Review: Casino Thieves’ The Quiet Road Home


Early 2000s post hardcore! I like early 2000s post hardcore and so should you. Hundred Reasons, Hell is for Heroes and Funeral for a Friend delivered some classic albums full of massive riffs and even bigger choruses and Casino Thieves have clearly noticed this. The band have delivered an EP in a much similar vein and The Quiet Road Home bursts out the gates and doesn’t let up for the entirety of its duration.

Opener Halogen Eyes sets the mood perfectly with some gorgeously satisfying guitar work from singer/guitarist Jeremy Dessent. Dessent also powers through his vocal melodies with a brilliant voice that was made for hard rock music and its full of passion and melody. There’s also a lovely little solo before the final chorus that really sets it off. It’s a simple tactic but its effectiveness is sublime.

Also supporting Dessent’s melodies are some hugely impressive bass-lines courtesy of Leon Jones who favours a very deep, warm and twangy tone that’s always present in the mix but never to the point of obnoxiousness. A real problem with having such prominent bass work is that it can often get too high in the mix, but Jones’ work gets the balance just right. This is evident in Exit or Entrance? which contains a large passage where Dessent’s guitar work takes a sort of stop/start approach which makes the bass even more prominent but not to the point where its intrusive.

Beefing up the band’s sound is some thunderous and crash-heavy drumming from Adam Kerslake. We’re a big fan of the man’s powerful yet thrashy style and Kerslake sounds like he’s absolutely dominating his kit for the entire EP. This is a record made for air drumming.

The only real negative we can through at The Quiet Road Home is the lack of variety in the songs. This is not to say that they aren’t beautifully written but it can be a bit exhausting listening to four post hardcore bangers in a row and they all follow the same sort of pop structure we’re all too familiar with. Thankfully we are given a breather for the final track Beautiful Lenses which opens with a stripped-back, jangly, guitar melody and generally follows a slightly slower tempo than the tracks that preceded it, but it might have been nicer to have this appear at the half-way point. It’s only a slight niggle but it certainly affected our listening experience.

Regardless, Casino Thieves manage to tap into the excitement of early 2000s post hardcore with amazing results. The songs on The Quiet Road Home are thunderous and anthemic and its easy to envisage them coming from a big, festival stage where they belong. Casino Thieves have all the right elements to put them into the big leagues and this EP is a real highlight in modern post hardcore. I really hope to see these guys become a household name in a few years because this taps into an exciting era of rock music that clearly still has some life left in it.


Casino Thieves’ The Quiet Road Home is released on the 8th of December through all digital outlets.


About Lewis Clark

Long time fan of rock music and video games, webmaster and lead writer at UK Scumscene and SEGADriven. View all posts by Lewis Clark

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