Tag Archives: trancecore

Year End 2017: Best Albums Part 2

Barrabus – Barrabus

“Barrabus’ debut album is a fantastically weird collection of songs that don’t outstay their welcome. It’s all over in 29 minutes and rarely gives you a moment to breath. This is a noisy, sludgy punk album that isn’t too interested in showing any restraint. This album has certainly been a long time coming considering Barrabus’ last release was a demo in 2006, but its arrival is much like Paul Catten himself; unexpected and unrelenting. Long may he reign.”

Click here to read the full review.

Corrupt Moral Altar – Eunoia

“Corrupt Moral Altar are one of the most consistent and extremely exciting bands in heavy music and Eunoia has cemented their position at the forefront of UK grindcore. The band have so many great riffs to share that they end up making a record that sounds like a grindcore compilation but somehow only made by one band. Despite almost exclusively playing as fast as possible, the band manage to sprinkle their music with interesting little moments like the hardcore punk introduction to Burning Bridges and Burning Homes or the enormous, swinging, mosh-pit groove in Rat King. Eunoia is an album that’s almost euphoric in its consistent delivery of grindcore classics for a new generation.”

Click here to read the full review.

Alpha Male Tea Party – Health

If there was one record I’d be considering for ‘Album of the Year’, then this is about as close to it as I can imagine. Alpha Male Tea Party’s Health might look like it has a pretentious album cover and a load of nonsense song titles that wouldn’t look out of place on an early 2000s emo record, but all that is doing is hiding the fact that it houses a gargantuan slab of the best riffs you’ve ever heard. Alpha Male Tea Party blend bright, sugary post rock guitar work with some of the weightiest grooves known to man and they create one of the most satisfyingly pure rock records of the year. Essential listening.

Atragon – I, Necromancer

“It may have taken a long time getting here but Atragon’s I, Necromancer is a gleefully gargantuan doom record that revels in its simplicity. Atragon aren’t exactly reinventing the wheel here, but if big riffs and even bigger crescendos are something that you get your rocks off to then Atragon certainly have you covered.”

Click here to read the full review.

Esprit D’Air – Constellations

“Esprit D’Air’s Constellations is a wonderfully accomplished debut album that’s full of massive anthems that stand toe-to-toe with the more established J-metal acts. The band also manages to add enough of their own love for progressive music and post rock to make the album stand on its own merits. If you like anthemic, sing-a-long pop metal full of massive riffs and soaring vocal melodies then you can certainly rely on Esprit D’Air to become your new favourite band.”

Click here to read the full review.

Watchcries – Wraith

Do you like metal? Well Watchcries’ Wraith has all of it. All the metal. It’s all here. Wraith is the sound of a band blending death metal, doom, black metal and hardcore together to create the unholiest racket possible. If last year’s EP was a statement of intent, then Wraith is the record that comes to your house and threatens to stab you if you don’t bang your head. An extremely dense record that is entirely devoid of any bullshit, Watchcries’ Wraith is a dream release if you like extreme music.

Glarus – Then and When

Sacha Zucconi’s Glarus expanded from being a solo project to having a full line-up and along with the personnel change came their debut album Then and When. The ex-Hammers man expands his dissonant take on sludge metal-infused hardcore and sprinkles a light dusting of dreamy melody over everything to make a record that is truly massive in scale. A record this good shouldn’t be hidden in the UK toilet circuit. Give it a listen and shout about it to everyone.

Jamie Lenman – Devolver

Unlike Lenman’s previous solo effort Muscle Memory, Devolver crams all the artist’s influences into one cohesive record instead of splitting them into 2 discs. What you get is an album that effortlessly swings between low-fi, indie rock coupled with electronics, to messy and bombastic grunge rock and even industrial metal. Jamie Lenman is fast becoming one of the UK’s auteurs of rock and he deserves to have a solo career as wild and varied as progressive rock greats like Devin Townsend.

Regurgitate Life – Obliteration of the Self

“Obliteration of the Self is a natural step forward for Regurgitate Life and the addition of live drums has made this a more cohesive package as a result. Urwin has admitted in the past that his programmed drum patterns are often a little unruly and near impossible for a real drummer to perform, so having a force like Daryl Best in the band has had such a positive impact on the music. Obliteration of the Self is a brilliant death metal record that showcases two musicians firing on all cylinders and is a “must listen” for anyone who can appreciate music this unrelenting.”

Click here to read the full review.

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Review: Esprit D’Air’s Constellations

One of the things I really enjoy about running UK Scumscene is getting sent records like this. Esprit D’Air are a Japanese metal band based in London who make the sort of music that should be coming from more established J-metal acts like Coldrain and The Gazette. Yet Constellations is only their first long-player and it sounds absolutely enormous.

Esprit D’Air take a broad range of influences into their sound. Constellations sounds like a blend of post hardcore, metalcore and trancecore, meaning you get an album that sounds like Blood Stain Child mixing it up with Girugamesh.

Now if the alarm bells are starting to ring because of the amount of sub-genres listed with the word ‘core’ in the title, then you’ll be pleased to know that while Esprit D’Air love to pound a single-chord riff, there’s enough variety and melody in these songs to keep them engaging. Songs like The Hunter manage to draw from post rock to create a delicate and tuneful middle-eight and there’s so many outstanding guitar solos to choose from that you’re a little spoilt for choice.

As with most metal in this style, Esprit D’Air’s big focus is on massive, stadium-sized anthems and Constellations is wonderfully consistent in delivering them. Starstorm sounds like a future rock club classic in the making, Guiding Light has the sort of sing-a-long quality you’d want from your favourite arena rock band and even when things slow down for penultimate track Reminisce, you’re still treated to an absolute monster of a riff.

While this sort of metal heavily draws from pop music for song structure, Esprit D’Air manage to drop in some nice progressive elements. You often find the first half of any song on Constellations is where you most frequently revisit riffs and melodies, while it’s the second half where things get a little weird. The aforementioned The Hunter does this with its post rock middle eight and Ignition is another track where the final half builds to a wonderful crescendo full of impressive guitar solos. It’s just enough variety to keep Constellations fresh and not as derivative as a lot of Japanese metal releases.

Esprit D’Air’s Constellations is a wonderfully accomplished debut album that’s full of massive anthems that stand toe-to-toe with the more established J-metal acts. The band also manages to add enough of their own love for progressive music and post rock to make the album stand on its own merits. If you like anthemic, sing-a-long pop metal full of massive riffs and soaring vocal melodies then you can certainly rely on Esprit D’Air to become your new favourite band.

8/10

Esprit D’Air’s Constellations is released on the 30th of June 2017 and is available to pre-order from the band’s Bandcamp page right now.