrusher

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“The UK is spoilt for great sludge as Slabdragger are competing with other brilliant acts like Limb, Gurt, Monolithian and Opium Lord, but Rise of the Dawncrusher sets a new standard for UK sludge metal. Slabragger have written a follow-up so utterly devastating that it demands your attention. Slabdragger, man; what a band.”

Click here for the full review.


Year End: The 10 Best EPs of 2016

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10) Cold Summer – Fight to Survive

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“Regardless, Cold Summer have finally hit their groove on Fight to Survive. This is an extremely bold and fearless record that sees all the pieces of the Cold Summer jigsaw puzzle fit together comfortably. If fist-pumping, anthemic post hardcore music is what you crave in life, then Fight to Survive is an EP you can rely on.”

Click here to read the full review.

9) Conjurer – I

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Despite making a name for themselves in the UK underground’s live circuit for what feels like ages, Conjurer finally released their debut EP this year and it’s fantastically difficult to categorise which is always a fun job as a music critic. This EP is a seriously challenging slab of metal that draws on so many different elements from genres as wide and diverse as death metal, classic rock, black metal and doom metal. Conjurer manage to sound like Mastodon, Between the Buried and Me and Deicide running at each other full pelt across a room with the resulting impact birthing whatever Conjurer are.

8) Wren – Host

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Wren continue to impress us with their huge, atmospheric take on doom metal. Host may be only 4 tracks long, but there’s an awful lot of music to indulge in. This is a creepy and forlorn take on doom that intersperses the music with elements of post rock to create a truly desperate and bleak tone that permeates the entire record. If you’ve been looking for a doom release that could probably make you emotionally well up, then Wren will certainly deliver that. Host is a really unique record from a band who are doing something very interesting with this genre.

7) Terrible Love – Change Nothing

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“Terrible Love’s Change Nothing is an incredible debut from a band that comes with a lot of expectation and they absolutely deliver. This is a remarkably accomplished start to a band’s career that I hope lasts for a very long time.”

Click here to read the full review.

6) Nembutal – Pay to Die

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When bands put out releases like this I always get tempted to just write, “FUCK” and leave it at that. Nembutal’s follow-up to their 2014 demo is about as no-nonsense as hardcore punk records come. The goal of every song on Pay to Die is to play as loud and fast as possible and it just so happens that Nembutal are bloody excellent at doing both. Nembutal’s music has about as much depth as a roadside puddle, but if you enjoy your hardcore punk being played with as much energy as the human body can muster then you absolutely have to listen to Pay to Die.

5) Allfather – Bless the Earth With Fire

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“Allfather have evolved significantly since their debut EP and with Bless the Earth with Fire we see the band writing more diverse and interesting songs that complement the shift towards sludge metal. It also rocks like a mother fucker.”

Click here to read the full review.

4) So-Crates – v1

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“Overall, v1 is an accomplished and intense debut from an extremely exciting new band. If you’re a fan of post hardcore and math rock then you’ll find a lot to love here and despite some niggles regarding the production, the song-writing really does shine bright and offer a record that is greater than the sum of its parts.”

Click here to read the full review.

3) Underdark – Mourning Cloak

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Nottingham’s Underdark exploded out the gates with a black metal release that’s scarily accomplished for a first drop. Mourning Cloak is a wonderfully textured and beautifully structured EP that betrays how heavy it is. The ebb and flow of every song on this record is so gloriously natural and well placed that there’s a dream-like quality to the music that’s at juxtaposition with all the screaming and double-bass drumming on offer. Underdark are a very special band that instantly have my attention and have me begging for more.

2) Watchcries – Watchcries

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Another EP that took me by complete surprise, Watchcries’ debut self-titled EP is never short on ideas. This 3 track offering of metallic hardcore fuses itself with elements of death and black metal and instantly grabs you by the collar and gets right in your face. Watchcries have no interest in nuance; this is a band who are itching to make the most visceral and aggressive metal they can and if this debut is anything to go by then their next record might actually kill you.

1) Razoreater – Vacuum of Nihil

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“Vacuum of Nihil is a loud, noisy, racket of a metal EP and it contains Razoreater’s finest work to date. This band has only managed to get more ferocious with every record and still manage to find new ways to assault your ears. Vacuum of Nihil might have been a long time coming but when Razoreater deliver a record as disgustingly vicious as this it makes you realise that it might have all been worth it. This is an essential UK metal release.”

Click here to read the full review.


Year End: The 5 Best Splits of 2016

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5) Temple Steps/Wreck

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A massive, lurching doom behemoth from Lincoln’s Temple Steps and Germany’s Wreck, this split highlights two young talents who are making a captivating low-tempo racket. While Temple Steps prefer the long form, almost funeral doom approach to song structures, Wreck have a real sludgy guitar tone and some really creative riffs that make their tracks a little more interesting. The production is a little rough round the edges, but it’ll be fascinating to watch both bands grow on their next releases.

4) God Mother/Artemis

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Sweden’s God Mother teamed up with Basingstoke’s Artemis for their final release (another great band taken by the onslaught of 2016) and it’s a bittersweet effort as Artemis put forward 2 of their best songs. Both bands fit into the same metallic hardcore mold with extremely progressive song structures that focus on speed and aggression. Fans of hardcore are serviced well by this 7”.

3) Szyslak/Misgivings

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This double-dose of pop punk from the two fresh faces of Brighton’s Szyslak and Portsmouth’s Misgivings offers up 4 tracks of no-nonsense, hooky punk-rock for fans of Gnarwolves. It’s great to hear more pop punk cropping up with a little more bite than the usual sugary, hyper-polished efforts by a lot of the big name bands like Blink-182 and Green Day so if you enjoy massive sing-a-long choruses but like your punk with a bit of dirt then you can do no wrong with this split.

2) Harrowed/Art of Burning Water

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“Harrowed are still an exciting hardcore band and these tracks are by no means bad, they’re just not up to the band’s usual standard. Fingers crossed Harrowed have another belter of a long-player in the works because it’s about time we saw something more substantial from the band. It’s weird to think that Into Inferno is around 3 years old now.”

“Thankfully, despite all these elements coming into play, they manage to fuse in a way that makes Art of Burning Water’s music sound utterly ferocious. Let Me Let You Finish is the perfect example of all these musical styles coming together harmoniously and it’s a terrifying and scattershot explosion of disgusting metal that demands your attention. Please start paying attention to what Art of Burning Water are doing because a band like this shouldn’t be so criminally overlooked.”

Click here to read the full review.

1) Gurt/Trippy Wicked – Guppy

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Seeing as how Gurt and Trippy Wicked now share a drummer, it made perfect sense for the sludge metallers to team up for a split and the result is nothing short of excellent. Gurt are on form once again with their special blend of sludge and hardcore that makes for a suitably unpredictable yet surprisingly memorable couple of songs, but it’s Trippy Wicked that really shine. Their first new material in 3 years, this is easily the best the band has sounded. There’s real depth to their bluesy sound now and the production finally makes them sound as massive as they do live. Let’s not forget the wonderfully daft cover of T. Rex’s Children of the Revolution which sees members from both bands team up to create a truly “revolting” version of the rock classic.


Review: Harrowed and Art of Burning Water’s Split 7″

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HARROWED

Harrowed’s take on dark, metallic hardcore is one of the best in the UK and their debut album Into Inferno is a vicious and dangerous sounding record that takes all the best bits from the genre and plays them really well. However, on the two tracks they offer on this split, the elements are all still there but Harrowed don’t sound as volatile. This is Harrowed doing what Harrowed do and that’s fine because Harrowed make great hardcore, but they’re missing the edge that made Into Inferno so utterly sumptuous.

This is mainly due to the production style which is a little rawer than the band’s debut. Into Inferno certainly wasn’t a bright, shiny album when it came to production, but the guitar sounded deadly. It had a real bite that’s sadly missing on these tracks and it just means that they’re missing a special something that would make them stand out better, especially now that dark hardcore is such an overpopulated genre.

Harrowed are still an exciting hardcore band and these tracks are by no means bad, they’re just not up to the band’s usual standard. Fingers crossed Harrowed have another belter of a long-player in the works because it’s about time we saw something more substantial from the band. It’s weird to think that Into Inferno is around 3 years old now.

7/10

ART OF BURNING WATER

Art of Burning Water are one of those bands that have been slogging their way through the toilet circuit for what feels like forever and never really been given their dues. Their music is very difficult to categorise as it draws in so many different influences from the heavy music spectrum, but it’s mainly a form hardcore punk that’s sprinkled with elements of black metal and grindcore. Vocals are always high-pitched and raspy giving their music that nasty, brooding vibe that black metal does so well and the loose, short bursts of almost free-form song-writing definitely lend themselves heavily to hardcore and grind.

Thankfully, despite all these elements coming into play, they manage to fuse in a way that makes Art of Burning Water’s music sound utterly ferocious. Let Me Let You Finish is the perfect example of all these musical styles coming together harmoniously and it’s a terrifying and scattershot explosion of disgusting metal that demands your attention. Please start paying attention to what Art of Burning Water are doing because a band like this shouldn’t be so criminally overlooked.

8/10

Harrowed and Art of Burning Water’s split 7″ is out now and available to buy from Secret Law Records.


Total Rock: Catbird’s Sunday Roasting 17/1/2016

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On Sunday the 17th of January 2016 we finally returned to Total Rock to appear on Catbird’s Sunday Roasting! If you missed our appearance on the show then you can click below to listen to the podcast on MixCloud. Here’s a list of our picks and the time-stamps for each song are listed beside them:

11:59 – SikTh – Philistine Philosophies
42:18 – Boxkite – Cycles
50:29 – TORPOR – As Waves Crash
1:04:23 – Gnarwolves – Boneyard
1:14:25 – I, The Lion – Hold Strong
1:20:21 – Eulogy – Deaf Cult
1:44:17 – Chubby Thunderous Bad Kush Masters – Chopsticks and Bad Meatballs
1:50:20 – Iced Out – Man’s Ruin
1:53:58 – TEEF – Consumed
1:56:25 – Samoans – Stompbox
2:05:06 – Mage – One for the Road


Year End: The 10 Best Albums of 2015

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10) Let’s Talk Daggers – A Beautiful Life

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“Regardless, Let’s Talk Daggers have made one of the most electric rock albums of the year. If you can appreciate guitar music that doesn’t sacrifice technicality for song-writing then Let’s Talk Daggers have delivered a record that does just that and even more. A Beautiful Life is an absolute tidal wave of riffs, tempo changes and yelping and despite the madness of its contents, Let’s Talk Daggers have brought it all together into one cohesive yet exhausting piece.”

Click here to read the full review.

9) Limb – Terminal

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“Terminal is the natural continuation from Limb’s self-titled debut and it’s an infinitely more enjoyable and masterfully crafted slab of hard rock. The band haven’t rested on their laurels and continue to get better on every record they release. The pressure is certainly on for the next release, lads!”

Click here to read the full review.

8) Torpor – From Nothing Comes Everything

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London doom behemoth Torpor wiped the floor with the rest of the doom offerings this year. The long-form nature of Torpor’s songs is beautifully tempered by the bands wonderful song-writing which ebbs and flows in a wonderfully natural way that means that 11 minute monsters like From This Time never outstay their welcome. Every riff on From Nothing Comes Everything is a crushing beast of a thing that demands some serious head-banging. This record is a real masterclass of doom song-writing.

Full review coming soon.

7) Svalbard – One Day All This Will End

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“By the end of the closing moments of Lily, Svalbard have taken you on a post hardcore journey like no other. One Day All This Will End is one of the best punk releases birthed in the UK and Svalbard have mastered an amazingly eclectic sound that’s equal parts angry, beautiful and forlorn. One Day All This Will End is essential listening to fans of post hardcore and a welcoming introduction to anyone looking to explore the more progressive side of hardcore.”

Click here to read the full review.

6) Employed to Serve – Greyer Than You Remember

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“It’s impossible to justify any criticism towards this record. Employed to Serve have absolutely mastered their craft and if dense, bastard-heavy hardcore is your thing than Greyer than You Remember is filled wall-to-wall with some of the genre’s finest moments. The album barely gives you a moment to breath in favour of demanding you mosh harder and it’s almost euphoric in its density.”

Click here to read the full review.

5) xRepentancex – The Sickness of Eden

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“xRepentancex have delivered a debut album that’s so furious it feels like it could tear apart at the seams. The Sickness of Eden is a hardcore record every fan of the genre should own and it’s almost beautiful in its sheer relentlessness. God knows how you follow an album this consistent. Good luck guys.”

Click here to read the full review.

4) Press to Meco – Good Intent

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“Press to Meco have delivered an album that showcases exactly what the trio are capable of. It’s a glorious, exciting monster of a record that is stuffed with technical wizardry and choruses so big that they deserve to be blasted across festival audiences all summer long.”

Click here to read the full review.

3) Old Skin – Beneath the Trees

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Old Skin’s debut album was the most bittersweet release of the year because while it is one of the best metallic hardcore albums this country has ever produced, its release also marked the demise of the band. Given away as a pay-what-you-want download to mark the final chapter of Old Skin’s career, this is an apocalyptic hardcore onslaught that never lets up. Old Skin might be gone but they’ve left behind one of the most disgustingly heavy records this country has ever produced and it deserves to be heard by everyone.

Full review coming soon.

2) Oblivionized – Life is a Struggle, Give Up

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“Life is a Struggle, Give Up is Oblivionized firing on all cylinders. This is an unforgiving attack of tech-metal, grind and deathcore that is sculpted with finite detail and it’s not afraid to hit you over the head with a monolithic riff for good measure. This might be an exhausting ordeal on your first listen, but give it the time it deserves and it will slowly unveil a metal record for the ages.”

Click here to read the full review.

1) Caïna – Setter of Unseen Snares

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“Setter of Unseen Snares is an album of unbridled fury, bleak atmosphere and eventually, shimmering post metal beauty. This is one of the most diverse and brilliantly executed black metal albums I’ve ever had the pleasure of listening to and it deserves to be heard by more than just fans of the genre.”

Click here to read the full review.

Notable Mentions
Monolithian – The Finest Day I Ever Lived, Was When Tomorrow Never Came. (click here to read the full review)


Year End: The 10 Best EPs of 2015

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10) Geist – Faith Healing

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Faith Healing ends with a monologue about the futility of worshipping a God who hasn’t done anything to prove that he actually, “loves you”. It’s a stark, bleak ending to an EP loaded with some of the most unforgiving hardcore the UK has to offer and a timely reminder that we need bands like Geist to provide a visceral release from the shitstorm that is real life.

Click here to read the full review.

9) Boxkite – Self Titled

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“Boxkite have burst out the gates with a hardcore debut that doesn’t mess about. This is 6 tracks of solid, bouncy yet strangely forlorn punk that leaves a serious mark. Anyone looking for the next great UK hardcore band might want to seriously consider grabbing Boxkite’s debut EP while it’s hot; you won’t regret it.”

Click here to read the full review.

8) Eulogy – Eternal Worth

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“Eulogy have hit their stride on Eternal Worth. This is a record that doesn’t mess about and gets straight to the point. This is a laser-focussed metallic hardcore assault that is big on groove and if the name change wasn’t a big enough indicator, it marks an important step up for Eulogy as a band.”

Click here to read the full review.

7) Simmer – Yellow Streak

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“Simmer’s Yellow Streak is a rare gem of a record. The EP is full of soaring melodies and satisfying riffs that are punctuated with a beautifully reflective vocal performance. Even though this is only the band’s second EP, it feels like they’ve already mastered their craft and Yellow Streak might be a defining moment in their career.”

Click here to read the full review.

6) Chubby Thunderous Bad Kush Masters – Earth Hog

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“Earth Hog is an easy recommendation to make. If you’ve ever enjoyed a riff that might result in whiplash then Chubby have delivered an absolute haven of guitar wizardry. Earth Hog is loaded with some of the best grooves stoner rock has to offer and it’s one of the most satisfying debuts of any band.”

Click here to read the full review.

5) I, The Lion – Run

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“I, The Lion’s Run is a wonderful celebration of riff rock. It’s a gargantuan-sounding EP loaded with some of alt-rock’s most thunderous melodies and it constantly evolves and welcomes new ideas into it’s already accomplished sound. A lacklustre opening hides one of rock’s most enjoyable EPs and I, The Lion need to be a band you start paying immediate attention to.”

Click here to read the full review.

4) Iced Out – Man’s Ruin

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“Iced Out have finally found their comfort zone. Man’s Ruin is an enormous, towering beast of an EP that sees the band embrace slower tempos and tunings so low you might soil yourself. Now it’s time for Iced Out to take their sludgecore leanings and finally deliver the sort of devastating album that Man’s Ruin is threatening to. Good luck, boys; we’re looking forward to it.”

Click here to read the full review.

3) Maths – The Fires Courting the Sea

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“Maths’ The Fires Courting the Sea is a phenomenal melodic punk record which manages to cram some of the most beautiful yet utterly pissed off music it can into its 10 minutes. Maths are still one of the UK underground’s most treasured acts and it would be sacrilege for any punk fan to skip on this record. You know what to do.”

Click here to read the full review.

2) SikTh – Opacities

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“Opacities is a fantastic comeback by one of the most dearly missed UK metal acts. SikTh are just as exciting and vital as they’ve ever been and despite the 9 year gap between Opacities and Death of a Dead Day, it genuinely feels like the band have never been away. Opacities has a wonderfully natural progression to it and it sounds exactly like the follow-up to Death of a Dead Day that we all dreamed of. It feels wonderful to finally say this but welcome back SikTh. We’ve really missed you.”

Click here to read the full review.

1) TEEF – Admit Defeat

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“TEEF have put together one of punk’s brightest moments. Admit Defeat is a non-stop powerhouse of grotty violence that’s amazingly memorable despite its aggression. No band in the UK has managed to meld fury with song-writing this catchy nearly as well as TEEF have managed to here and it’s a massive shame that the band won’t be making anymore music. Admit Defeat might be the last TEEF record but as swan-songs go, this couldn’t be any better.”

Click here to read the full review.


Year End: The Best 5 Splits of 2015

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5) Nomadic Rituals/Tome

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“This 14 minute behemoth entitled The Great Dying begins with a gentle, low-end rumble and then unleashes a horrendous, down-tuned chord that could shake a building to its foundation.”

“Clocking in at 11 minutes, Tome deal in a similar, funeral-doom-esque march but their riffs are more memorable in comparison to Nomadic Rituals who use their guitars to build atmosphere.”

Click here to read the full review.

4) Yards/Astrid Lindgren/Rites/We Are Dust

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This is an extremely diverse offering of various punk subgenres. Smithsfoodgroup and LTD Records managed to band together UK hardcore punk mob Yards, Polish screamo merchants Astrid Lindgren, Netherlands emo outfit Rites and German metallic hardcore bruisers We Are Dust for this hugely eclectic but shouty offering. Special mention has to be given to Yards who manage to sound more furious than ever.

Full review coming soon.

3) Oi Polloi/Grand Collapse

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What we have here is a double-dose of lairy punk from oiky punk stalwarts Oi Polloi and Scumscene favourites Grand Collapse. While Oi Polloi get straight to the point and generally put together songs that have more memorable hooks (e.g. GCHQFU), Grand Collapse continue to tear a seriously aggressive streak through the UK underground punk scene and songs like Turn Coat are an absolutely vicious riff attack.

Full review coming soon.

2) Samoans/Freeze the Atlantic

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“This split from Samoans and Freeze the Atlantic is a great bit of fun that showcases both bands at the very top of their game. Fans of heavy rock music are given an incredibly diverse display of alt rock, post rock and post hardcore that manages to meld together in a strangely cohesive package.”

Click here to read the full review.

1) Irk/Wren

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What an absolutely electric offering this split is. Irk continue to blow us away with their groove-laden blend of tech metal and noise rock. There is simply nothing as satisfyingly unique as Irk and you have to make sure you’re exposed to their music right away. London doomsters Wren also put together a hearty selection of doom anthems that encapsulate the bleak feeling of loneliness. This is extremely dark and brooding metal that is perfectly executed. This is an essential split for fans of heavy music.

Full review coming soon.

Notable Mentions
Bastions/Burning Bright – Swan Songs
Employed to Serve/A Ghost Orchestra


Review: Eulogy’s Eternal Worth

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Stallone have returned under a new name as Eulogy and Eternal Worth marks a distinctive stylistic shift from the band’s previous material. While previous records Cardiac Black and Mire sat more comfortably in the mathcore category bringing in comparisons to bands like Palm Reader, Eternal Worth takes a more direct approach to its song-writing that results in a more metallic hardcore sound akin to bands like Old Skin.

While this is still very much heavy music in the hardcore mould, you definitely notice Eulogy’s music spends less time noodling around with complex structures and more time beating you into submission with a massive groove. This is the clear distinction between the Eulogy of old and the Eulogy of now; the riffs are placed front and centre. While Mire would often get bogged down (no pun intended) in technical wizardry, songs like Deaf Cult clearly favour melody. That nasty, stomping riff that kicks everything off is certainly proof of that.

This shift in structure means Eulogy sound doubly pissed off as a result. The opening one-two of Doubt Shadows and Deaf Cult deal in some of the most disgustingly bile-ridden screams we’ve heard from the band and there’s some liberal use of blast-beats to make this the most metal-sounding Eulogy record to date.

What this change in song-writing also enables Eulogy to do is work with songs in a longer format that don’t outstay their welcome. Closing track Beyond the Skin is still as hate-fuelled and metallic as everything else on Eternal Worth, but now the band can explore more atmospheric lead guitar work and moments of haunting respite that create a considerably bleak vibe. There’s more to this song than your standard mosh-a-long anthem.

Eulogy have hit their stride on Eternal Worth. This is a record that doesn’t mess about and gets straight to the point. This is a laser-focussed metallic hardcore assault that is big on groove and if the name change wasn’t a big enough indicator, it marks an important step up for Eulogy as a band.

8/10

Eulogy’s Eternal Worth is out now and available to buy on limited edition one-sided vinyl with screenprinted b-side direct from the band or from Holy Roar Records.