Tag Archives: black metal

Year End: The 10 Best Albums of 2016

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10) Raging Speedhorn

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Raging Speedhorn released a new album in 2016! Holy shit! And it sounds like a direct continuation of the sound on How the Great Have Fallen! And Frank is back in the band! Raging Speedhorn’s return with their 5th long-player Lost Ritual certainly quashed any worries that their previous album Before the Sea Was Built might have instilled and it’s absolutely fantastic to have them back on top form. The kings of sludgecore have finally returned.

9) Aliases – Derangeable

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“Derangeable is a welcome addition to Aliases very limited library and it’s pretty safe to say that if you were a fan of the band before, then this was certainly a record worth waiting for. However, if you’re well versed in tech metal then you’ll certainly notice the similarities to SikTh and while you’ll probably never ask yourself, “why am I not just listening to SikTh?” you’ll certainly wonder if there wasn’t more the band could have done to differentiate themselves a bit.”

Click here for the full review.

8) Rash Decision – Headstrung

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“Regardless, Rash Decision have managed to churn out 17 minutes of hardcore punk perfection on Headstrung and if the new material doesn’t quench your hardcore thirst then there’s another 19 minutes of songs for you to indulge in, thanks to Seaside Resort to Violence being on the B side. Rash Decision are an immensely enjoyable hardcore punk act that don’t have too many strings on their bow, but thankfully the ones that are there do the job perfectly.”

Click here for the full review.

7) Karybdis – Samsara

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“Karybdis have put together a smorgasbord of metal subgenres and masterfully fused them into a sound that is exclusive to the band. Samsara is a metal album that heavy music fans will be championing for years to come and it establishes Karybdis as one of the UK’s best metal acts.”

Click here for the full review.

6) Iron Witch – A Harrowed Dawn

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“Iron Witch have certainly spent a long time getting to this record and at only 6 tracks long it is a bit slight for a long-player, but those years of writing and touring have turned them into a well-oiled, doom-making machine and A Harrowed Dawn is the realisation of all their achievements so far. This is easily the best and biggest sounding Iron Witch release to date and an essential purchase for any doom fan.”

Click here for the full review.

5) Let It Die – The Liar & the Saint

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It feels like I’ve been waiting forever for Let it Die to put their efforts into a long-player and with The Liar & the Saint the band have finally delivered. In typical Let it Die fashion it’s as heavy as a tonne of bricks to the skull and faster than a cat belting it across the room after having its tail stepped on. The Liar & the Saint is a relentless assault of hardcore punk and grind that demands you’re moshing for its entirety. Let it Die certainly didn’t disappoint on their debut album, but was there really any doubt?

4) The Infernal Sea – The Great Mortality

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“The Infernal Sea’s The Great Mortality is an album that you simply must own if you like metal. The Inferal Sea have absolutely mastered their craft and turned in one of the most satisfying black metal releases you could possibly want. It’s heavy, it’s memorable and it’s pretty much essential if you enjoy metal.”

Click here for the full review.

3) Sunwølf – Eve

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“Eve is another monstrous achievement for Sunwølf. It’s an album of uplifting highs and crushing lows and despite the simplicity in the song-writing and how long the songs can be, everything is crafted with atmosphere in mind. Sunwølf songs will only linger if the atmosphere requires it to and thanks to the simplicity of the song-writing, the band also put focus on their melodies. You wouldn’t think an album like this would be so memorable but thanks to the focus on melody and atmosphere, it’s very easy to find yourself playing Eve repeatedly without even noticing it. Eve is a beautiful album that makes you appreciate good song-writing and if you’re a fan of post rock then it’s an essential purchase.”

Click here for the full review.

2) Wode – Wode

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“Wode’s debut self-titled album is a fantastic achievement. Every element of the band’s song-writing has been so carefully crafted and sculpted to maximise the impact of their music and it makes this album one of the most approachable black metal releases I’ve ever come across. If you’re a fan of heavy music in general then Wode’s self-titled album is something that has a much broader appeal than most underground black metal and it’s a release I’d thoroughly recommend.”

Click here for the full review.

1) Slabdragger – Rise of the Dawncrusher

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“The UK is spoilt for great sludge as Slabdragger are competing with other brilliant acts like Limb, Gurt, Monolithian and Opium Lord, but Rise of the Dawncrusher sets a new standard for UK sludge metal. Slabragger have written a follow-up so utterly devastating that it demands your attention. Slabdragger, man; what a band.”

Click here for the full review.


Year End: The 10 Best EPs of 2016

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10) Cold Summer – Fight to Survive

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“Regardless, Cold Summer have finally hit their groove on Fight to Survive. This is an extremely bold and fearless record that sees all the pieces of the Cold Summer jigsaw puzzle fit together comfortably. If fist-pumping, anthemic post hardcore music is what you crave in life, then Fight to Survive is an EP you can rely on.”

Click here to read the full review.

9) Conjurer – I

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Despite making a name for themselves in the UK underground’s live circuit for what feels like ages, Conjurer finally released their debut EP this year and it’s fantastically difficult to categorise which is always a fun job as a music critic. This EP is a seriously challenging slab of metal that draws on so many different elements from genres as wide and diverse as death metal, classic rock, black metal and doom metal. Conjurer manage to sound like Mastodon, Between the Buried and Me and Deicide running at each other full pelt across a room with the resulting impact birthing whatever Conjurer are.

8) Wren – Host

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Wren continue to impress us with their huge, atmospheric take on doom metal. Host may be only 4 tracks long, but there’s an awful lot of music to indulge in. This is a creepy and forlorn take on doom that intersperses the music with elements of post rock to create a truly desperate and bleak tone that permeates the entire record. If you’ve been looking for a doom release that could probably make you emotionally well up, then Wren will certainly deliver that. Host is a really unique record from a band who are doing something very interesting with this genre.

7) Terrible Love – Change Nothing

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“Terrible Love’s Change Nothing is an incredible debut from a band that comes with a lot of expectation and they absolutely deliver. This is a remarkably accomplished start to a band’s career that I hope lasts for a very long time.”

Click here to read the full review.

6) Nembutal – Pay to Die

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When bands put out releases like this I always get tempted to just write, “FUCK” and leave it at that. Nembutal’s follow-up to their 2014 demo is about as no-nonsense as hardcore punk records come. The goal of every song on Pay to Die is to play as loud and fast as possible and it just so happens that Nembutal are bloody excellent at doing both. Nembutal’s music has about as much depth as a roadside puddle, but if you enjoy your hardcore punk being played with as much energy as the human body can muster then you absolutely have to listen to Pay to Die.

5) Allfather – Bless the Earth With Fire

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“Allfather have evolved significantly since their debut EP and with Bless the Earth with Fire we see the band writing more diverse and interesting songs that complement the shift towards sludge metal. It also rocks like a mother fucker.”

Click here to read the full review.

4) So-Crates – v1

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“Overall, v1 is an accomplished and intense debut from an extremely exciting new band. If you’re a fan of post hardcore and math rock then you’ll find a lot to love here and despite some niggles regarding the production, the song-writing really does shine bright and offer a record that is greater than the sum of its parts.”

Click here to read the full review.

3) Underdark – Mourning Cloak

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Nottingham’s Underdark exploded out the gates with a black metal release that’s scarily accomplished for a first drop. Mourning Cloak is a wonderfully textured and beautifully structured EP that betrays how heavy it is. The ebb and flow of every song on this record is so gloriously natural and well placed that there’s a dream-like quality to the music that’s at juxtaposition with all the screaming and double-bass drumming on offer. Underdark are a very special band that instantly have my attention and have me begging for more.

2) Watchcries – Watchcries

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Another EP that took me by complete surprise, Watchcries’ debut self-titled EP is never short on ideas. This 3 track offering of metallic hardcore fuses itself with elements of death and black metal and instantly grabs you by the collar and gets right in your face. Watchcries have no interest in nuance; this is a band who are itching to make the most visceral and aggressive metal they can and if this debut is anything to go by then their next record might actually kill you.

1) Razoreater – Vacuum of Nihil

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“Vacuum of Nihil is a loud, noisy, racket of a metal EP and it contains Razoreater’s finest work to date. This band has only managed to get more ferocious with every record and still manage to find new ways to assault your ears. Vacuum of Nihil might have been a long time coming but when Razoreater deliver a record as disgustingly vicious as this it makes you realise that it might have all been worth it. This is an essential UK metal release.”

Click here to read the full review.


Review: Wode’s Wode

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Wode’s debut long-player shouldn’t have turned out this good. How does a band debut with something this wonderfully nuanced, textured and accomplished? This album sounds like it came from a band that’s been writing and touring for a decade, not half that time. If Wode’s debut album proves anything it’s that you shouldn’t rush your art and Wode have certainly perfected their own blend of melodic black metal.

Black metal can be a challenging genre to get your ears around. Often lacking in melody, being purposely under-produced and focussing on heaviness instead of melody, Wode’s self-titled album suffers from none of these factors. Well, it’s certainly heavy and there’s almost always a blast beat happening, but it’s so much more than simple heaviness.

First of all the guitar work is astounding. Melody permeates every riff on this record and the amount of tremolo picking is astonishing. It’s exhausting listening to how fast and tight the guitar work on this record is. There’s a wonderful ebb and flow to the riffs as well; always moving in a very natural and calculated way and adding an almost glittery texture to the proceedings.

There’s some real variety to the sound of the songs on this album as well. Opener Death’s Edifice is a pretty bleak and foreboding track that leads into the stunning melody of Trails of Smoke which is almost uplifting in nature. I certainly didn’t expect to have my mood lightened by a black metal song but here we are. There’s also a surprising thrash influence on a lot of this record and the riffs on Cloaked in Ruin certainly have a classic heavy metal vibe which once again adds some welcome melody to the record.

Wode’s debut self-titled album is a fantastic achievement. Every element of the band’s song-writing has been so carefully crafted and sculpted to maximise the impact of their music and it makes this album one of the most approachable black metal releases I’ve ever come across. If you’re a fan of heavy music in general then Wode’s self-titled album is something that has a much broader appeal than most underground black metal and it’s a release I’d thoroughly recommend.

9/10

Wode’s self-titled debut album is out now and available to buy from Broken Limbs Recordings, Vendetta Records and COF Records.


Review: Harrowed and Art of Burning Water’s Split 7″

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HARROWED

Harrowed’s take on dark, metallic hardcore is one of the best in the UK and their debut album Into Inferno is a vicious and dangerous sounding record that takes all the best bits from the genre and plays them really well. However, on the two tracks they offer on this split, the elements are all still there but Harrowed don’t sound as volatile. This is Harrowed doing what Harrowed do and that’s fine because Harrowed make great hardcore, but they’re missing the edge that made Into Inferno so utterly sumptuous.

This is mainly due to the production style which is a little rawer than the band’s debut. Into Inferno certainly wasn’t a bright, shiny album when it came to production, but the guitar sounded deadly. It had a real bite that’s sadly missing on these tracks and it just means that they’re missing a special something that would make them stand out better, especially now that dark hardcore is such an overpopulated genre.

Harrowed are still an exciting hardcore band and these tracks are by no means bad, they’re just not up to the band’s usual standard. Fingers crossed Harrowed have another belter of a long-player in the works because it’s about time we saw something more substantial from the band. It’s weird to think that Into Inferno is around 3 years old now.

7/10

ART OF BURNING WATER

Art of Burning Water are one of those bands that have been slogging their way through the toilet circuit for what feels like forever and never really been given their dues. Their music is very difficult to categorise as it draws in so many different influences from the heavy music spectrum, but it’s mainly a form hardcore punk that’s sprinkled with elements of black metal and grindcore. Vocals are always high-pitched and raspy giving their music that nasty, brooding vibe that black metal does so well and the loose, short bursts of almost free-form song-writing definitely lend themselves heavily to hardcore and grind.

Thankfully, despite all these elements coming into play, they manage to fuse in a way that makes Art of Burning Water’s music sound utterly ferocious. Let Me Let You Finish is the perfect example of all these musical styles coming together harmoniously and it’s a terrifying and scattershot explosion of disgusting metal that demands your attention. Please start paying attention to what Art of Burning Water are doing because a band like this shouldn’t be so criminally overlooked.

8/10

Harrowed and Art of Burning Water’s split 7″ is out now and available to buy from Secret Law Records.


Review: The Infernal Sea’s The Great Mortality

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The Infernal Sea return with their sophomore album The Great Mortality; a record all about the black death which is obviously the most metal theme you could want. The Infernal Sea deal in the sort of melodic black metal that bands like Behemoth, Cradle of Filth and Dimmu Borgir deal in, which is wonderfully apt considering this album is being released by Cacophonous Records.

The Great Mortality is relentless. You want heavy? The Great Mortality is fucking heavy. This is eight tracks of the most punishing, flat-out black metal that you could possibly want. The drumming in particular sounds like it’s probably the most knackering thing to perform. This album is an exhausting listen that’s dark, bleak and just bloody brilliant. The opening three tracks of Way of the Wolf, The Bearer and Pestmeester form the holy trinity of metal openings; a glorious trio of songs that tell you exactly what The Infernal Sea are about, and obviously, it’s about being fucking heavy.

Alright, maybe we’re underselling how good The Infernal Sea can be because while this is a very heavy album, there’s an awful lot going on. For one, the guitar work is gorgeous on this record. Tremolo-picked riffs are in abundance and they’re loaded with melody. This is a surprisingly memorable record considering how impenetrable some black metal can be.

What also impresses is the production and mix. Black metal often favours a muddy, under-produced sound that doesn’t do the music any favours, but The Great Mortality is wonderfully produced with a thunderous, bass-heavy mix that is partnered with surprisingly bright production. If only all black metal releases dealt in such clarity.

There are also some moments of respite that do help diversify the album somewhat. The Pestmeester in particular has a striking yet delicate breakdown that introduces a violin. This gives the song a morose and sombre tone that makes the shift back into heavy territory even more impactful. Plague Herald is also stylistically different and favours a more mid-paced speed that allows you to appreciate its fantastic, stomping riff.

The Infernal Sea’s The Great Mortality is an album that you simply must own if you like metal. The Inferal Sea have absolutely mastered their craft and turned in one of the most satisfying black metal releases you could possibly want. It’s heavy, it’s memorable and it’s pretty much essential if you enjoy metal.

9/10

The Infernal Sea’s The Great Mortality is out now through Cacophonous Records.


Review: The King is Blind’s Our Father

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East Anglian groove metal five piece The King is Blind have seen fit to drop their debut album Our Father and it’s probably one of the most diverse metal debuts I’ve heard in some time. Taking groove metal to its extremes, The King is Blind mix in elements of doom and black metal to create an album that’s bursting with ideas.

What’s instantly striking about The King is Blind is their unrelenting guitar work which is consistently exciting and unpredictable. Guitarists Lee Appleton and Paul Ryan-Reader are always prominent in the mix and often deal in a groovy, thrashy playing style that will remind you of bands like Sepultura and DevilDriver. This means Our Father is often punishing yet strangely catchy as the two guitarists manage to conjure up riffs like it’s no problem.

When The King is Blind are going hell for leather, they are one of the most exciting bands in underground metal. Tracks like Bloodlet Ascension, Amen and All the Daemons Are Here are savage, relentless metal songs that are loaded with piss and vinegar. These songs often deal in black metal-style tremolo picking which also adds to the sheer intensity of this aural assault. Enough can’t be said about how visceral and exciting The King is Blind are when they decide to be the heaviest band in the UK.

Where Our Father unfortunately falls down is in its experimentation with doom metal. The one-two punch of opening tracks Genesis Refracted and Fragility Becomes Wrath is unfortunately stopped short by the lurching doom track Mors Somnis. While not necessarily a bad song, slowing the pace this early into the record is strangely jarring. When doom tracks keep showing themselves throughout the record you often wonder whether The King is Blind are dealing with too many metal styles as their sound becomes inconsistent.

Sometimes the addition of doom actually works quite well and it’s during tracks that meld it with the band’s groove metal sound. Venin and Devoured in particular like to change between doom and the faster, thrashier style and it works infinitely better as the impact of the band’s break-neck speed is more striking when it follows a big, foreboding, doom groove.

The King is Blind have made a great debut album with Our Father and it’s clear that a lot of diverse metal bands influence their sound. Unfortunately for the band it means that they have a hard time finding a sound that’s truly theirs and this creates some inconsistency. Regardless, this is a strong start to the band’s career and I’m confident they’ll only get better from here.

7/10

The King is Blind’s Our Father is out now through Cacophonous Records.


Year End: The 10 Best Albums of 2015

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10) Let’s Talk Daggers – A Beautiful Life

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“Regardless, Let’s Talk Daggers have made one of the most electric rock albums of the year. If you can appreciate guitar music that doesn’t sacrifice technicality for song-writing then Let’s Talk Daggers have delivered a record that does just that and even more. A Beautiful Life is an absolute tidal wave of riffs, tempo changes and yelping and despite the madness of its contents, Let’s Talk Daggers have brought it all together into one cohesive yet exhausting piece.”

Click here to read the full review.

9) Limb – Terminal

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“Terminal is the natural continuation from Limb’s self-titled debut and it’s an infinitely more enjoyable and masterfully crafted slab of hard rock. The band haven’t rested on their laurels and continue to get better on every record they release. The pressure is certainly on for the next release, lads!”

Click here to read the full review.

8) Torpor – From Nothing Comes Everything

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London doom behemoth Torpor wiped the floor with the rest of the doom offerings this year. The long-form nature of Torpor’s songs is beautifully tempered by the bands wonderful song-writing which ebbs and flows in a wonderfully natural way that means that 11 minute monsters like From This Time never outstay their welcome. Every riff on From Nothing Comes Everything is a crushing beast of a thing that demands some serious head-banging. This record is a real masterclass of doom song-writing.

Full review coming soon.

7) Svalbard – One Day All This Will End

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“By the end of the closing moments of Lily, Svalbard have taken you on a post hardcore journey like no other. One Day All This Will End is one of the best punk releases birthed in the UK and Svalbard have mastered an amazingly eclectic sound that’s equal parts angry, beautiful and forlorn. One Day All This Will End is essential listening to fans of post hardcore and a welcoming introduction to anyone looking to explore the more progressive side of hardcore.”

Click here to read the full review.

6) Employed to Serve – Greyer Than You Remember

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“It’s impossible to justify any criticism towards this record. Employed to Serve have absolutely mastered their craft and if dense, bastard-heavy hardcore is your thing than Greyer than You Remember is filled wall-to-wall with some of the genre’s finest moments. The album barely gives you a moment to breath in favour of demanding you mosh harder and it’s almost euphoric in its density.”

Click here to read the full review.

5) xRepentancex – The Sickness of Eden

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“xRepentancex have delivered a debut album that’s so furious it feels like it could tear apart at the seams. The Sickness of Eden is a hardcore record every fan of the genre should own and it’s almost beautiful in its sheer relentlessness. God knows how you follow an album this consistent. Good luck guys.”

Click here to read the full review.

4) Press to Meco – Good Intent

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“Press to Meco have delivered an album that showcases exactly what the trio are capable of. It’s a glorious, exciting monster of a record that is stuffed with technical wizardry and choruses so big that they deserve to be blasted across festival audiences all summer long.”

Click here to read the full review.

3) Old Skin – Beneath the Trees

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Old Skin’s debut album was the most bittersweet release of the year because while it is one of the best metallic hardcore albums this country has ever produced, its release also marked the demise of the band. Given away as a pay-what-you-want download to mark the final chapter of Old Skin’s career, this is an apocalyptic hardcore onslaught that never lets up. Old Skin might be gone but they’ve left behind one of the most disgustingly heavy records this country has ever produced and it deserves to be heard by everyone.

Full review coming soon.

2) Oblivionized – Life is a Struggle, Give Up

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“Life is a Struggle, Give Up is Oblivionized firing on all cylinders. This is an unforgiving attack of tech-metal, grind and deathcore that is sculpted with finite detail and it’s not afraid to hit you over the head with a monolithic riff for good measure. This might be an exhausting ordeal on your first listen, but give it the time it deserves and it will slowly unveil a metal record for the ages.”

Click here to read the full review.

1) Caïna – Setter of Unseen Snares

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“Setter of Unseen Snares is an album of unbridled fury, bleak atmosphere and eventually, shimmering post metal beauty. This is one of the most diverse and brilliantly executed black metal albums I’ve ever had the pleasure of listening to and it deserves to be heard by more than just fans of the genre.”

Click here to read the full review.

Notable Mentions
Monolithian – The Finest Day I Ever Lived, Was When Tomorrow Never Came. (click here to read the full review)


Review: Monolithian’s The Finest Day I Ever Lived, Was When Tomorrow Never Came.

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Blackened doom two-piece Monolithian have finally seen fit to drop an album that accurately showcases the band at their finest. Monolithian are a weird prospect in that their melody is entirely achieved through a bass guitar and while they sound absolutely beastly in a live setting, their recorded output tends to be a hit and miss affair in regards to capturing the size and weight of their sound. Thankfully, debut album The Finest Day I Ever Lived, Was When Tomorrow Never Came. captures this perfectly and it becomes Monolithian’s best work in the process.

For a band with only two members, Monolithian have a surprisingly large amount of ideas to showcase on this record. The band constantly switches from down-tempo, lurching sludge metal like on opener The Finest Day… to fast-paced blackened nastiness like Black Flame Candle. It’s a thrilling display of heaviness that keeps you on your toes throughout and occasionally both styles manage to blend resulting in some of the best material the band have ever written. Great examples of this come in the form of Second of the Istari and Treebeard which trudges along at a steady pace for the majority of its run-time before taking a turn for the dangerous and throwing in some filthy black metal riffs.

Then there’s album closer Thought Out of Existence. Clocking in at just under 13 minutes, this is a behemoth of a doom track that also features input from noise act Knifedoutofexistence. It turns out this collaboration is something of a revelation as not only does it showcase exactly what Monolithian are about, it also includes some wonderful atmosphere and tension that makes the experience feel wholly desperate and depraved. It’s one of the finest pieces of music the band have achieved and you owe it to yourself to hear it.

The binding element that really helps showcase the band’s music in the best light is the fantastic production and mix. Every aspect of the band’s sound is razor sharp yet all the dirt and grime that comes with something as disgusting as blackened doom metal is there for all to enjoy. This sounds like Monolithian playing live and it’s a frightening, crushing prospect that’s absolutely essential for fans of sludgy, bass-heavy metal.

Monolithian are quite a special little band. This guy and gal have managed to master their craft so well that the limitations of a two-piece are blown apart to create a sound that is… well, monolithic. The Finest Day I Ever Lived, Was When Tomorrow Never Came. is the album the band have always threatened to make and I welcome its arrival with open arms.

9/10

Monolithian’s The Finest Day I Ever Lived, Was When Tomorrow Never Came. is out now on limited edition 12″ vinyl through the band, Atomsmasher Records, Animal Defence Records and Skin & Bones Records.


Review: War Wolf/Crossburner Split

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Two UK hardcore behemoths collide on this split EP from War Wolf and Crossburner. While both bands have a sound that is rooted in hardcore, each offer a very different experience that warrants closer inspection.

WAR WOLF

War Wolf are a band who deal in a more mid-paced and careful battering of the senses. Their style of hardcore takes elements from sludge metal creating slower, more punishing riffs and their songs are generally built around some serious groove.

Each of the bands three songs is built around this stylistic choice and guitarist Oliver absolutely steals the show with his consistent yet down-tuned riff worship. This was a stellar decision by the band as the aggressive nature of the vocals delivered by bassist and vocalist Paul means that the riffs become the most important part of the band’s music and Oliver completely delivers on melody.

Highlights come in the form of The Worm which beats you around the head with its pounding rhythm delivered by drummer Ant and its marriage with Oliver’s riffs create an irresistible head-banging anthem. When War Wolf pump out songs like these, you’re reminded why they’re so enjoyable to listen to.

The only down-side to War Wolf’s side of the EP is that if you’re familiar with the band then they don’t really offer anything new. War Wolf have found their hook and it looks like they’ll be sticking with it for the foreseeable future. There’s nothing wrong with it but after an EP, album and now 2 splits it might become a bit stale for fans of the band. Thankfully, the band’s sound is so damn enjoyable that it’s not too much of an issue.

8/10

CROSSBURNER

Crossburner play things a little faster than War Wolf. Crossburner’s sound takes cues from black metal to create a sound that is absolutely visceral in nature. Crossburner employ blast-beats and tremolo-picking for an extremely dark and oppressive sound. When it’s joined by the Entombed-esque riffs from guitarist Matt it creates a wonderful cacophony of thrashy, blackened noise.

The band even find time to add elements from doom metal into songs like Rotten Book which features a slower tempo in its breakdown. Crossburner have loaded these songs with a considerable amount of variety and they’re quite progressive in nature; rarely revisiting a riff in the space of a single song.

The trouble is the band are definitely better off when they do revisit melodies. The highlight of the Crossburner side of the EP definitely comes in the form of Pray to Me which returns to its tremolo-picked riff and is far more memorable because of it.

The band often get a little too progressive for their own good and this has the unfortunate effect of not presenting the listener with riffs that last long enough for them to stick with you. Crossburner’s songs need more defining features because the unfortunate side effect of their progressive nature is that all three songs feel like they blend into one.

Regardless, Crossburner have all the right elements to create some seriously engaging and outrageously heavy hardcore, they just need to spend a little more time driving home their most memorable riffs.

7/10

War Wolf and Crossburner have delivered an EP that will satisfy hardcore fans the world over. This is a seriously strong collection of tunes that deserve your attention despite some small grievances with over-familiarity in War Wolf’s case and not enough time being spent driving home the strong melodies in Crossburner’s arsenal. If you’re a fan of the genre you’re still in for an absolute treat.

War Wolf and Crossburner’s split EP can be downloaded from Headless Guru Records now. Consider throwing them some money if you care about music. Also available on limited edition cassette.