It pains me to say it but Hawk Eyes have lost something on their latest record, Everything is Fine. The riff rockers have been riding a wave of success thanks to their wonderfully thick Engerica-meets-Reuben sound and their last EP, That’s What This Is showcased a more song-driven side to the band that seemed inevitable. It was energetic and exciting and I could hear the band lighting up rock radio up-and-down the country.
Sadly that song-driven style has been dropped on Everything is Fine and the whole record feels like a backwards step back into Modern Bodies territory. This is obviously not a huge issue because fans of that record will feel right at home thanks to the return of the dense, down-tuned and somewhat dark atmosphere that Modern Bodies is known for. That’s all here on Everything is Fine but listening to songs like Permission and Terribly Quelled sit side-by-side next to a re-recording of More Than a Million, which grabs you by the balls and doesn’t let go, makes it clearly apparent that a more direct and less progressive song structure does Hawk Eyes more favours than their moodier material.
The darker and more brooding tracks on Everything is Fine just feel lacking. While they certainly sound impressive on face value with their nasty, oozy guitars and dense production, the songs always lack a tasty hook or riff that could really push them to the next level. Tracks like The Ballad of Michael McGlue are bizarrely pedestrian listening experiences which is not something I ever thought I’d find myself saying about Hawk Eyes.
The weird thing is it’s apparent that this is still the same band. All the Hawk Eyes signatures are here; the riffs are heavy, the drums are thrashy and the vocals are a blend of raw barking and sung choruses. This is still the same Hawk Eyes you know and love but for whatever reason the songs on Everything is Fine simply drift on by without a riff or chorus barely managing to be as devastating or memorable as something like Witch Hunt or Skyspinners from Ideas.
Hawk Eyes have unfortunately made a slight miss-step on Everything is Fine. While the band’s satisfyingly thick riff-rock is still on show throughout the album, the meandering and broody nature of the music doesn’t accommodate memorable riffs and choruses. The absolute barnstormer that is More Than a Million proves exactly what most of Everything is Fine is missing; this album needs to spend more time getting to the point quicker and punctuating it with a catchy melody.
Hawk Eyes’ Everything is Fine is out now and available to buy direct from the band.