Tag Archives: raging speedhorn

Year End: The 10 Best Albums of 2016

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10) Raging Speedhorn

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Raging Speedhorn released a new album in 2016! Holy shit! And it sounds like a direct continuation of the sound on How the Great Have Fallen! And Frank is back in the band! Raging Speedhorn’s return with their 5th long-player Lost Ritual certainly quashed any worries that their previous album Before the Sea Was Built might have instilled and it’s absolutely fantastic to have them back on top form. The kings of sludgecore have finally returned.

9) Aliases – Derangeable

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“Derangeable is a welcome addition to Aliases very limited library and it’s pretty safe to say that if you were a fan of the band before, then this was certainly a record worth waiting for. However, if you’re well versed in tech metal then you’ll certainly notice the similarities to SikTh and while you’ll probably never ask yourself, “why am I not just listening to SikTh?” you’ll certainly wonder if there wasn’t more the band could have done to differentiate themselves a bit.”

Click here for the full review.

8) Rash Decision – Headstrung

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“Regardless, Rash Decision have managed to churn out 17 minutes of hardcore punk perfection on Headstrung and if the new material doesn’t quench your hardcore thirst then there’s another 19 minutes of songs for you to indulge in, thanks to Seaside Resort to Violence being on the B side. Rash Decision are an immensely enjoyable hardcore punk act that don’t have too many strings on their bow, but thankfully the ones that are there do the job perfectly.”

Click here for the full review.

7) Karybdis – Samsara

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“Karybdis have put together a smorgasbord of metal subgenres and masterfully fused them into a sound that is exclusive to the band. Samsara is a metal album that heavy music fans will be championing for years to come and it establishes Karybdis as one of the UK’s best metal acts.”

Click here for the full review.

6) Iron Witch – A Harrowed Dawn

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“Iron Witch have certainly spent a long time getting to this record and at only 6 tracks long it is a bit slight for a long-player, but those years of writing and touring have turned them into a well-oiled, doom-making machine and A Harrowed Dawn is the realisation of all their achievements so far. This is easily the best and biggest sounding Iron Witch release to date and an essential purchase for any doom fan.”

Click here for the full review.

5) Let It Die – The Liar & the Saint

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It feels like I’ve been waiting forever for Let it Die to put their efforts into a long-player and with The Liar & the Saint the band have finally delivered. In typical Let it Die fashion it’s as heavy as a tonne of bricks to the skull and faster than a cat belting it across the room after having its tail stepped on. The Liar & the Saint is a relentless assault of hardcore punk and grind that demands you’re moshing for its entirety. Let it Die certainly didn’t disappoint on their debut album, but was there really any doubt?

4) The Infernal Sea – The Great Mortality

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“The Infernal Sea’s The Great Mortality is an album that you simply must own if you like metal. The Inferal Sea have absolutely mastered their craft and turned in one of the most satisfying black metal releases you could possibly want. It’s heavy, it’s memorable and it’s pretty much essential if you enjoy metal.”

Click here for the full review.

3) Sunwølf – Eve

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“Eve is another monstrous achievement for Sunwølf. It’s an album of uplifting highs and crushing lows and despite the simplicity in the song-writing and how long the songs can be, everything is crafted with atmosphere in mind. Sunwølf songs will only linger if the atmosphere requires it to and thanks to the simplicity of the song-writing, the band also put focus on their melodies. You wouldn’t think an album like this would be so memorable but thanks to the focus on melody and atmosphere, it’s very easy to find yourself playing Eve repeatedly without even noticing it. Eve is a beautiful album that makes you appreciate good song-writing and if you’re a fan of post rock then it’s an essential purchase.”

Click here for the full review.

2) Wode – Wode

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“Wode’s debut self-titled album is a fantastic achievement. Every element of the band’s song-writing has been so carefully crafted and sculpted to maximise the impact of their music and it makes this album one of the most approachable black metal releases I’ve ever come across. If you’re a fan of heavy music in general then Wode’s self-titled album is something that has a much broader appeal than most underground black metal and it’s a release I’d thoroughly recommend.”

Click here for the full review.

1) Slabdragger – Rise of the Dawncrusher

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“The UK is spoilt for great sludge as Slabdragger are competing with other brilliant acts like Limb, Gurt, Monolithian and Opium Lord, but Rise of the Dawncrusher sets a new standard for UK sludge metal. Slabragger have written a follow-up so utterly devastating that it demands your attention. Slabdragger, man; what a band.”

Click here for the full review.

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Live Review: Funeral for a Friend (Hours Show) at the Kentish Town Forum 20/5/2016

ZOAX
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London post hardcore act Zoax are a great booking for these final Funeral for a Friend shows. They’re a young, confident band with hooky rock anthems to draw the earlier attendees in. They also get the audience moving early thanks to vocalist Adam Carroll’s insistence on being everywhere. Carroll makes his way onto the Forum’s balcony before making his way onto the floor and getting the audience moving. It wasn’t obnoxious either; the man has a charisma that’s hugely endearing. Zoax left a great impression and put the room in good spirits.

RAGING SPEEDHORN
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Booking a band like Raging Speedhorn was an odd choice for this show considering how much louder, heavier and screamier they are than everyone else on the bill, but it was great to see some variety that reminded me of a lot of my early gig experiences. Raging Speedhorn weren’t exactly greeted with the same enthusiasm as Zoax but they weren’t booed either; definitely a warm reception, just not a particularly fiery one for a band this aggressive and my God was it aggressive. Raging Speedhorn don’t feel like they’ve been away at all and they power through classics like Fuck the Voodooman and The Gush while showcasing a few numbers from their upcoming album Lost Ritual. The new songs sat perfectly alongside their older material and this offering certainly has me excited for what might be one of the greatest British comeback records in recent years.

FUNERAL FOR A FRIEND
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When a very soft-spoken Matt Davies-Kreye takes to the stage unceremoniously and then followed by his bandmates, it brings with it an honesty that has always permeated Funeral for a Friend’s music. This is a band that just wants to make music and play it to people. There’s a sombre tone in his voice throughout tonight’s set and he takes every opportunity to give the fans a little backstory about each song from Hours, something he has previously shied away from.

There’s a bizarre atmosphere in the room throughout their performance. Davies-Kreye establishes from the get-go that this is a celebration but that it’s perfectly acceptable to cry if you feel you must and if anything, it felt like he himself actually would at any point during tonight’s set. The audience are phenomenally loud regardless and every song off Hours is sung with enormous enthusiasm by every person in the room.

Funeral for a Friend mean a great deal to a huge amount of people and the band treat the fans to some great surprises in the form of Streetcar b-side I Am the Arsonist and a surprise reunion with Darren Jones and Ryan Richards for a retro version of Juno from their debut EP Between Order & Model. Even so, at no point do Funeral for a Friend go over-the-top tonight. There’s no fanfare and no encore, just wonderful, honest music. God damn it Funeral for a Friend; I’m going to miss you.


Review: Allfather’s Bless the Earth with Fire

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Allfather return with their debut… album? Mini-album? Can a 6 track record clocking in at just under 34 minutes really be classed as an album? Sorry, I’ve lost myself already. These things matter to me, okay?

Allfather’s debut album is called Bless the Earth with Fire and it marks a stylistic shift in sound that sees the band move away from their groovy, Raging Speedhorn-esque hardcore to a more sludge and doom-lead sound, similar to the way Iced Out have changed over the years. The band now sound more like Gurt or Iron Monkey which is definitely no bad thing.

Sludge metal suits Allfather down to the ground. The songs on Bless the Earth with Fire are now more long-form with a bigger emphasis on groove. No, wait; not just groove, but punishing groove. Album opener Raskolnikov showcases Allfather’s new found confidence and the power of the riffs lends the sound a lovely swagger that persists throughout.

Things get really doomy for The Bloody Noose which puts Allfather’s new found appreciation of long-form song-writing front and centre. Luckily the band have also seen fit to not completely dump their hardcore roots and have blended them nicely into their new found appreciation of sludge. Mouth of the Beast in particular starts out as the most hardcore-sounding song on the album before moving back into the slower, sludgier tempos that have come before it.

The real highlight of Bless the Earth with Fire comes in the form of the 11 minute behemoth Death, and Hell Followed with Him. Quite easily the best thing the band have produced so far, this song starts out like a doom track, unleashes a fantastic solo around the 4 minute mark and then brings back that savage groove around 6 minutes. It’s so wonderfully diverse and loaded with neck-breaking riffs; a real treat for fans of heavy music.

Allfather have evolved significantly since their debut EP and with Bless the Earth with Fire we see the band writing more diverse and interesting songs that complement the shift towards sludge metal. It also rocks like a mother fucker.

8/10

Allfather’s Bless the Earth with Fire is out now and can be bought on CD and cassette direct from the band.


Review: Allfather’s No Gods. No Masters.

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Allfather describe themselves as a sludge, doom and hardcore crossover act and while there’s elements of these genres in their sound I was pleasantly surprised to hear that they deal in the sort of groove metal and hardcore genre hybrid that the mighty Raging Speedhorn and Cancer Bats deal in.

Their debut EP No Gods. No Masters. is a thunderous display of chunky riffs and gruff, bellowed vocals. Opener The Great Destroyer lays down the foundations with a massive groove that will ignite some dangerous mosh pits. The riff is also accompanied with a meaty rhythm courtesy of drummer Kieron and it’s this satisfying combination that makes Allfather’s music so instantly enjoyable. Stick this on in a rock club and the high-kickers will go on a rampage.

No Gods. No Masters. continues to be a wonderfully no nonsense EP that’s big on fun. While the start of the EP leans more on mid-paced sludge metal stylings, the latter half is considerably punkier as a result. Post Austerity Blues and The Worms Won’t Have Us are short, sharp bursts of aggression that once again put forward a huge riff and some pounding drums to devastating effect. Allfather have managed to boil down their sound to its core elements and focus on beating you around the head with them and it’s nothing less than fantastic.

The only thing that really disappoints is how quick it’s all over with. With only 4 songs clocking in at just under 11 minutes, Allfather manage to whet our appetites for more chunky grooves and hardcore punk drumming but the EP ends rather abruptly. This is a real shame because by the end of the last song it feels like the EP should have a lot more to offer.

However this is a minor grievance in what is a seriously intense and satisfying combination of hardcore and groove metal. Allfather have stumbled onto a hugely entertaining sound that will satisfy both fans of metal and punk and I cannot personally wait to see where the band goes from here. No Gods. No Masters. is a debut that any band would be proud of.

8/10

Allfather’s No Gods. No Masters. is out now and available to download direct from the band.


Review: Koresh’s Chump

Scrappy, sludgecore metallers Koresh are a 5 piece from London who channel the spirits of Raging Speedhorn and Iron Monkey. Their Chump EP crams enough bruising sludge metal and hardcore stomp to serve a nation and does it all in just under 13 minutes. Koresh don’t muck about and these 7 songs conjure the image of 5 men absolutely destroying the toilet scene.

Koresh have done a cracking job of capturing a “live” sound on Chump. Every little inconsistency that goes with seeing a band live and watching a bunch of dudes let loose is captured brilliantly here. The loose, almost free-form nature of the drumming keeps the entire release unpredictable and the duel vocal attack is frantic and menacing in nature.

Chump also works a nice balance between flat-out riffing and wild technicality which continues to add to the “live” image the band are creating. Bin Juice opens with some fantastic groove metal while Shitbird opts for a more straight forward, almost hard rock approach that creates some wonderfully memorable riffs and even incorporates a guitar solo. Koresh have managed to squeeze as many influences into this release as they possibly can and still manage to create a sound that they can claim ownership to.

The EP does have its’ problems though. The drums are unfortunately low in the mix and this robs the music of a lot of power. The production is also quite flat which makes this issue even more prevalent. With a little more time tweaking the overall sound of this release, Koresh could’ve sounded Earth-shatteringly massive.

Regardless, Koresh have put forward a genre-defying EP that sounds like one of the best underground metal shows you’ve never attended. The band are equal parts groove, sludge and hardcore and incorporating two vocalists makes this package even more mental. Koresh are a dirty, filthy beast and we mean that in the nicest way possible. Miss this band at your own peril.

7/10

Pre-order Koresh’s Chump from Witch Hunter Records now. The EP drops on the 20th of May.