Leicester groove metallers Temple of Lies return with their sophomore effort, From Sand. Anyone who’s caught Temple of Lies’ live show will understand how utterly electric this band are and their bluesy riffs command some serious attention. But how well does Temple of Lies’ live sound transfer the mighty to long-player?
Sadly, From Sand is a little underwhelming. While it’s often obvious that Temple of Lies’ song-writing carries their music much better than their producer does, From Sand is a bit undercooked when you consider how devastatingly weighty the band’s live show is.
Album highlights like Bats and Fire in the Hole shine bright on an album that is extremely lacking in power. These tracks in particular are loaded with riffs to bang your head to and the bare-bones job done on the mix (that’s also thoroughly lacking in bass) can’t spoil these perfectly constructed slabs of rock. Unfortunately, you’ll still wonder how massive these songs could have sounded with the right person at the mixing desk.
That becomes the recurring thought while listening to From Sand. Songs like Rope and MoM are perfectly serviceable bursts of riff-laden blues rock that showcase Jon Scranney’s amazing guitar work, but they sound so flat that it’s difficult to get excited.
The other disappointment comes with Si Shaw’s lyricism. This is a real shame when you consider how much of a character Shaw is. When the man performs live his face is always plastered with a crazed grin and wide eyes and his barked vocal style is extremely commanding. However, when he sings stuff like, “you won’t even swallow” without a hint of irony and throws in references to crystal meth simply because he’s been singing about crystal balls, you realise that Shaw is a bit of a lazy lyricist. He writes lyrics that he thinks sound cool but they’re so overloaded with metal clichés that they become somewhat laughable.
Despite all of this, there’s a decent groove metal record hidden amongst the bad decisions. In the right hands, Temple of Lies’ From Sand could have sounded like the lovechild of Panic Cell and Clutch, and while the band’s song-writing often comes close to those lofty goals, the flat and lifeless audio mix drags this album into the dirt. Hopefully Temple of Lies can produce a follow-up that lives up to the potential created by their amazing live show.
Temple of Lies’ From Sand is out now and available to buy from all good digital music outlets.