Samoans have stepped into brave new territory with the release of their debut album Rescue. Previously an alt-rock band with math-like tendencies, the band has stripped their sound back to maximise on soaring melodies and expansive riffs. The pace of their music also been dialled back to allow for slower building songs that explode into huge chord-driven grooves that are reminiscent of post rock. If bands like Deftones and *shels have ever intrigued you then you’ll certainly find yourself in a comfortable environment with Samoans’ new direction.
Songs like Lightning Beneath the Sea are great examples of Samoans’ new formula in action. The song begins with a delicate introduction before the riffs flow thick. Vocalist and guitarist Daniel Barnett brings everything together with his powerful yet soulful vocal melodies. It’s surprising how satisfyingly wholesome everything sounds and Barnett manages this without hardly ever breaking into a scream. It’s always a good sign when a vocalist can carry heavy music without having to resort to barking their vocals at you all the time and Barnett achieves this perfectly. The main exception to the rule is A Thousand Knives / A Thousand Wives but even when that engages the scream it’s after a good five minutes of construction that results in an amazing crescendo.
Despite the move away from the band’s earlier math-rock style, there are some wonderfully progressive little moments that creep into songs like The Moth and Dancing on the Sea Lion. The Moth is probably the closest remnant of the Samoans of old and contains some brilliantly wild snare work from new sticks-man Chris Rouse. As for Dancing on the Sea Lion, the song has these bizarre little stop/start tempo changes that make it wonderfully weird and generally quite interesting to listen to without sacrificing melody for technical prowess.
The real step up in musicianship comes in the form of the textured lead guitar work and this is all thanks to the inclusion of new rhythm guitarist Oli Miles. With another guitarist in the mix Barnett has gone to town in sprinkling gorgeous, jangly leads over the verses and even finds room to bring some rather warm and endearing solos into play like the ones near the end of Dancing on the Sea Lion and Wearing Shorts in Scotland. It’s apparent that Samoans have really grown as song-writers as everything on Rescue has earned its place on the record through necessity and not through unnecessary decoration.
Finally we have to give a special mention to another masterful job at the production desk. Despite the glittery clarity that heightens the lead guitar work and makes the sombre vocals really shine, the mix favours the bass to allow the songs to really explode when the band open up with a huge chorus or riff.
Samoans may have engaged a subtle stylistic change but Rescue is a much better record because of it. The album has a beautiful knack for textured guitar work and epic melodies with enough meaty crunch to make it a real rocker at the same time. Samoans have entered the world of rock albums with a strong statement of intent and Rescue marks one of the best alt-rock releases of the year so far.
Samoans’ Rescue is out now and available to buy on 12″ vinyl direct from the band.