Review: InMe’s Trilogy: Dawn


What were your dreams as a teenager? Could you see yourself achieving those dreams? Could you continue to follow them into adulthood or would you lose interest in them? Is what you dreamt of doing as a teenager the same as what you dream of doing as an adult? InMe are a band that delivered on the dreams of two young men in the form of Dave McPherson and Simon Taylor and twelve years on from their debut album the two men have recruited two other men to continue their dreams into adulthood. It’s an inspiring tale but also an amazing story of knowing what you want to do with your life at such a young age.

Five albums later, InMe are now ready to drop their sixth and it’s the first part in a mammoth three album project. Each album in this trilogy is linked thematically and each showcases a signature part of InMe’s sound. The first album of the project is called Trilogy: Dawn and it showcases the more song-driven, anthemic side of the band that they previously explored in their earlier days. Unlike InMe’s earlier days, the band’s dynamic has changed dramatically with the inclusion of Greg McPherson and Gaz Marlow and while the band showcase moments of rock radio glory on Trilogy: Dawn, a lot of the songs feel bloated and lacking choruses as strong as those in songs like Crushed Like Fruit and So You Know.

There are also some bizarre choices in regards to the album’s running order. Instead of beginning with a song that sets things off in an explosive manner, opener Creation: Amethyst sounds like a mid-album ballad and it’s a very limp and underwhelming experience. In fact, it feels like Trilogy: Dawn takes quite a while before it gets into its stride and starts to deliver the sort of anthemic rock that InMe are so good at.

Four songs in we get Loss: Children of Exile and it finally feels like InMe have arrived. The angular riff that carries the beginning of the track is one the band’s best and it reminds us of Far Reaching from Daydream Anonymous. It isn’t long before the song opens up into a chorus that demands to be sung by a legion of fans and InMe are finally firing on all cylinders.

The second half of Trilogy: Dawn has some of InMe’s best work with the electronic-tinged Amnesty: Bonsai Forest being a real highlight. This is one of the most interesting things InMe have created so far and the beat in the chorus gives the song a trap music vibe. Then there’s the double dose of Chrysalis: Lone Dance on an Empty and Hymn: Ivory Elder which are future InMe classics. InMe have seen fit to make Hymn the lead single but it’ll be a massive shame if that wonderfully uplifting guitar hook in Chrysalis doesn’t get the radio play it deserves.

On the whole Trilogy: Dawn does a lot to showcase how fantastic InMe are and songs like Chrysalis feel almost celebratory. Unfortunately, a lot of Trilogy: Dawn feels unnecessarily drawn out and quite a few songs suffer from a lack of truly memorable melodies. InMe have all the capability to create amazing rock albums and they’ve proven that with their last effort The Pride, but Trilogy: Dawn feels overindulgent and bloated in comparison.


InMe’s Trilogy: Dawn is released on May 4th via Pledge Music.


About Lewis Clark

Long time fan of rock music and video games, webmaster and lead writer at UK Scumscene and SEGADriven. View all posts by Lewis Clark

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