Stallone have returned under a new name as Eulogy and Eternal Worth marks a distinctive stylistic shift from the band’s previous material. While previous records Cardiac Black and Mire sat more comfortably in the mathcore category bringing in comparisons to bands like Palm Reader, Eternal Worth takes a more direct approach to its song-writing that results in a more metallic hardcore sound akin to bands like Old Skin.
While this is still very much heavy music in the hardcore mould, you definitely notice Eulogy’s music spends less time noodling around with complex structures and more time beating you into submission with a massive groove. This is the clear distinction between the Eulogy of old and the Eulogy of now; the riffs are placed front and centre. While Mire would often get bogged down (no pun intended) in technical wizardry, songs like Deaf Cult clearly favour melody. That nasty, stomping riff that kicks everything off is certainly proof of that.
This shift in structure means Eulogy sound doubly pissed off as a result. The opening one-two of Doubt Shadows and Deaf Cult deal in some of the most disgustingly bile-ridden screams we’ve heard from the band and there’s some liberal use of blast-beats to make this the most metal-sounding Eulogy record to date.
What this change in song-writing also enables Eulogy to do is work with songs in a longer format that don’t outstay their welcome. Closing track Beyond the Skin is still as hate-fuelled and metallic as everything else on Eternal Worth, but now the band can explore more atmospheric lead guitar work and moments of haunting respite that create a considerably bleak vibe. There’s more to this song than your standard mosh-a-long anthem.
Eulogy have hit their stride on Eternal Worth. This is a record that doesn’t mess about and gets straight to the point. This is a laser-focussed metallic hardcore assault that is big on groove and if the name change wasn’t a big enough indicator, it marks an important step up for Eulogy as a band.