Tag Archives: employed to serve

Live Review: Holy Roar X at The Dome/Boston Music Rooms 21/5/2016

Holy Roar’s tenth birthday party took place across 2 stages at The Dome and Boston Music Rooms on the 21st of May 2016. No fewer than 18 bands played live during the day and while we would have liked to have seen all of them, there’s only so much a man can take. Regardless, this was a hugely enjoyable and celebratory event for one of the most consistent and long-lasting UK heavy music labels. So here are some thoughts on the 15 bands we managed to catch throughout the day:

HELPLESS
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What a start to the day. Helpless might only have a single EP to their name but they’re a vicious, fiery band that plays some of the tightest dark hardcore I’ve seen in years. I was instantly enthralled by Helpless and I’m looking forward to seeing where they go from here.

UP RIVER
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Next up we had some explosive and emotional young post hardcore talent in the form of Up River. There’s something very Vales and Svalbard about their music which is no bad thing as we’re treated to a passionate performance full of youthful energy. Up River are definitely a band to keep an eye on.

EULOGY
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We’ve made our love for Eulogy very apparent on the website for quite some time now and seeing them live just solidifies exactly what we like about them. This was a brash, scrappy performance by the metallic hardcore quartet and another fantastic early set from HRX.

SVALBARD
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What’s left to say about Svalbard? They just get better every time I see them. The post hardcore band is firing on all cylinders and from the moment Serena screams, “We’re fucking Svalbard from Bristol!” they have the audience eating from the palm of their hand. Svalbard are unstoppable right now and this was another flawless performance from one of the UK’s best bands.

HAAST’S EAGLED
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I don’t know if this was due to seeing them directly after one of the best sets at HRX, but Haast’s Eagled felt like a bit of a downer for me. The band make long-form, sludgy desert rock that was certainly accomplished but essentially a polar opposite to the barrage of glittery guitar melodies and blast-beats that I’d just witnessed via Svalbard. Maybe in a different environment I’d enjoy Haast’s Eagled a little better, but today was not that time.

EMPLOYED TO SERVE
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This was our first special set of the day seeing Employed to Serve perform their debut album Greyer than You Remember in its entirety. Another Scumscene favourite, Employed to Serve basically prove to everyone in attendance why they’re the most exciting mathcore band in the country. Greyer than You Remember is an incredible record and Employed to Serve perform it with all the bile and fury you could possibly want. This was one of the best sets of the day.

MEEK IS MURDER
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My God was this a surprise. Meek is Murder are a band that has been on my radar for a while now but this is the first time I’ve seen them live and it was jaw-dropping. The band deal in some vicious, angular hardcore and their performance is about as no-nonsense as you could want. The band obliterates their set-list and put on an amazing performance to boot. If hardcore is your thing then you need to check out Meek is Murder right now.

THE LONG HAUL
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Holy shit! The Long Haul are back for a one-off reunion show and it’s like they’ve never been away. The Long Haul still look like a band of fresh-faced hardcore upstarts and they power through their set-list with an unnerving ease. This was all over far too soon and it instantly reminded you why the band are so dearly missed.

APOLOGIES, I HAVE NONE
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Like Haast’s Eagled set earlier, I felt like Apologies, I Have None were battling against being a band that couldn’t really match the energy of what had come before. The pop-punk act seem like a strange fit for Holy Roar and while their bouncy emo melodies are perfectly serviceable, they just didn’t push my buttons in the way I like.

GIANTS
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I don’t think Giants are for me. There’s nothing particularly wrong with their angst-ridden hardcore and there’s certainly a lot of crowd-killers in attendance that are loving this set, but the band didn’t feel like they were doing anything a thousand other hardcore bands have done better.

OHHMS
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Allow me to get hyperbolic for a second; OHHMS blew me away like no other band has done since… well, probably Rolo Tomassi to be honest. The band’s psychedelic, groovy doom is heavier than a sack of breeze blocks and the quartet put on a feral performance that sees every member of the band chewing the scenery. This was a hypnotic performance that I cannot recommend enough. Go and see OHHMS live.

VALES
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Another special set, Vales take to the stage to perform their debut EP Clarity for the last time. Vales are hinting a new direction for their next release which seems like an odd decision when you see how the audience hang onto every last word of the songs from Clarity. Vales clearly mean a lot to many and their explosive post hardcore is some of the best in the UK. Clarity might not be representative of the band members anymore, but you can’t deny it’s a record that exudes a youthful ambivalence to trends and gimmicks and their performance tonight bolsters that sentiment perfectly.

SLABDRAGGER
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My notes for Slabdragger’s set simply read, “The heaviest band” and I’m quite inclined to leave it at that, but I’m not going to because I want to tell you how incredible Slabdragger are live. Fucking incredible. The room explodes as the band unleash an onslaught of monolithic riffs. Nobody can compete with Slabdragger and this was probably my favourite set from HRX. Slabdragger; you beautiful bastards.

HANG THE BASTARD
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Speaking of bastards, it’s time for Hang the Bastard to play Hellfire Reign in its entirety and with original vocalist Chris Barling making his first appearance in four years. The sludgecore giants suffer some technical difficulties throughout their set but this doesn’t bother anyone in attendance because the room felt like it might explode with the amount of energy the band were creating. I thought Hang the Bastard’s performance tonight was a bit sloppy in places but I suppose that’s to be expected when you summon a mosh-pit as violent as this.

ROLO TOMASSI
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In the words of Holy Roar’s own Alex Fitzpatrick, “Only Rolo Tomassi could headline” and he’s not wrong. The band power through a set list that sees the band cherry-pick a few songs from each of their releases in chronological order and it never lets up. Rolo Tomassi are one of the most unique and important UK mathcore bands and even if their change in sound in more recent years has polarised you, their performance tonight can’t be denied. Rolo Tomassi are still one of the most enthralling live acts around and this is a fitting end to an incredible day of music. Happy birthday, Holy Roar. Here’s to 10 more years.

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Year End: The 10 Best Albums of 2015

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10) Let’s Talk Daggers – A Beautiful Life

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“Regardless, Let’s Talk Daggers have made one of the most electric rock albums of the year. If you can appreciate guitar music that doesn’t sacrifice technicality for song-writing then Let’s Talk Daggers have delivered a record that does just that and even more. A Beautiful Life is an absolute tidal wave of riffs, tempo changes and yelping and despite the madness of its contents, Let’s Talk Daggers have brought it all together into one cohesive yet exhausting piece.”

Click here to read the full review.

9) Limb – Terminal

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“Terminal is the natural continuation from Limb’s self-titled debut and it’s an infinitely more enjoyable and masterfully crafted slab of hard rock. The band haven’t rested on their laurels and continue to get better on every record they release. The pressure is certainly on for the next release, lads!”

Click here to read the full review.

8) Torpor – From Nothing Comes Everything

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London doom behemoth Torpor wiped the floor with the rest of the doom offerings this year. The long-form nature of Torpor’s songs is beautifully tempered by the bands wonderful song-writing which ebbs and flows in a wonderfully natural way that means that 11 minute monsters like From This Time never outstay their welcome. Every riff on From Nothing Comes Everything is a crushing beast of a thing that demands some serious head-banging. This record is a real masterclass of doom song-writing.

Full review coming soon.

7) Svalbard – One Day All This Will End

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“By the end of the closing moments of Lily, Svalbard have taken you on a post hardcore journey like no other. One Day All This Will End is one of the best punk releases birthed in the UK and Svalbard have mastered an amazingly eclectic sound that’s equal parts angry, beautiful and forlorn. One Day All This Will End is essential listening to fans of post hardcore and a welcoming introduction to anyone looking to explore the more progressive side of hardcore.”

Click here to read the full review.

6) Employed to Serve – Greyer Than You Remember

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“It’s impossible to justify any criticism towards this record. Employed to Serve have absolutely mastered their craft and if dense, bastard-heavy hardcore is your thing than Greyer than You Remember is filled wall-to-wall with some of the genre’s finest moments. The album barely gives you a moment to breath in favour of demanding you mosh harder and it’s almost euphoric in its density.”

Click here to read the full review.

5) xRepentancex – The Sickness of Eden

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“xRepentancex have delivered a debut album that’s so furious it feels like it could tear apart at the seams. The Sickness of Eden is a hardcore record every fan of the genre should own and it’s almost beautiful in its sheer relentlessness. God knows how you follow an album this consistent. Good luck guys.”

Click here to read the full review.

4) Press to Meco – Good Intent

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“Press to Meco have delivered an album that showcases exactly what the trio are capable of. It’s a glorious, exciting monster of a record that is stuffed with technical wizardry and choruses so big that they deserve to be blasted across festival audiences all summer long.”

Click here to read the full review.

3) Old Skin – Beneath the Trees

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Old Skin’s debut album was the most bittersweet release of the year because while it is one of the best metallic hardcore albums this country has ever produced, its release also marked the demise of the band. Given away as a pay-what-you-want download to mark the final chapter of Old Skin’s career, this is an apocalyptic hardcore onslaught that never lets up. Old Skin might be gone but they’ve left behind one of the most disgustingly heavy records this country has ever produced and it deserves to be heard by everyone.

Full review coming soon.

2) Oblivionized – Life is a Struggle, Give Up

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“Life is a Struggle, Give Up is Oblivionized firing on all cylinders. This is an unforgiving attack of tech-metal, grind and deathcore that is sculpted with finite detail and it’s not afraid to hit you over the head with a monolithic riff for good measure. This might be an exhausting ordeal on your first listen, but give it the time it deserves and it will slowly unveil a metal record for the ages.”

Click here to read the full review.

1) Caïna – Setter of Unseen Snares

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“Setter of Unseen Snares is an album of unbridled fury, bleak atmosphere and eventually, shimmering post metal beauty. This is one of the most diverse and brilliantly executed black metal albums I’ve ever had the pleasure of listening to and it deserves to be heard by more than just fans of the genre.”

Click here to read the full review.

Notable Mentions
Monolithian – The Finest Day I Ever Lived, Was When Tomorrow Never Came. (click here to read the full review)


News: Mammoth New Pay-What-You-Want Sampler from Smithsfoodgroup Available Now

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Our friends at Smithsfoodgroup have curated an enormous 57 song sampler which you can stream and download below.

This pay-what-you-want sampler features music from Scumscene favourites Venom Prison, Svalbard, Old Skin, Ithaca, Employed to Serve, Artemis, Rolo Tomassi, Eulogy, OHHMS, Oblivionized, Yards and many, many more. This is an absolutely essential download for fans of heavy music that we cannot recommend enough. Hop to it:


Live Review: Pariso’s Farewell Show Feat. Employed to Serve, Daggers & Svalbard 4/9/2015

Employed to Serve

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Employed to Serve have turned into a well-oiled, mosh machine since I last saw them. The band has now turned out one of the most intense metallic hardcore records and their live performance is just as visceral. What’s instantly striking about the band is despite their possessed display of on-stage antics, they’re a seriously tight and well-rehearsed act. The band does a magnificent job of stirring the crowd into an early frenzy and put on one of the best shows that UK hardcore has to offer. This is an excellent beginning to an excellent evening.

Daggers

daggers

Daggers were a bit of an odd choice for this bill and the crowd definitely reciprocated this feeling. The band plays an almost free-form type of doomy hardcore that often dips into sombre moments of respite before beating you over the head with a nasty, sludge-ridden riff. Sadly, the band’s quiet/loud dynamic moved back-and-forth too frequently to allow them to gain any momentum and this became a pretty underwhelming performance, especially considering how well Employed to Serve had ignited a lot of energy for tonight’s proceedings.

Svalbard

svalbard

My word, have Svalbard have become something special or what. The band plays a wonderfully euphoric yet punky form of post hardcore that’s big on fast-paced drumming and beautiful, glittery, guitar leads. There’s a gorgeous atmosphere about Svalbard’s music which is very rare in heavy music and despite the band clearly pouring their heart and soul into a very loud performance, the whole thing just feels very uplifting. Svalbard are an outstandingly unique band and tonight’s performance has me super-excited for their upcoming debut album.

Pariso

pariso

So this is it, the final Pariso show. Pariso always felt like the UK hardcore act that would last and while they’ve certainly had a bloody good innings, tonight’s performance makes it instantly apparent how much people are going to miss them. The room is absolutely packed and the moment the band start playing the crowd ignites. Pariso’s special blend of down-tuned metallic hardcore is still one of the most unique sounds to come out of UK hardcore and the band is firing on all cylinders. Vocalist Mazz incites some of the most furious mosh-pits I’ve seen at the Camden Unicorn and he does it with a wonderful humility and appreciation for the audience. An all-star cast of the band’s friends make it on stage with Sammy and Justine from Employed to Serve doing a fantastic job of keeping the moshers satisfied and there’s even a surprise appearance from Kerouac’s Thom Denson who looks absolutely dangerous on stage. Despite some mic problems which were bound to happen with the sheer number of people screaming into them, Pariso’s farewell is a visceral, sweaty celebration of one of UK hardcore’s most beloved acts and despite the sadness of seeing them go, they give their fans one of their defining performances.


Review: Employed to Serve’s Greyer than You Remember

Employed-To-Serve

Employed to Serve have fucking arrived. Going from a 2 piece studio project to full blown metallic hardcore band has been a long journey and while the band’s previous EP Change Nothing, Regret Everything hinted at greatness, nothing could have prepared us for Greyer than You Remember.

Greyer Than You Remember marks Employed to Serve’s first foray into the world of long players and the moment Live Without bursts out the gate you’re instantly bludgeoned with some of the most devastatingly dense hardcore this side of a Converge record. Employed to Serve are clearly cut from the same sort of cloth as metallic hardcore’s finest like the aforementioned Converge, The Dillinger Escape Plan and Coalesce but this is a band born and bred in the UK’s hardcore scene and you can hear shades of Throats and Pariso running through their veins.

So let’s talk about the music because my God there’s a lot to dissect. Employed to Serve have given up on singing entirely in favour of sounding like a tornado is ripping through your home. Justine Jones’ vocal performance is nothing short of terrifying and she’s managed to evolve into one of the leading female screamers this country has to offer. Sammy Urwin continues to floor the opposition with as many riffs as he can produce and if anyone’s familiar with his work in either Oblivionized or Regurgitate Life you’ll know exactly what madness this man can achieve.

These two elements are bolstered by additional guitar work by James Jackson and bassist James Venning who give the record that devastating thickness. Tying everything together is a drum performance by Robbie Black who should probably be having a hard time keeping up with his band-mates but there are no such worries here. The drums have that wonderfully enormous live quality to them that producer Lewis Johns is so magnificent in capturing. Employed to Serve sound like a fucking rampage.

The band does manage to muster a few moments of melody like on the Vales-esque Bones to Break. These moments act as a temporary reprieve from the onslaught contained in the rest of the record and they show a wonderfully introspective side to the band that manages to add some real texture to the record.

It’s impossible to justify any criticism towards this record. Employed to Serve have absolutely mastered their craft and if dense, bastard-heavy hardcore is your thing than Greyer than You Remember is filled wall-to-wall with some of the genre’s finest moments. The album barely gives you a moment to breath in favour of demanding you mosh harder and it’s almost euphoric in its density.

9/10

Employed to Serve’s Greyer than You Remember is out now and available to order from Holy Roar Records.


Touring: Palm Reader to Play Five Shows in One Day

palmreader

Tech-hardcore mentalists Palm Reader return for a mammoth day of live music. The band celebrate the release of their second album Beside the Ones We Love by playing five shows in a single day. The shows all take place on May the 4th and you can find full details for each show and its line-up below:

1st Show: The Old Blue Last, Shoreditch
14.00 – *Secret Headliner*
13.15 – Let’s Talk Daggers
12.30 – Palm Reader

2nd Show: The Black Heart, Camden
14.30 – Palm Reader
13.45 – Exes
13.00 – Ohhms

3rd Show: The Windmill, Brixton
16.30 – Palm Reader
15.45 – TBA
15.00 – We Never Learned To Live

4th Show: The Cricketers, Kingston
21.30 – Headliner TBA
20.45 – Artemis
20.00 – Palm Reader

5th Show: The Star, Guildford
22.00 – Palm Reader
21.15 – Employed To Serve
20.30 – Stallone

Tickets will be available from AYP? Promotions shortly so keep an eye on this link. You can check out the video to I Watch the Fire Chase My Tongue by Palm Reader below:


Year End: The Top 10 Best EPs of 2014

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10) Yards – EP2

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Yards completed their double EP release with the thrashy, hardcore punk lunacy of EP2. The record is a wonderfully visceral streak of aggression that puts together an album’s worth of riffs and rams them all into four blistering hardcore anthems. This is a great hardcore release that is only improved by playing it with its sister record.

9) Pure Graft – Casual Labour

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Newcastle’s Pure Graft make an elaborate noise that is extremely difficult to pigeon-hole. The band play melodic punk rock but their compositions are beautifully progressive. If you think Alkaline Trio by way of At the Drive-In then you’ll get a good idea as to how wonderfully bizarre this all is. Casual Labour is loaded with sing-a-long melodies and angular guitar riffs which make this release a wonderful breath of fresh air.

8) Jackals – Violence Is…

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Jackals are not the sort of band who mess around with things like nuance. The band’s latest EP Violence Is… is a hardcore punk EP that has no ulterior motive other than to bombard the listener with screaming, thunderous riffs and drumming that waits for no man. This is a frantic and unashamedly loud release from one of the purest hardcore punk bands this country has to offer.

7) Iced Out – Jukai

jukai

What we said:

“Once again Iced Out manage to bottle pure fury and put it on record. The shift in atmosphere that is brought about by the slower-paced songs suits the oppressive nature of the band’s music perfectly and creates some absolutely crushing anthems of despair. Iced Out have proven that there’s more to this band than straight-forward hardcore and ‘Jukai’ marks a huge evolution for them. If you get a chance to see the band perform this material in a live environment then make sure to wear a neck brace because with riffs this big you might do yourself some serious damage.”

Read the full review by clicking here.

6) Employed to Serve – Change Nothing, Regret Everything

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What we said:

“Employed to Serve are on top of their game and continue to be one of the most exciting bands in the UK right now. Their sound continues to evolve into a much larger, more technical beast and the band know how to maximise on huge riffs and interesting song structures to keep their audience engaged whilst smashing their faces through their nearest wall. This is an intense and fairly progressive record that deserves a place in your record collection.”

Read the full review by clicking here.

5) Cholera – Plagiarised Hope

cholera

What we said:

“So Cholera aren’t particularly original but so what? ‘Plagiarised Hope’ is an absolutely stunning 7” that takes all the best parts of modern hardcore and delivers an immensely satisfying slab of chaos. If you have any interest in the genre then Cholera make an excellent starting point and ‘Plagiarised Hope’ showcases a hugely accomplished sound that highlights the best parts of the scene. Cholera have never sounded so strong.”

Read the full review by clicking here.

4) Actions & Consequence – Moving On

Actions & Consequence - Moving On EP - cover

Moving On by Actions & Consequence had a bizarre effect on me. Growing up in the nineties lead to a punk rock discovery that only occurred late into the decade and Actions & Consequence brought back memories of all those initial discoveries with full force. If you ever cared about the early careers of bands like The Offspring, Bad Religion and AFI then Actions & Consequence might just become your new favourite band. They’ve certainly become one of mine.

3) Megalodoom – Tectonic Oblivion

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What we said:

“Megalodoom’s Tectonic Oblivion is a thunderous beast of an EP that manages to escape the potential boredom that their lack of vocals could have caused. The band have put together a hugely satisfying selection of riffs and melodies that tie together beautifully and create a behemoth of an EP that doom fans should be clawing over themselves to own.”

Read the full review by clicking here.

2) Cactus&Cardigan – Highland Bastards

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What we said:

“Cactus&Cardigan have put together an alternative rock/metal release that is never short on riffs. The songs are all enormous, groove-laden affairs that deserve to be heard outside of the band’s native Scotland. Heavy music needs bands like Cactus&Cardigan to remind us that heavy music doesn’t need to be overly technical to provide a satisfying impact and Highland Bastards is one of the best examples of this mantra we can think of.”

Read the full review by clicking here.

1) Irk – Bread and Honey

Irk - Bread and Honey - cover

What we said:

“The only real negative I can throw at this EP is it’s all over in 10 minutes and quite frankly I need more. Irk have whet my appetite for more rollicking, mathcore lunacy and that’s a pretty good indication as to how good Bread and Honey is. You’d be a fool not to give Irk at least 10 minutes of your time. It might be the best 10 minutes you’ve had with heavy music this year.”

Read the full review by clicking here.


Touring: Employed to Serve, Svalbard, Pariso and More

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If you like heavy music from the UK’s wealth of noisey talent then you are absolutely spoilt for choice right now. Below we have compiled a list of tours and shows that are worthy of your attention because they feature some of our favourite bands currently doing the rounds.

Pariso & Svalbard Split Tour
11/7 – Katie Fitzgerald’s, Stourbridge
12/7 – The Roxy 171, Glasgow
18/7 – Unicorn, London
19/7 – Edge of the Wedge, Portsmouth
2/8 – Summerfest at Frog&Fiddle 2 Pigs, Cheltenham
3/8 – Sick Sick Six Fest, Leicester

Employed to Serve & Svalbard European Tour
5/8 – DNA, Brussels
6/8 – AJZ Talshock, Chemnitz
7/8 – TBA
8/8 – Capsloc, Capelle Aan Den Ijssel
9/8 – Waldmeister, Solingen
10/8 – TBA

Other Great Shows
9/7 – Unicorn, Camden (ACxDC, Implore, Oblivionized, Razoreater & TEEF)
18/7 – Rigger, Newcastle (Empires of Light, Burden of the Noose & Black Heath Coven)
19/7 – Stuck on a Name Studios, Nottingham (Oblivionized/Razoreater split recording)
15-17/8 – Chimpyfest at T Chances, Tottenham Court Road (feat. The Atrocity Exhibit, Razoreater & Confine)
23/9 – Old Blue Last, Shoreditch (Hexis, Rainmaker, Let It Die, Employed to Serve & Oblivionized)


News: Help Save ‘Kin Hell Fest

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The amazing Leeds metal festival ‘Kin Hell Fest took place this past weekend and despite a stunning line-up that included Napalm Death, Onslaught, Anaal Nathrakh, Lockup and UK Scumscene favourites Trudger, Hawk Eyes and Employed to Serve, the festival was under-attended and made a huge loss.

If you would like to help the organisers out and ensure the festival can return then you can lend your support by purchasing some discounted left-over merchandise which includes t-shirts, posters and patches. Head over to the ‘Kin Hell Fest Big Cartel to see what’s on offer.

Also still available is last year’s mammoth 83 track compilation which can be purchased for a mere £2.50. Make sure that you do because it features tracks from bands like Oblivionized, Aghast!, DSDNT and Roll on Three.


Review: Employed to Serve’s Change Nothing, Regret Everything

If you’ve been following UK Scumscene closely for these last two years then I’m sure you’ll already know who Employed to Serve are. We’ve been big fans of the band’s first two EPs but if you’re new to them then allow me to reiterate. Employed to Serve started as a studio project by Justine Jones and Sammy Urwin but soon expanded into a full line-up so the band could tour. Their latest EP ‘Change Nothing, Regret Everything’ is their first recorded material featuring their full line-up and plays out in a similar mathcore fashion to their previous work, so expect a sound similar to that of The Dillinger Escape Plan, Botch and Converge.

The main thing you’ll notice about this record is how utterly ferocious Employed to Serve sound with live drums driving the action. The whole record sounds much more organic now the band have Robbie Black’s hard-hitting yet scrappy drumming in the mix. It really lights up songs like the re-recording of ‘Perfect Smiles and Crooked Teeth’.

The mix has also been stripped back to showcase a sound that’s as true to a live recording as possible. There’s no bells and whistles randomly scattered about the place on this EP; this really does sound like four guys and one gal going absolutely ape-shit and dragging you along for the ride.

Another big change is how the vocals on this EP are entirely screamed. Justine sounds even more pissed off than usual and her performance is absolutely electrifying in the process. It’s a shame that Sammy’s haunting singing doesn’t return to help diversify the record slightly, but this is a minor complaint that merely marks a “what if?” scenario that we’ve painted in our minds. The important thing is the band are evolving and trying new things which gives ‘Change Nothing, Regret Everything’ an identity of its own.

Speaking of Sammy, the guitarist is on absolutely top form. Riffs are always monolithic and hugely inventive. The guitar work twists and turns with the complex structure of the songs and some amazing material is on display in songs like ‘You Looked Forever’ which continually expands before it explodes into a huge hardcore riff that brings the whole EP to a satisfying end.

Employed to Serve are on top of their game and continue to be one of the most exciting bands in the UK right now. Their sound continues to evolve into a much larger, more technical beast and the band know how to maximise on huge riffs and interesting song structures to keep their audience engaged whilst smashing their faces through their nearest wall. This is an intense and fairly progressive record that deserves a place in your record collection.

8/10

Employed to Serve’s ‘Change Nothing, Regret Everything’ is released on 12″ vinyl through Holy Roar Records on March 31st 2014.